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Barker, Simon (2005) Shakespeare's problem plays: "All's Well that Ends Well", "Measure for Measure", "Troilus and Cressida". Contemporary critical essays (New casebooks) . Palgrave Macmillan. ISBN 9780333654279
Barker, Simon (2007) War and nation in the theatre of Shakespeare and his contemporaries. Edinburgh University Press. ISBN 9780748627653
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Cook, Daniel and Culley, Amy (2012) Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke. ISBN 9780230343078
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Culley, Amy (2009) Women's court and society memoirs. Chawton House Library Series, 1-4 . Pickering and Chatto. ISBN 9781851968770
Culley, Amy (2008) The sentimental satire of Sophia Baddeley. Studies in English Literature 1500-1900, 48 (3). pp. 677-692. ISSN 0039-3657
Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669
Erle, Sibylle and Garrison, Laurie (2008) Science, technology and the senses. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Garrison, Laurie (2008) Interdisciplinarity in Victorian studies. In: The Victorian literature handbook. Literature and Culture Handbooks . Continuum, London, pp. 190-203. ISBN 082649577X, 9780826495778
Garrison, Laurie (2009) My secret archive fetish, or, how an editor's passion for the real led to the publishing of the electronic editions of the Lord Chamberlain's Plays, 1852-1863. Nineteenth Century Theatre and Film, 36 (2). pp. 29-37. ISSN 1748 3727
Garrison, Laurie (2010) Science, sexuality and sensation novels: pleasures of the senses. Palgrave, Basingstoke. ISBN 9780230203167
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Garrison, Laurie (2007) The visual subject, circa 1810-1840: trends in Romanticism and Victorianism. Literature Compass, 4 (4). pp. 1078-1091. ISSN 1741-4113
Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.
Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.
Keeble, Richard (2001) Orwell as war correspondent: a reassessment. Journalism Studies, 2 (3). pp. 393-408. ISSN 1469-9699
Marlow, Christopher (2003) Friendship in Renaissance England. Literature Compass, 1 (1). pp. 1-9. ISSN 1741-4113
Pollard, Finn (2010) Making Britain great again: John Gardner, Raymond Benson and the resurrection of a literary bond. In: James Bond and popular culture: the films are not enough. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 368-378. ISBN 9781443822893
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Styler, Rebecca (2007) "A scripture of their own": nineteenth-century Bible biography and feminist Bible criticism. Christianity and Literature, 57 (1). pp. 65-85. ISSN 0148-3331
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781