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Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED (In Press)
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Edwards, Caroline and Eve, Martin Paul (2012) Alluvium: Journal of 21st-Century Literary Criticism. [Project]
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Culley, Amy and Styler, Rebecca (2011) Lives in relation [Life Writing: special issue]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Marlow, Christopher (2009) The folding text: Doctor Who, adaptation and fan fiction. In: Adaptation in contemporary culture: textual infidelities. Continuum, London , pp. 46-57. ISBN 9780826424648
Woolley, Agnes (2012) Questioning narrative authenticity in Kay Adshead’s The Bogus Woman. Moving Worlds, 12 (2). pp. 30-41. ISSN UNSPECIFIED
Burns, Lorna (2008) Landscape and genre in the Caribbean canon: a poetics of place and paradise. Journal of West Indian Literature, 17 (1). pp. 20-37. ISSN 0258-8501
Cheshire, Jim (2007) Tennyson transformed: Alfred Lord Tennyson and his interpreters in the visual arts (Alfred Lord Tennyson and visual culture). In: The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK.
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Woolley, Agnes (2012) "Something blurred in her?": imagining hospitality in Graham Swift’s The Light of Day. Textual Practice, 26 (3). pp. 449-465. ISSN 0950-236X
Woolley, Agnes (2012) Questioning narrative authenticity in Kay Adshead’s The Bogus Woman. Moving Worlds, 12 (2). pp. 30-41. ISSN UNSPECIFIED
Culley, Amy and Styler, Rebecca (2011) Lives in relation [Life Writing: special issue]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Culley, Amy and Styler, Rebecca (2011) Lives in relation [Life Writing: special issue]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2010) An interview with Jon McGregor. Contemporary Literature, 51 (2). pp. 217-245. ISSN 0010-7484
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Burns, Lorna (2011) Politicising paradise: Shani Mootoo's "Cereus blooms at night". Journal of West Indian Literature, 19 (2). pp. 52-67. ISSN 0258-8501
Burns, Lorna (2008) Landscape and genre in the Caribbean canon: a poetics of place and paradise. Journal of West Indian Literature, 17 (1). pp. 20-37. ISSN 0258-8501
Burns, Lorna (2011) Prophetic visions of the past: The Arrivants and Another Life. In: The Routledge companion to anglophone Caribbean literature. Routledge. ISBN 0415485770
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Burns, Lorna (2011) Politicising paradise: Shani Mootoo's "Cereus blooms at night". Journal of West Indian Literature, 19 (2). pp. 52-67. ISSN 0258-8501
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Eve, Martin Paul (2012) Thomas Pynchon, David Foster Wallace and the problems of 'metamodernism'��: post-millennial post-postmodernism? C21 Literature, 1 (1). pp. 7-25. ISSN 2045-5224
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Coley, Rob and Lockwood, Dean (2013) The radical fantastic: fabulatory politics in China Miéville’s cities of ‘Lies-that-Truth’. C21 Literature: Journal of 21st-Century Writings, 1 (1). ISSN 2045-5216 (In Press)
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Burns, Lorna (2011) Prophetic visions of the past: The Arrivants and Another Life. In: The Routledge companion to anglophone Caribbean literature. Routledge. ISBN 0415485770
Woolley, Agnes (2012) "Something blurred in her?": imagining hospitality in Graham Swift’s The Light of Day. Textual Practice, 26 (3). pp. 449-465. ISSN 0950-236X
Marlow, Christopher (2009) The folding text: Doctor Who, adaptation and fan fiction. In: Adaptation in contemporary culture: textual infidelities. Continuum, London , pp. 46-57. ISBN 9780826424648
Eve, Martin Paul (2013) DeLillo, aesthetics, the Cold Iraq War. Alluvium: 21st-Century Writing, 21st-Century Approaches, 2 (3). ISSN UNSPECIFIED
Eve, Martin Paul (2013) "It sure as hell looked like war": terrorism and the Cold War in Thomas Pynchon's Against the Day and Don DeLillo's Underworld. In: Thomas Pynchon and the (de)vices of global (post)modernity. Wydawnictwo KUL, Lublin. ISBN 9788377026106 (In Press)
Eve, Martin Paul (2012) Still here: post-millennial metafiction and crypto-didacticism. Alluvium, 1 (3). ISSN UNSPECIFIED
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Maycroft, Neil (2002) Impromptu in Moribundia [Hamilton, review]. Historical Materialism, 10 (4). p. 291. ISSN 1465-4466
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Marlow, Christopher (2011) Political friendships in William Cartwright’s The Lady-Errant. In: Discourses and representations of friendship in early modern Europe, 1500-1700. Ashgate, pp. 195-208. ISBN 0754669033
Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Burns, Lorna (2009) Becoming-postcolonial, becoming-Caribbean: Edouard Glissant and the poetics of Creolization. Textual Practice, 23 (1). pp. 99-117. ISSN 0950-236x
Eve, Martin Paul (2011) Secondary schools are not adequately preparing students for higher education. Guardian . ISSN 0261-3077
Cook, Daniel and Culley, Amy (2012) Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke. ISBN 9780230343078
Cook, Daniel and Culley, Amy (2012) Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke. ISBN 9780230343078
Culley, Amy (2009) 'One cannot judge what is like oneself': Elizabeth Fox and the ties of community. In: Life writing: the spirit of the age and the state of the art. Cambridge Scholars Publishing, pp. 102-111. ISBN 9781443805261
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Barker, Simon and Deloney, Thomas (2007) The gentle craft. Non-canonical early modern popular texts . Ashgate, Farnham, Surrey. ISBN 9780754638940
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.
Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.
Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Eve, Martin Paul (2012) Pynchon, philosophy, ethics. 3:AM Magazine . ISSN UNSPECIFIED
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Marlow, Christopher (2011) Political friendships in William Cartwright’s The Lady-Errant. In: Discourses and representations of friendship in early modern Europe, 1500-1700. Ashgate, pp. 195-208. ISBN 0754669033
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Marlow, Christopher (2011) Political friendships in William Cartwright’s The Lady-Errant. In: Discourses and representations of friendship in early modern Europe, 1500-1700. Ashgate, pp. 195-208. ISBN 0754669033
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Burns, Lorna (2010) Becoming-Bertha: virtual difference and repetition in postcolonial ‘writing back’, a Deleuzian reading of Jean Rhys’s "Wide Sargasso Sea". Deleuze Studies, 4 (1). pp. 16-41. ISSN 1750-2241
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Cheshire, Jim (2010) Gustave Doré's illustrations to Idylls of the king and Anglo-French politics. In: Poetry Politics and Pictures in the Nineteenth Century, 26-27 March 2010, University of Sheffield.
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Redpath, Catherine and Redpath, Phil (2013) "Like the Spring of a Beast": traumatological haunting in "The Turn of the Screw". The International Journal of the Humanities, 9 (12). pp. 241-249. ISSN 1447-9508
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Cheshire, Jim (2010) Gustave Doré's illustrations to Idylls of the king and Anglo-French politics. In: Poetry Politics and Pictures in the Nineteenth Century, 26-27 March 2010, University of Sheffield.
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Barker, Simon and Gill, Jo (2010) Literature as history: essays in honour of Peter Widdowson. Continuum International Publishing Group Ltd. ISBN 9780826433855
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Eve, Martin Paul (2013) DeLillo, aesthetics, the Cold Iraq War. Alluvium: 21st-Century Writing, 21st-Century Approaches, 2 (3). ISSN UNSPECIFIED
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Burns, Lorna (2008) Landscape and genre in the Caribbean canon: a poetics of place and paradise. Journal of West Indian Literature, 17 (1). pp. 20-37. ISSN 0258-8501
Burns, Lorna (2010) Becoming-Bertha: virtual difference and repetition in postcolonial ‘writing back’, a Deleuzian reading of Jean Rhys’s "Wide Sargasso Sea". Deleuze Studies, 4 (1). pp. 16-41. ISSN 1750-2241
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Edwards, Caroline (2010) An interview with Jon McGregor. Contemporary Literature, 51 (2). pp. 217-245. ISSN 0010-7484
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Burns, Lorna (2011) Prophetic visions of the past: The Arrivants and Another Life. In: The Routledge companion to anglophone Caribbean literature. Routledge. ISBN 0415485770
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Barker, Simon and Haydon, Colin (1992) Winchester: history and literature - the proceedings of a conference held in celebration of the 150th anniversary of the founding of King Alfred's college. King Alfred's College , York. ISBN 0907245048
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Culley, Amy and Styler, Rebecca (2011) Lives in relation [Life Writing: special issue]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Barker, Simon (2007) War and nation in the theatre of Shakespeare and his contemporaries. Edinburgh University Press. ISBN 9780748627653
Eve, Martin Paul (2013) "It sure as hell looked like war": terrorism and the Cold War in Thomas Pynchon's Against the Day and Don DeLillo's Underworld. In: Thomas Pynchon and the (de)vices of global (post)modernity. Wydawnictwo KUL, Lublin. ISBN 9788377026106 (In Press)
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Marlow, Christopher (2006) Friendship, misogyny, and the anti-theatrical prejudice: the difference of The Rivall Friends. Peer English: The Journal of New Critical Thinking . pp. 25-33. ISSN 1746-5621
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Edwards, Caroline and Dillon, Sarah (2013) Maggie Gee: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Eve, Martin Paul (2012) Still here: post-millennial metafiction and crypto-didacticism. Alluvium, 1 (3). ISSN UNSPECIFIED
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Eve, Martin (2011) Thomas Pynchon, Michel Foucault and philosophico-literary hospitality. Berfrois . ISSN UNSPECIFIED
Eve, Martin Paul (2012) Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon. Textual Practice, 26 (5). pp. 921-939. ISSN 0950-236X
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Culley, Amy (2009) 'One cannot judge what is like oneself': Elizabeth Fox and the ties of community. In: Life writing: the spirit of the age and the state of the art. Cambridge Scholars Publishing, pp. 102-111. ISBN 9781443805261
de Luca, Christine and Jamieson, Robert Alan and Sinclair, Lise and Ehin, Andres and Katajavuori, Riina and Sigurdsson, Adalsteinn Asberg and Sorheim, Thor and Aizpuriete, Amanda (2006) All points north. Caseroom Press, Lincoln, UK. ISBN 0953223566
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Eve, Martin Paul and Thomas, Samuel and Haynes, Doug and De Bourcier, Simon (2012) Preface. Orbit: Writing Around Pynchon, 1 (1). pp. 1-3. ISSN UNSPECIFIED
Maycroft, Neil (2002) Impromptu in Moribundia [Hamilton, review]. Historical Materialism, 10 (4). p. 291. ISSN 1465-4466
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053
Burns, Lorna (2009) Becoming-postcolonial, becoming-Caribbean: Edouard Glissant and the poetics of Creolization. Textual Practice, 23 (1). pp. 99-117. ISSN 0950-236x
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Burns, Lorna (2011) Uncovering the marvellous: surrealism and the writings of Wilson Harris. Journal of Postcolonial Writing, 47 (1). pp. 52-64. ISSN 1744-9855
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Eve, Martin Paul and Jones, Jennifer M. (2011) Angry young academics: striving for more than consumerism. Guardian . ISSN 0261-3077
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Culley, Amy and Styler, Rebecca (2011) Lives in relation [Life Writing: special issue]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2011) Faith, feeling, reality: Anne Bronte as an existentialist poet. In: Towards a new literary humanism. Palgrave Macmillan, Basingstoke, pp. 28-43. ISBN 9780230238152
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Barker, Simon (2001) The drugs don’t work: theatre, theory … and after. Literature and History, 10 (2). pp. 79-83. ISSN UNSPECIFIED
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Cook, Daniel and Culley, Amy (2012) Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke. ISBN 9780230343078
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED
Maycroft, Neil (2002) Impromptu in Moribundia [Hamilton, review]. Historical Materialism, 10 (4). p. 291. ISSN 1465-4466
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Barker, Simon (2005) Shakespeare's problem plays: "All's Well that Ends Well", "Measure for Measure", "Troilus and Cressida". Contemporary critical essays (New casebooks) . Palgrave Macmillan. ISBN 9780333654279
Barker, Simon (2001) The drugs don’t work: theatre, theory … and after. Literature and History, 10 (2). pp. 79-83. ISSN UNSPECIFIED
Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053
Burns, Lorna (2011) Politicising paradise: Shani Mootoo's "Cereus blooms at night". Journal of West Indian Literature, 19 (2). pp. 52-67. ISSN 0258-8501
Woolley, Agnes (2012) "Something blurred in her?": imagining hospitality in Graham Swift’s The Light of Day. Textual Practice, 26 (3). pp. 449-465. ISSN 0950-236X
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2010) Gustave Doré's illustrations to Idylls of the king and Anglo-French politics. In: Poetry Politics and Pictures in the Nineteenth Century, 26-27 March 2010, University of Sheffield.
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Eve, Martin Paul (2013) DeLillo, aesthetics, the Cold Iraq War. Alluvium: 21st-Century Writing, 21st-Century Approaches, 2 (3). ISSN UNSPECIFIED
Eve, Martin Paul (2013) "It sure as hell looked like war": terrorism and the Cold War in Thomas Pynchon's Against the Day and Don DeLillo's Underworld. In: Thomas Pynchon and the (de)vices of global (post)modernity. Wydawnictwo KUL, Lublin. ISBN 9788377026106 (In Press)
Marlow, Christopher (2009) The folding text: Doctor Who, adaptation and fan fiction. In: Adaptation in contemporary culture: textual infidelities. Continuum, London , pp. 46-57. ISBN 9780826424648
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Eve, Martin (2011) Thomas Pynchon, Michel Foucault and philosophico-literary hospitality. Berfrois . ISSN UNSPECIFIED
Eve, Martin Paul (2011) Historical sources for Pynchon's Peter Pinguid Society. Pynchon Notes, 56-57 . pp. 242-245. ISSN 0278-1891
Eve, Martin Paul (2013) "It sure as hell looked like war": terrorism and the Cold War in Thomas Pynchon's Against the Day and Don DeLillo's Underworld. In: Thomas Pynchon and the (de)vices of global (post)modernity. Wydawnictwo KUL, Lublin. ISBN 9788377026106 (In Press)
Eve, Martin Paul (2012) Pynchon, philosophy, ethics. 3:AM Magazine . ISSN UNSPECIFIED
Eve, Martin Paul (2012) Thomas Pynchon, David Foster Wallace and the problems of 'metamodernism'��: post-millennial post-postmodernism? C21 Literature, 1 (1). pp. 7-25. ISSN 2045-5224
Eve, Martin Paul (2012) Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon. Textual Practice, 26 (5). pp. 921-939. ISSN 0950-236X
Eve, Martin Paul and Thomas, Samuel and Haynes, Doug and De Bourcier, Simon (2012) Preface. Orbit: Writing Around Pynchon, 1 (1). pp. 1-3. ISSN UNSPECIFIED
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
de Luca, Christine and Jamieson, Robert Alan and Sinclair, Lise and Ehin, Andres and Katajavuori, Riina and Sigurdsson, Adalsteinn Asberg and Sorheim, Thor and Aizpuriete, Amanda (2006) All points north. Caseroom Press, Lincoln, UK. ISBN 0953223566
Woolley, Agnes (2012) Questioning narrative authenticity in Kay Adshead’s The Bogus Woman. Moving Worlds, 12 (2). pp. 30-41. ISSN UNSPECIFIED
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Barker, Simon (2007) War and nation in the theatre of Shakespeare and his contemporaries. Edinburgh University Press. ISBN 9780748627653
Redpath, Catherine and Redpath, Phil (2013) "Like the Spring of a Beast": traumatological haunting in "The Turn of the Screw". The International Journal of the Humanities, 9 (12). pp. 241-249. ISSN 1447-9508
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Burns, Lorna (2008) Landscape and genre in the Caribbean canon: a poetics of place and paradise. Journal of West Indian Literature, 17 (1). pp. 20-37. ISSN 0258-8501
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399
Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Burns, Lorna (2010) Becoming-Bertha: virtual difference and repetition in postcolonial ‘writing back’, a Deleuzian reading of Jean Rhys’s "Wide Sargasso Sea". Deleuze Studies, 4 (1). pp. 16-41. ISSN 1750-2241
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Burns, Lorna (2008) Creolization and the collective unconscious: locating the originality of art in Wilson Harris's Jonestown. Postcolonial Text, 4 (2). ISSN 1705-9100
Burns, Lorna (2011) Uncovering the marvellous: surrealism and the writings of Wilson Harris. Journal of Postcolonial Writing, 47 (1). pp. 52-64. ISSN 1744-9855
Barker, Simon and Haydon, Colin (1992) Winchester: history and literature - the proceedings of a conference held in celebration of the 150th anniversary of the founding of King Alfred's college. King Alfred's College , York. ISBN 0907245048
Culley, Amy (2009) 'One cannot judge what is like oneself': Elizabeth Fox and the ties of community. In: Life writing: the spirit of the age and the state of the art. Cambridge Scholars Publishing, pp. 102-111. ISBN 9781443805261
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Edwards, Caroline (2010) An interview with Jon McGregor. Contemporary Literature, 51 (2). pp. 217-245. ISSN 0010-7484
Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Dubois, Diane (2012) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802
Edwards, Caroline and Eve, Martin Paul (2012) Alluvium: Journal of 21st-Century Literary Criticism. [Project]
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Edwards, Caroline and Dillon, Sarah (2013) Maggie Gee: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Edwards, Caroline and Eve, Martin Paul (2012) Alluvium: Journal of 21st-Century Literary Criticism. [Project]
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2010) An interview with Jon McGregor. Contemporary Literature, 51 (2). pp. 217-245. ISSN 0010-7484
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Burns, Lorna (2009) Becoming-postcolonial, becoming-Caribbean: Edouard Glissant and the poetics of Creolization. Textual Practice, 23 (1). pp. 99-117. ISSN 0950-236x
Burns, Lorna (2008) Creolization and the collective unconscious: locating the originality of art in Wilson Harris's Jonestown. Postcolonial Text, 4 (2). ISSN 1705-9100
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Woolley, Agnes (2012) Questioning narrative authenticity in Kay Adshead’s The Bogus Woman. Moving Worlds, 12 (2). pp. 30-41. ISSN UNSPECIFIED
Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669
Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438 (In Press)
Barker, Simon (2007) War and nation in the theatre of Shakespeare and his contemporaries. Edinburgh University Press. ISBN 9780748627653
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669
Burns, Lorna (2008) Landscape and genre in the Caribbean canon: a poetics of place and paradise. Journal of West Indian Literature, 17 (1). pp. 20-37. ISSN 0258-8501
Coley, Rob and Lockwood, Dean (2013) The radical fantastic: fabulatory politics in China Miéville’s cities of ‘Lies-that-Truth’. C21 Literature: Journal of 21st-Century Writings, 1 (1). ISSN 2045-5216 (In Press)
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Marlow, Christopher (2009) The folding text: Doctor Who, adaptation and fan fiction. In: Adaptation in contemporary culture: textual infidelities. Continuum, London , pp. 46-57. ISBN 9780826424648
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Marlow, Christopher (2006) Friendship, misogyny, and the anti-theatrical prejudice: the difference of The Rivall Friends. Peer English: The Journal of New Critical Thinking . pp. 25-33. ISSN 1746-5621
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Marlow, Christopher (2009) The folding text: Doctor Who, adaptation and fan fiction. In: Adaptation in contemporary culture: textual infidelities. Continuum, London , pp. 46-57. ISBN 9780826424648
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Redpath, Catherine and Redpath, Phil (2013) "Like the Spring of a Beast": traumatological haunting in "The Turn of the Screw". The International Journal of the Humanities, 9 (12). pp. 241-249. ISSN 1447-9508
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Barker, Simon and Haydon, Colin (1992) Winchester: history and literature - the proceedings of a conference held in celebration of the 150th anniversary of the founding of King Alfred's college. King Alfred's College , York. ISBN 0907245048
Barker, Simon (2005) Shakespeare's problem plays: "All's Well that Ends Well", "Measure for Measure", "Troilus and Cressida". Contemporary critical essays (New casebooks) . Palgrave Macmillan. ISBN 9780333654279
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Burns, Lorna (2011) Uncovering the marvellous: surrealism and the writings of Wilson Harris. Journal of Postcolonial Writing, 47 (1). pp. 52-64. ISSN 1744-9855
Ford, John and Barker, Simon (1997) 'Tis pity she's a whore. Routledge English Texts . Routledge. ISBN 0415049474
Ford, John and Barker, Simon (1997) 'Tis pity she's a whore. Routledge English Texts . Routledge. ISBN 0415049474
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Barker, Simon (2005) Shakespeare's problem plays: "All's Well that Ends Well", "Measure for Measure", "Troilus and Cressida". Contemporary critical essays (New casebooks) . Palgrave Macmillan. ISBN 9780333654279
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Edwards, Caroline and Eve, Martin Paul (2012) Alluvium: Journal of 21st-Century Literary Criticism. [Project]
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Barker, Simon (2005) Shakespeare's problem plays: "All's Well that Ends Well", "Measure for Measure", "Troilus and Cressida". Contemporary critical essays (New casebooks) . Palgrave Macmillan. ISBN 9780333654279
Barker, Simon (2010) "We gather honey from the weed": Shakespearean manoeuvres in the deserts of Iraq. La Torre di Babele: Revista di Letteratura e Linguistica, 6 . pp. 11-24. ISSN 1724-3114
Barker, Simon and Deloney, Thomas (2007) The gentle craft. Non-canonical early modern popular texts . Ashgate, Farnham, Surrey. ISBN 9780754638940
Barker, Simon and Gill, Jo (2010) Literature as history: essays in honour of Peter Widdowson. Continuum International Publishing Group Ltd. ISBN 9780826433855
Barker, Simon and Hinds, Hilary (2002) Routledge anthology of renaissance drama. Routledge. ISBN 9780415187343
Edwards, Caroline and Eve, Martin Paul (2012) Alluvium: Journal of 21st-Century Literary Criticism. [Project]
Barker, Simon (2001) The drugs don’t work: theatre, theory … and after. Literature and History, 10 (2). pp. 79-83. ISSN UNSPECIFIED
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Burns, Lorna (2011) Uncovering the marvellous: surrealism and the writings of Wilson Harris. Journal of Postcolonial Writing, 47 (1). pp. 52-64. ISSN 1744-9855
Maycroft, Neil (2009) Reading 'Hangover Square': ideology and inversion in the novels of Patrick Hamilton. In: Utopian Spaces of British Literature and Culture, 1890-1945, 18 September 2009, University of Oxford.
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Coley, Rob and Lockwood, Dean (2013) The radical fantastic: fabulatory politics in China Miéville’s cities of ‘Lies-that-Truth’. C21 Literature: Journal of 21st-Century Writings, 1 (1). ISSN 2045-5216 (In Press)
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Edwards, Caroline and Dillon, Sarah (2013) Maggie Gee: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Burns, Lorna (2009) Becoming-postcolonial, becoming-Caribbean: Edouard Glissant and the poetics of Creolization. Textual Practice, 23 (1). pp. 99-117. ISSN 0950-236x
Burns, Lorna (2010) Becoming-Bertha: virtual difference and repetition in postcolonial ‘writing back’, a Deleuzian reading of Jean Rhys’s "Wide Sargasso Sea". Deleuze Studies, 4 (1). pp. 16-41. ISSN 1750-2241
Burns, Lorna (2011) Politicising paradise: Shani Mootoo's "Cereus blooms at night". Journal of West Indian Literature, 19 (2). pp. 52-67. ISSN 0258-8501
Barker, Simon and Deloney, Thomas (2007) The gentle craft. Non-canonical early modern popular texts . Ashgate, Farnham, Surrey. ISBN 9780754638940
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Culley, Amy (2009) 'One cannot judge what is like oneself': Elizabeth Fox and the ties of community. In: Life writing: the spirit of the age and the state of the art. Cambridge Scholars Publishing, pp. 102-111. ISBN 9781443805261
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Eve, Martin Paul (2012) Thomas Pynchon, David Foster Wallace and the problems of 'metamodernism'��: post-millennial post-postmodernism? C21 Literature, 1 (1). pp. 7-25. ISSN 2045-5224
Eve, Martin Paul (2012) Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon. Textual Practice, 26 (5). pp. 921-939. ISSN 0950-236X
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Styler, Rebecca (2011) Faith, feeling, reality: Anne Bronte as an existentialist poet. In: Towards a new literary humanism. Palgrave Macmillan, Basingstoke, pp. 28-43. ISBN 9780230238152
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Redpath, Catherine and Redpath, Phil (2013) "Like the Spring of a Beast": traumatological haunting in "The Turn of the Screw". The International Journal of the Humanities, 9 (12). pp. 241-249. ISSN 1447-9508
Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Culley, Amy (2009) 'One cannot judge what is like oneself': Elizabeth Fox and the ties of community. In: Life writing: the spirit of the age and the state of the art. Cambridge Scholars Publishing, pp. 102-111. ISBN 9781443805261
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Styler, Rebecca (2011) Faith, feeling, reality: Anne Bronte as an existentialist poet. In: Towards a new literary humanism. Palgrave Macmillan, Basingstoke, pp. 28-43. ISBN 9780230238152
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Eve, Martin Paul (2012) Whose line is it anyway?: enlightenment, revolution, and ipseic ethics in the works of Thomas Pynchon. Textual Practice, 26 (5). pp. 921-939. ISSN 0950-236X
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (1). ISSN 1218-7364 (In Press)
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Eve, Martin Paul (2012) Thomas Pynchon, David Foster Wallace and the problems of 'metamodernism'��: post-millennial post-postmodernism? C21 Literature, 1 (1). pp. 7-25. ISSN 2045-5224
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.
Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)
Burns, Lorna (2009) Becoming-postcolonial, becoming-Caribbean: Edouard Glissant and the poetics of Creolization. Textual Practice, 23 (1). pp. 99-117. ISSN 0950-236x
Barker, Simon (2007) War and nation in the theatre of Shakespeare and his contemporaries. Edinburgh University Press. ISBN 9780748627653
Edwards, Caroline and Venezia, Antonio (2013) China Miéville: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Burns, Lorna (2011) Uncovering the marvellous: surrealism and the writings of Wilson Harris. Journal of Postcolonial Writing, 47 (1). pp. 52-64. ISSN 1744-9855
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Woolley, Agnes (2014) Contemporary asylum narratives: representing refugees in the twenty-first century. Palgrave Macmillan, Basingstoke. ISBN UNSPECIFIED (In Press)
Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Redpath, Catherine and Redpath, Phil (2013) "Like the Spring of a Beast": traumatological haunting in "The Turn of the Screw". The International Journal of the Humanities, 9 (12). pp. 241-249. ISSN 1447-9508
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-First Century Fiction. Palgrave. ISBN 9781137035172
Edwards, Caroline (2010) An interview with Jon McGregor. Contemporary Literature, 51 (2). pp. 217-245. ISSN 0010-7484
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED (In Press)
Edwards, Caroline (2012) Rethinking the Arcadian revenge: metachronous times in the fiction of Sam Taylor. Modern Fiction Studies, 58 (3). pp. 477-502. ISSN 0026-7724
Edwards, Caroline (2013) Uncovering the “gold-bearing rubble”: Ernst Bloch’s literary criticism. In: Utopianism, modernism, and literature in the twentieth century. Palgrave. ISBN 9780230358935 (In Press)
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-First century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Edwards, Caroline (2009) Microtopias: the post-apocalyptic communities of Jim Crace’s 'The pesthouse'. Textual Practice, 23 (5). ISSN 0950-236X
Edwards, Caroline (2011) Strange transactions: utopia, transmigration and time in Ghostwritten and Cloud Atlas. In: David Mitchell: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury, pp. 177-200. ISBN 9781780240039, 9781780240022, 9781780240046
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Styler, Rebecca (2010) Literary theology by women writers of the nineteenth century. The Nineteenth Century Series . Ashgate, Farnham, Surrey, UK & Burlington, VT, USA. ISBN 9780754667353, 9781409423195
Cheshire, Jim (2007) Tennyson transformed: Alfred Lord Tennyson and his interpreters in the visual arts (Alfred Lord Tennyson and visual culture). In: The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK.
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Barker, Simon (2010) "We gather honey from the weed": Shakespearean manoeuvres in the deserts of Iraq. La Torre di Babele: Revista di Letteratura e Linguistica, 6 . pp. 11-24. ISSN 1724-3114
Lockwood, Dean (2010) Music for a blind idiot god: Towards a weird ecology of noise. In: ‘Bigger than Words, Wider than Pictures’: Noise, Affect, Politics, 1-3 July 2010, University of Salford. (Unpublished)
Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669
Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.
Edwards, Caroline and Dillon, Sarah (2013) Maggie Gee: critical essays. Gylphi Contemporary Writers: Critical Essays . Gylphi, Canterbury. ISBN UNSPECIFIED (In Press)
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED
Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.
Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.
Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908