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Items where Subject is "P303 Film studies"

JACS Subject (297)
- P Mass Communications and Documentation (297)
  - P303 Film studies (297)

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"Eyes" "L.A. 2017" "Make me Laugh" "Murder by the Book" "The Daredevil Gesture" 'Feelgood' endings 'Historical event' television 'Movie of the week' (Hetero)sex-positive post-feminism 1930s 1970s 1984 3 Weeks and 2 Days 4 months A Boatload of Wild Irishmen Aardman Abraham and Torok Absence Abstract Expressionism Accent Adaptation Adaptation discourse Afghanistan African cinema African film Al Gore Alejandro Amenábar Alerta en la Frontera Alexander Korda Alfred Hitchcock Alien movies Aliens (film) Allegory Always Amateur Film Amateur film Ambiguity Amblin' America American 2nd World War Documentaries American Cinema American Films American Popular Culture American cinema American film Amy Winehouse An Inconvenient Truth Anais Nin Andy Vajna Angelopoulos Angola Animated Film Animated film Animation Anna Jameson Annexinema Antal Páger Anti-Semitism Anuradha Kapur Apartheid Arab Arab Institute for Film Archives Archiving Argentina Arnold Schwarzenegger Arthurian film Arthurian studies Asterix Australian documentary Australian film Australian literature Auteur theory Autobiography Axis Alliance Backlash post-feminism Bajo la Piel Band of brothers Baudrillard Bazin Beauty contests Benemin Bernardo Bertolucci Bhaji on the Beach Bible interpretation Bio-pic Biography Biopic Biopolitics Black Hawk Down Blaxploitation Blu Ray Bonnie and Clyde Brasilian Cinema Braveheart (film) British British Cinema British Film British Film; British Cinema; Media Studies British Films British War-Time feature films British cinema British film British films British history British press British press reception Broadway Brydon Buster Keaton Béla Balázs Béla Lugosi CEMIRIDE CGI CIA CINEMATOGRAPHY Capitalism Carrington Case studies Cats and Mice Cavalcade Celebrity Censorship Central Asia Central Station Central do Brasil Chabrol Channel 4 Channel branding Charles Sheeler Chicano Childhood Childhood and Migration Children Children's film Chile Chinese cinema Chinese cities Chinese film Chris Hainstock Christopher Hampton Christopher Nolan Cinema Cinemas Cinematography Class Classical antiquity on film Claudia Llosa Clint Eastwood Cold War Collaboration Collective memory Colombia Columbo Commemoration Communities. Classes. Races Computer Games Computer Games Design Computer games Conrad Veidt Constructivism Consumption Continuity of action Continuity of space Continuity of time Convergence Coogan Coraline Creativity under constraint Cryptcurrency Cultural values Culture Cuzco School César Villanueva Danish cinema Danish film policy David Abelevich Kaufman David Lynch Deference Defiance [2008: Zwick] Deleuze Deleuze and Guattari Denmark Derrida Difference Digital Media Digital cameras Digital play Digital resource Digitised Disney Disney musical Docudrama Documentary Documentary film Documentary film poll Dogme 95 Dora Carrington Dreamgirls Dziga Vertov E.T. Eastern European Cinema Eccentrism Education Elton John Empire Epic film Ethics Ethnic film stars Ethnicity Ethnographic film Eulogio Nishiyama European Cinema European film Exile Experimental cinema Exploitation Exploitation Cinema Exploitation Film Exploitation film FILM MAKING Familial memory Family Fan Edits Female masculinity Femme Fatale Film Film Criticism Film Funding Film Grammar Film Language Film Practice Film Stardom Film Studies Film Theory Film censorship Film criticism Film editing Film education Film exhibition Film festival Film funding Film history Film industry Film making Film manifesto Film manifestos Film movements Film poetry Film policy Film production Film realism Film regulation Film reviewing Film schools Film stars Film studies Film studios Film theory Film4 Filmlab Palestine Filmlab Zanzibar First World War Flags of Our Fathers Flaherty Foreign cinema Foreign film Foreignness Fourth Cinema Francisco Lombardi Francois Ozon François Laruelle Freddie Mercury French film Freud’s ‘double’ Futurism Game Studies Gender Gender history Gender studies Gender-crossing Gendered family roles Genre Genre films George Orwell George Stoney George W. Bush German Cinema Get'cha Head in the Game Ghost film Gladiator (film) Global film movements Globalization Godard Goffman’s ‘frames’ Golden Age of Chinese cinema Gothic Gracie Fields Greek cinema Greek fim and history Griersonian tradition Guilt-based filmmaking; Gunther Kress Géza Radványi H. P. Lovecraft Hedwig and the Angry Inch Heritage Heritage film High School Musical Hispanic cinema Historical film Historiography History History (General) History documentaries History in popular culture History of Medicine History of the novel History on film Hollywood Hollywood cinema Holocaust Holocaust Film Home movies Hong Kong cinema Horror Horror Film Horror film Horthy era Human rights abuses Hungarian Cinema Hungarian cinema Hungary IMF noir ITV Iconophobia Identification in film Identification in videogames Identity Ideology Imagine Imperialism Inbetweenness Independent Cinema Independent cinema Indexicality Indian Drama Indian theatre Indigeneity Inertia Inkorporation Inland Empire Innovation and renewal Inside Man Intellectual Interactive Narratives International law Internet Internet memes Intertextuality Iran Iraq Islam Israel István Nemeskürty István Sz?ts Italian Cinema Italian cinema Italian film Italiannes Italianness JCNotOpen JCOpen James Cameron Jane Horrocks Jaws Jean-Marie Teno Jeff Nichols Jewish Jewish Hungarians Jewish Studies Jewish resistance Jia Zhangke Joe Rosenthal John Bowlby John Cameron Mitchell John Carpenter John Grierson John Holmes John Milton Johnny Weissmuller Josue Mendez Jude Jude the Obscure Judy Kibinge Kazakhstan Kenya King Arthur Klára Riedl Kracauer Kubrick LGBTQ cinema Lanzmann Latin American cinema Latin American cinemas Latvia Laura Mulvey Lens based media Letters from Iwo Jima Life Writing Lima Lima Film Festival Listen to Britain Little Miss Sunshine Local Films London London and race in the 1980s London early 20th century Los olvidados (1950) Loss Luchino Visconti Luis Buñuel Luis Figueroa M.D. Male-to-female cross-dressing Managing risk Manhatta Manifestos Marcus Welby Marginalisation Marineation Mary Howitt Masculinity Mass culture MediCinema Media Media Studies Media Studies; British Film; British Cinema Media Theory Media history Medical Humanities Medieval Medieval History Medieval film Medieval film: Historiography Medievalism Medium Specificity Memory Menschlikayt Metropolis Mexican Cinema Mexico Michael Anderson Michael Reynard Michael Winterbottom Middle Ages Middle Ages in popular culture Middle East Mildred Pierce Mimetic uncanny Mise-en-scene Misfitting Modern Chinese History Modern Chinese history and arts Montage Moscow State Film School Mossad Mountains Multiculturalism Munich Music Hall Musical film Muslim women and film Nancy Narration Narrative Nation Nation-Building National Cinema National cinema National identity Nationalism Nationhood Nations Neil Burger Neorealism Networks New Danish cinema New Danish fiction cinema New Hollywood New York New Zealand Cinema New noir films Nick Broomfield Nigel Kneale Night Gallery Nightclubs Nineteen Eighty-Four Nollywood Nordic film education Nordic film policy North Korea Northern England Norway Nose Nostalgia NotOAChecked Obituary Offshore detention Oh Ojos que no ven Oliver Stone Olympics Orientalism Orwell Otherness Oz PLO PSY Pacific Solution studies Palestine Palestinian Cinema Association Partnership Pathology Paul Greengrass Paul Henley Paul Leni Paul Rubens Paul Strand Performative risktaking Persona Peru Peruvian Cinema Peruvian cinema Peter Lorre Photography Policy Political violence Politics Popular Culture Popular Film Popular culture Pornography Post-truth Postcapitalism Practice Practitioner's agency Preservation Programa Ibermedia Psycoanalysis Public Service Broadcasting Public Television Public service broadcasting Pál Jávor Qingming Scroll Queer history Race Racial Nationalism Rape Realism Realist Reappraisal Recruiting Song Refugee and rubble film Refugee film-making Regeneration Rejourn Relational selfhood Religion Remakes Representation Repressentation Reputation Ricky Leacock Ridley Scott Robert Flaherty Robert Zemeckis Robin Wood Rock stars Rod Serling Romanian film Romantic religion Ruan Ying-Lu Rudolph Cartier Ruggero Deodato Ruins Rules Running risks Russian Cinema Russian cinema Sadam Hussein Satire Schenchner’s ‘dark play’ Schindler's List Schwarzenegger Science Fiction Cinema Science Fiction Film Science fiction film Screen Institute Beirut Self Semiology Semiotics Senegalese film Sentimentality Sergei Parajanov Sex Sexploitation Sexuality Shakespeare Shining Path Shoah Siegfried Sassoon Sigmund Freud Silence of the Lambs Sing-along Sir Denis Forman Site-specific art Small national cinemas Small nations Small nations and film Snow White Snuff Social justice films Soho Something Evil Somewhere in Europe Sonority Sound Effects South Africa South African film South Asia South Korean cinema Soviet film Space Special effects Special issue Spectatorship Spielberg Spielberg at Sixty Spielberg issue Spike Lee Spiritual autobiography Stalin Stan Brakhage Stardom Stardom; Italianness; Whiteness; Sophia Loren Stars Stars and Stardom State Power Stella Bruzzi Steven Spielberg Stick to the Status Quo Still Life Style Suffrage Surrealism Susanne Bier Sustainability Symbolism TV production Taking risks Tarzan Tattoomb Teleology Television Television acting Television industry Television studies The 1970s The Bible The Illusionist The Name of the Game The Nest The Others The Prestige The Sketch The Thief of Bagdad The Third Man The Uncanny Theatre Themes of nation Theories of nationalism Theories of risk Third Cinema Thomas Hardy Titanic (film) Toy Story Translation Transnational Ecocinema Transnational cinemas Transnational partnerships Transnationalism Trauma Troy (film) Twentieth Century British History Types of risk UFOs UHAI-EASHRI Under the Sand Underground Cinema United 93 United Kingdom United States United States History Urban cinema Urban history Uruguay Values-based film training Vanessa Hudgens Vesta Tilley Video games Video nasty Videogame Design Videogames Videogames design Vietnam War Viewpoint Viewpoint in videogames Vikings Viktor Bánky Villainy Violence Virtual Environment Design Virtual Environments Virtual history Vulnerability WITNESS WNET Wales Walt Whitman War film War of the worlds War on Terror Website Wes Anderson What Lies Beneath What a Lovely War When There Was Me and You Whiteness Wilfred Owen William Blake William Friedkin Winnicott’s ‘transitional object’ Winterbottom Wiseman Wollen Women Women directors Women's Film History Women's work Women’s cinema World Trade Center World War I World War Two Yellow Earth Zac Efron accent acting activist filmmaking actors adaptation affect affect theory affective labour animated short film anti-Communism anti-Semitism architecture architecture and design archival footage archives art and mourning art house film artistic value artists’ film artist’s model aspiration audience reception auteur cinema authorship avant garde avant-garde avant-gardism becoming biblical film black cinema black filmmakers bmjcheck bmjdate bmjdoi bmjgoldcheck bmjholiday bmjlink bmjtype book review bourgeois melodrama broadcasting carol morley celebrity celluloid ceiling child child migrants child migrants on screen childhood childhood and film childhood and nation children children and film children in Latvian television children on film children's culture children's cultures children's games children's play children's playground games cine-literary culture cinema cinema - Peru - women - film cinema and childhood cinema and death cinema and health cinema and migration cinema of transgression cinema schools cinema therapy cinema-going cinema-politics cinematic affect cinematic television city and film city and place branding city symphony climate change co-creation cognitive value colin Murray Parkes commodification communication communism computing constraints contemporary fiction control controversy convergence counter-terrorism creativity and constraint creativity under constraint critical agency and actors cross-dressing cultural identity studies cultural value curating death and the cinema death and the city death and theatre detective fiction diaries difference digital digital humanities digital platforms digital-Foley discourse analysis documentary documentary drama documentary film domestic migration in China doppelgänger drama documentary dramadoc drifters duality dysfunction dystopia early cinema early film ecological dystopia economics emotional contingency environmental value epic film erotica essay film ethical merits and demerits ethical value ethicism exile experimental experimental cinema exploitation exploitation film faction fan culture feel-good films film film acting film analysis film and branding film and television studies film and video film education film exhibition film genres film history film industry film noir film philosophy film reality film review film stardom film studies film technology film theory filmmaking films foreign free expression free speech gardening gastronomy gate-keepers gender gender and genre gender equity genre gentlemen’s clubs global warming gothic harm health benefits health humanities heritage heroes historical film historical narrative historicity history holocaust horror horror film horror genre human rights human rights filmmaking hyper-real iconicity identity ideology indexicality inertia instrumental value interactive intercultural interior monologue internet interpretation intervalle intimacy jouissance journalism l'intervalle landscape and modernity language literature local history loneliness louisiana story love and death made-for-television films magic magic lantern manifestos masculinity masquerade meaning media archaeology media effects media ethics media history media studies media technology media virus melodrama memory middle ages migrant migrants and refugee childhoods minoritarian miranda july modern British history mondo film montage mourning movie-of-the-week movie-struck girls multimodality music hall narcissism narrative stategy narrative strategy narrativity nation national identity nationalism nineteenth-century noma oaopen observation research out-casting painting passeur password pathology peplum performance phantasmagoria philosophy play playground playground games playwriting poetry political value poltergeist popular culture popular film pornography possession post-Soviet capitalism post-memory postmodernism practice precarious - peru - cinema - preservation press primary school production ethics prolefeed propaganda public value queer film queer history race race and ethnicity radical film realism reality refnyp refpending refugee film-making review reviewing rules satire screenwriting self-reflexivity semiosis semiotics semotics settler education sex studies shame short fiction silent cinema simulation slasher film small nations snuff social history social justice films societies of control soft power sonority space space between in film spectacle spectrality spike jonze spiritual value splatter film stardom stasis stillness and the city stop motion sub-prime mortgages sustainable filmmaking séances talent development teleology television television address television drama teratology terrorism the last stand the real the sublime theatre theory torture porn transnational solidarity transnational talent development trauma twinning uncanny understanding of grief urban photography urban politics urban studies urbanisation and China use utopia variety theatre video villains violence virtualization visual culture visual literacy visual research visuality in the city war well-being women filmmakers women in film women’s screen authorship world cinema wounding ‘Dulce et decorum est’ ‘Indianess’ ‘Your King and Country Want You’ ‘loving Indianess’ “Gangnam Style ” K-pop

Number of items at this level: 1683.

"Eyes"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"L.A. 2017"

"Make me Laugh"

"Murder by the Book"

"The Daredevil Gesture"

'Feelgood' endings

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Historical event' television

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Movie of the week'

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

(Hetero)sex-positive post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

1930s

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

1970s

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

1984

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

3 Weeks and 2 Days

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

4 months

A Boatload of Wild Irishmen

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Aardman

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

Abraham and Torok

Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8

Absence

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Abstract Expressionism

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Accent

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Adaptation

Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Adaptation discourse

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Afghanistan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

African cinema

Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385

Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422

African film

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Al Gore

Alejandro Amenábar

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Alerta en la Frontera

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Alexander Korda

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Alfred Hitchcock

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

Alien movies

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Aliens (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Allegory

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Always

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amateur Film

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

Amateur film

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Ambiguity

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amblin'

America

American 2nd World War Documentaries

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

American Cinema

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

American Films

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

American Popular Culture

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

American cinema

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

American film

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Amy Winehouse

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

An Inconvenient Truth

Anais Nin

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Andy Vajna

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Angelopoulos

Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

Angola

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Animated Film

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Animated film

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Animation

Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870

Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359

Anna Jameson

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Annexinema

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Antal Páger

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anti-Semitism

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anuradha Kapur

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Apartheid

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Arab

Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Arab Institute for Film

Archiving

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Argentina

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Arnold Schwarzenegger

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Arthurian film

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Arthurian studies

Asterix

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Australian documentary

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Australian film

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Australian literature

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Auteur theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Autobiography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Axis Alliance

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Backlash post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Bajo la Piel

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Band of brothers

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Baudrillard

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Bazin

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Beauty contests

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

Benemin

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Bernardo Bertolucci

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Bhaji on the Beach

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Bible interpretation

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Bio-pic

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Biography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Biopic

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Black Hawk Down

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Blaxploitation

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Blu Ray

Bonnie and Clyde

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Brasilian Cinema

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Braveheart (film)

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

British

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

British Cinema

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

British Film

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

British Film; British Cinema; Media Studies

Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

British Films

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

British War-Time feature films

British cinema

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

British film

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

British films

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

British history

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

British press

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

British press reception

Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822

Broadway

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Brydon

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Buster Keaton

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

Béla Balázs

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Béla Lugosi

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

CEMIRIDE

Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428

CGI

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

CIA

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

CINEMATOGRAPHY

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Capitalism

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Case studies

Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Cats and Mice

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Celebrity

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Censorship

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Central Asia

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Central Station

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Central do Brasil

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Chabrol

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

Channel 4

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Channel branding

Charles Sheeler

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Chicano

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Childhood

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Childhood and Migration

Children

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Children's film

Chile

Chinese cinema

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Chinese cities

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Chinese film

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Chris Hainstock

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Christopher Hampton

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Christopher Nolan

Cinema

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Cinemas

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Cinematography

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Class

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Classical antiquity on film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Claudia Llosa

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Clint Eastwood

Cold War

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Collective memory

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Colombia

Columbo

Commemoration

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Communities. Classes. Races

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Computer Games

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer Games Design

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Conrad Veidt

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Constructivism

Consumption

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Continuity of action

Continuity of space

Continuity of time

Convergence

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Coogan

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Coraline

Creativity under constraint

Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED

Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Cryptcurrency

Cultural values

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED

Culture

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Cuzco School

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

César Villanueva

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Danish cinema

Hjort, Mette and Bondebjerg, Ib, eds. (2001) The Danish Directors: Dialogues on a Contemporary National Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729

Danish film policy

Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123

David Abelevich Kaufman

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

David Lynch

Deference

Defiance [2008: Zwick]

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

Deleuze

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Deleuze and Guattari

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

Denmark

Derrida

Difference

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Digital Media

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Digital cameras

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Digital play

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Digital resource

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Digitised

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Disney

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Docudrama

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Documentary

Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Documentary film

Hjort, Mette, Bondebjerg, Ib and Novrup Redvall, Eva, eds. (2014) Danish Directors 3: Dialogues on the New Danish Documentary Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Documentary film poll

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Dogme 95

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Dora Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Dreamgirls

Dziga Vertov

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

E.T.

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Eastern European Cinema

Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X

Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED

Eccentrism

Education

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Elton John

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

Empire

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Epic film

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Ethics

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Ethnic film stars

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

Ethnicity

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Ethnographic film

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Eulogio Nishiyama

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

European Cinema

Gergely, Gabor and Hayward, Susan (2022) The Routledge Companion to European Cinema. Routledge Media and Cultural Studies Companions . Routledge. ISBN 9780367461850

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642

European film

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Exile

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Experimental cinema

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Exploitation

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Exploitation Cinema

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Exploitation Film

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Exploitation film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

FILM MAKING

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Familial memory

Family

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Fan Edits

Female masculinity

Femme Fatale

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Film

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Film Criticism

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Film Funding

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Film Grammar

Film Language

Film Practice

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Film Stardom

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

Film Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film Theory

Film censorship

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Film criticism

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Film editing

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film education

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED

Film exhibition

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Film festival

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Film funding

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Film history

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

Film industry

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

Film making

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Film manifesto

Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED

Film manifestos

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Film movements

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Film poetry

Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637

Film policy

Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Film production

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film realism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Film regulation

Film reviewing

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Film schools

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED

Film stars

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Film studies

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Film studios

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Film theory

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Film4

Filmlab Palestine

Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

Filmlab Zanzibar

First World War

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

Flags of Our Fathers

Flaherty

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Foreign cinema

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Foreign film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Foreignness

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Fourth Cinema

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Francisco Lombardi

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Francois Ozon

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

François Laruelle

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Freddie Mercury

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

French film

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Futurism

Game Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Gender

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Gender history

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Gender studies

Gender-crossing

Gendered family roles

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Genre

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Genre films

Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

George Orwell

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

George Stoney

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

George W. Bush

German Cinema

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

Get'cha Head in the Game

Ghost film

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Gladiator (film)

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Global film movements

Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED

Globalization

Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Godard

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Goffman’s ‘frames’

Golden Age of Chinese cinema

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Gothic

Gracie Fields

Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861

Greek cinema

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

Greek fim and history

Griersonian tradition

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Guilt-based filmmaking;

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

Gunther Kress

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Géza Radványi

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

H. P. Lovecraft

Hedwig and the Angry Inch

Heritage

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Heritage film

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

High School Musical

Hispanic cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Historical film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Historiography

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History (General)

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

History documentaries

History in popular culture

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History of Medicine

History of the novel

History on film

Hollywood

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Hollywood cinema

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Holocaust

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Holocaust Film

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Home movies

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Hong Kong cinema

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Horror

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

Horror Film

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Horror film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Horthy era

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Human rights abuses

Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED

Hungarian Cinema

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Hungarian cinema

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Hungary

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

IMF noir

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

ITV

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Iconophobia

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Identification in film

Identification in videogames

Identity

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Ideology

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Imagine

Imperialism

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Inbetweenness

Independent Cinema

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Independent cinema

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Indexicality

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Indian Drama

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indian theatre

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indigeneity

Inertia

Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721

Inkorporation

Inland Empire

Innovation and renewal

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Inside Man

Intellectual

Interactive Narratives

International law

Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6

Internet

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Internet memes

Intertextuality

Iran

Iraq

Islam

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Israel

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

István Nemeskürty

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

István Sz?ts

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Italian Cinema

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italian cinema

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italian film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Italiannes

Italianness

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

JCNotOpen

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

JCOpen

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

James Cameron

Jane Horrocks

Jaws

Jean-Marie Teno

Jeff Nichols

Jewish

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Jewish Hungarians

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Jewish Studies

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Jewish resistance

Jia Zhangke

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Joe Rosenthal

John Bowlby

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

John Cameron Mitchell

John Carpenter

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

John Grierson

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

John Holmes

John Milton

Johnny Weissmuller

Josue Mendez

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Jude

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Jude the Obscure

Judy Kibinge

Kazakhstan

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

Kenya

King Arthur

Klára Riedl

Kracauer

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Kubrick

LGBTQ cinema

Lanzmann

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Latin American cinema

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Latin American cinemas

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444

Latvia

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

Laura Mulvey

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Lens based media

Letters from Iwo Jima

Life Writing

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Lima

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Lima Film Festival

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Listen to Britain

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Little Miss Sunshine

Local Films

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

London

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

London and race in the 1980s

London early 20th century

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Los olvidados (1950)

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Loss

Luchino Visconti

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Luis Buñuel

Luis Figueroa

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

M.D.

Male-to-female cross-dressing

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Managing risk

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

Manhatta

Manifestos

Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED

Marcus Welby

Marginalisation

Marineation

Mary Howitt

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Masculinity

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Mass culture

MediCinema

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

Media

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Media Studies

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Media Studies; British Film; British Cinema

Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Media Theory

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Media history

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Medical Humanities

Medieval

Medieval History

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Medieval film

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Medieval film: Historiography

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Medievalism

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Medium Specificity

Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637

Memory

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Menschlikayt

Metropolis

Mexican Cinema

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Mexico

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Michael Anderson

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Michael Reynard

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Michael Winterbottom

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Middle Ages

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Middle Ages in popular culture

Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216

Middle East

Mildred Pierce

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Mimetic uncanny

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Mise-en-scene

Misfitting

Modern Chinese History

Modern Chinese history and arts

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Montage

Moscow State Film School

Mossad

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Mountains

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Multiculturalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Munich

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Music Hall

Musical film

Muslim women and film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

Nancy

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Narration

Narrative

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Nation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Nation-Building

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

National Cinema

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

National cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

National identity

Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED

Nationalism

Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Nationhood

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Nations

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Neil Burger

Neorealism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Networks

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED

New Danish cinema

Hjort, Mette, Bondebjerg, Ib and Novrup Redvall, Eva, eds. (2014) Danish Directors 3: Dialogues on the New Danish Documentary Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

New Danish fiction cinema

Hjort, Mette, Novrup Redvall, Eva and Joerholt, Eva, eds. (2013) Danish Directors 2: Dialogues on the New Danish Fiction Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

New Hollywood

New York

New Zealand Cinema

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

New noir films

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Nick Broomfield

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Nigel Kneale

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Night Gallery

Nightclubs

Nineteen Eighty-Four

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Nollywood

Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED

Nordic film education

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Nordic film policy

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

North Korea

Northern England

Norway

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Nose

Nostalgia

NotOAChecked

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Obituary

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Offshore detention

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Oh

Ojos que no ven

Oliver Stone

Olympics

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Orientalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Orwell

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Otherness

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Oz

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

PLO

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

PSY

Pacific Solution studies

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Palestine

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Palestinian Cinema Association

Partnership

Pathology

Paul Greengrass

Paul Henley

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Paul Leni

Paul Rubens

Paul Strand

Performative risktaking

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

Persona

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

Peru

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Peruvian Cinema

Peruvian cinema

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Peter Lorre

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Photography

Policy

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Political violence

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Politics

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Popular Culture

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Popular Film

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Popular culture

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Pornography

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Post-truth

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Postcapitalism

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Practice

Practitioner's agency

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Hjort, Mette, Novrup Redvall, Eva and Joerholt, Eva, eds. (2013) Danish Directors 2: Dialogues on the New Danish Fiction Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

Preservation

Programa Ibermedia

Psycoanalysis

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Public Service Broadcasting

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Public Television

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Public service broadcasting

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Pál Jávor

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Qingming Scroll

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Queer history

Race

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Racial Nationalism

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Rape

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Realism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Realist

Reappraisal

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Recruiting Song

Refugee and rubble film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

Refugee film-making

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Regeneration

Rejourn

Relational selfhood

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Religion

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Remakes

Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED

Representation

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Repressentation

Reputation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Ricky Leacock

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Ridley Scott

Robert Flaherty

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Robert Zemeckis

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Robin Wood

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Rock stars

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

Rod Serling

Romanian film

Romantic religion

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Ruan Ying-Lu

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Rudolph Cartier

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Ruggero Deodato

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Ruins

Rules

Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED

Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED

Running risks

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

Russian Cinema

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Russian cinema

Sadam Hussein

Satire

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Schenchner’s ‘dark play’

Schindler's List

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Schwarzenegger

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Science Fiction Cinema

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Science Fiction Film

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Science fiction film

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Screen Institute Beirut

Self

Semiology

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Semiotics

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Senegalese film

Sentimentality

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Sergei Parajanov

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Sex

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Sexploitation

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Sexuality

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Shakespeare

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Shining Path

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Shoah

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Siegfried Sassoon

Sigmund Freud

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Silence of the Lambs

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Sing-along

Sir Denis Forman

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Site-specific art

Small national cinemas

Hjort, Mette and Bondebjerg, Ib, eds. (2001) The Danish Directors: Dialogues on a Contemporary National Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED

Small nations

Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Small nations and film

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Snow White

Snuff

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Social justice films

Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED

Soho

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Something Evil

Somewhere in Europe

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Sonority

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Sound Effects

South Africa

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

South African film

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

South Asia

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

South Korean cinema

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Soviet film

Space

Special effects

Special issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spectatorship

Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Spielberg

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Spielberg at Sixty

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spike Lee

Spiritual autobiography

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Stalin

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Stan Brakhage

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Stardom

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED

Stardom; Italianness; Whiteness; Sophia Loren

Palmieri, Antonella (2016) Sophia Loren and the healing power of female Italian ethnicity in Grumpier Old Men. In: Lasting screen stars: images that fade and personas that endure. Palgrave. ISBN 9781137407320

Stars

Stars and Stardom

Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X

State Power

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Stella Bruzzi

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Steven Spielberg

Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Stick to the Status Quo

Still Life

Style

Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED

Suffrage

Surrealism

Susanne Bier

Sustainability

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Symbolism

TV production

Taking risks

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

Tarzan

Tattoomb

Teleology

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Television

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Television acting

Television industry

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

Television studies

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

The 1970s

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

The Bible

The Illusionist

The Name of the Game

The Nest

The Others

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

The Prestige

The Sketch

The Thief of Bagdad

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

The Third Man

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

The Uncanny

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Theatre

Themes of nation

Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED

Theories of nationalism

Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED

Theories of risk

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

Third Cinema

Thomas Hardy

Titanic (film)

Toy Story

Translation

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Transnational Ecocinema

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

Transnational cinemas

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Transnational partnerships

Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED

Transnationalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Trauma

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Troy (film)

Twentieth Century British History

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Types of risk

Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED

UFOs

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

UHAI-EASHRI

Under the Sand

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Underground Cinema

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

United 93

United Kingdom

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

United States

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

United States History

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

Urban cinema

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Urban history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Uruguay

Values-based film training

Vanessa Hudgens

Vesta Tilley

Video games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Video nasty

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Videogame Design

Videogames

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Videogames design

Vietnam War

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Viewpoint

Viewpoint in videogames

Vikings

Viktor Bánky

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Villainy

Violence

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Virtual Environment Design

Virtual Environments

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Virtual history

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Vulnerability

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

WITNESS

WNET

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wales

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Walt Whitman

War film

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

War of the worlds

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

War on Terror

Website

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Wes Anderson

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

What Lies Beneath

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

What a Lovely War

When There Was Me and You

Whiteness

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Wilfred Owen

William Blake

William Friedkin

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Winnicott’s ‘transitional object’

Winterbottom

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Wiseman

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wollen

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Women

Women directors

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Women's Film History

Women's work

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Women’s cinema

World Trade Center

World War I

World War Two

Yellow Earth

Zac Efron

accent

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

acting

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

activist filmmaking

actors

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

adaptation

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

affect

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

affect theory

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

affective labour

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

animated short film

anti-Communism

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

anti-Semitism

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

architecture

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

architecture and design

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

archival footage

art and mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

art house film

artistic value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3

artists’ film

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

artist’s model

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

aspiration

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

audience reception

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

auteur cinema

authorship

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

avant garde

avant-garde

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

avant-gardism

becoming

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

biblical film

black cinema

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

black filmmakers

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

bmjcheck

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

bmjdate

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

bmjdoi

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjgoldcheck

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjholiday

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

bmjlink

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

bmjtype

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

book review

O'Rourke, Chris (2014) Early cinema today: The art of programming and live performance [Martin Loiperdinger (ed.), New Barnet: Libbey, 2011]. Historical Journal of Film, Radio and Television, 34 (2). pp. 316-317. ISSN 0143-9685

bourgeois melodrama

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

broadcasting

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

carol morley

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

celebrity

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

celluloid ceiling

child

Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580

child migrants

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

child migrants on screen

childhood

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

childhood and film

Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED

childhood and nation

children

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children and film

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

children in Latvian television

children on film

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

children's culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's cultures

Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED

children's games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

cine-literary culture

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

cinema

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

cinema - Peru - women - film

cinema and childhood

cinema and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

cinema and health

Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154

cinema and migration

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

cinema of transgression

cinema schools

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

cinema therapy

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

cinema-going

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

cinema-politics

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

cinematic affect

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

cinematic television

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

city and film

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

city and place branding

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

city symphony

climate change

co-creation

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

cognitive value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

colin Murray Parkes

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

commodification

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

communication

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

communism

computing

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

constraints

contemporary fiction

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

control

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

controversy

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

convergence

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

counter-terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

creativity and constraint

creativity under constraint

critical agency and actors

cross-dressing

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

cultural identity studies

cultural value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

curating

death and the cinema

death and the city

death and theatre

detective fiction

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

diaries

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

difference

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

digital

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

digital humanities

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

digital platforms

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

digital-Foley

discourse analysis

documentary

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

documentary drama

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

documentary film

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

domestic migration in China

doppelgänger

drama documentary

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

dramadoc

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

drifters

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

duality

dysfunction

dystopia

early cinema

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

early film

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

ecological dystopia

economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

emotional contingency

environmental value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

epic film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

erotica

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

essay film

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

ethical merits and demerits

ethical value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

ethicism

exile

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

experimental

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

experimental cinema

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

exploitation

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

exploitation film

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

faction

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

fan culture

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

feel-good films

film

Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Jones, Sarah (2002) Film. Media Wise (Hodder Children's Books . Hodder Wayland, London. ISBN 0750240482

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film acting

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film and branding

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

film and television studies

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

film and video

film education

film exhibition

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

film genres

film history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

film industry

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

film noir

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

film philosophy

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

film reality

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

film review

Kearns, Janice (2014) Like water for chocolate / Como agua para chocolate (1991). In: The Routledge Encyclopedia of Films. Routledge, Abingdon, Oxon, pp. 161-164. ISBN 9780415688932, 9781315773834

Kearns, Janice (2014) Y Tu Mamá También (2001). In: The Routledge encyclopedia of films. Routledge, Abingdon, Oxon, pp. 614-616. ISBN 9780415688932, 9781315773834

film stardom

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

film studies

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

film technology

film theory

filmmaking

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

films

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

foreign

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

free expression

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

free speech

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

gardening

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

gastronomy

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gate-keepers

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

gender

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

gender and genre

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

gender equity

genre

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gentlemen’s clubs

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

global warming

gothic

harm

health benefits

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

health humanities

heritage

heroes

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

historical film

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

historical narrative

historicity

history

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

Winn, Joss (2002) An ecology of images. [Video]

holocaust

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

horror

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

horror film

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

horror genre

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

human rights

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

human rights filmmaking

hyper-real

iconicity

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

identity

ideology

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

indexicality

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

inertia

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

instrumental value

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

interactive

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

intercultural

interior monologue

internet

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

interpretation

intervalle

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

intimacy

jouissance

journalism

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

l'intervalle

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

landscape and modernity

language

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

literature

local history

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

loneliness

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

louisiana story

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

love and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

made-for-television films

magic

magic lantern

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

manifestos

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

masculinity

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

masquerade

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

meaning

media archaeology

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

media effects

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

media ethics

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media history

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media studies

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

media technology

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media virus

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

melodrama

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

memory

Winn, Joss (2002) An ecology of images. [Video]

middle ages

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

migrant

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

migrants and refugee childhoods

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

minoritarian

miranda july

modern British history

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

mondo film

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

montage

mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

movie-of-the-week

movie-struck girls

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

multimodality

music hall

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

narcissism

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

narrative stategy

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

narrative strategy

narrativity

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

nation

national identity

nationalism

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

nineteenth-century

noma

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

oaopen

observation research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

out-casting

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

painting

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

passeur

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

password

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

pathology

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

peplum

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

performance

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

phantasmagoria

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

philosophy

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

poetry

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

political value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

poltergeist

popular culture

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

popular film

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

pornography

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

possession

post-Soviet capitalism

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

post-memory

postmodernism

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

practice

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

precarious - peru - cinema -

Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED

preservation

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

press

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

primary school

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

production ethics

prolefeed

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

propaganda

public value

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

queer film

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

queer history

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

race

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

race and ethnicity

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

radical film

realism

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

reality

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

refnyp

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

refpending

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

refugee film-making

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

review

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

reviewing

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

rules

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

satire

Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

self-reflexivity

semiosis

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semotics

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

settler education

sex studies

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

shame

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

short fiction

silent cinema

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

simulation

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

slasher film

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

small nations

snuff

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

social history

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

social justice films

societies of control

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

soft power

sonority

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

space

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

space between in film

spectacle

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spectrality

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spike jonze

spiritual value

Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED

splatter film

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

stardom

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

stasis

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

stillness and the city

stop motion

sub-prime mortgages

sustainable filmmaking

séances

talent development

teleology

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

television

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

television address

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

television drama

teratology

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

the last stand

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

the real

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

the sublime

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

theatre

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

theory

torture porn

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

transnational solidarity

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

transnational talent development

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

trauma

twinning

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

uncanny

understanding of grief

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

urban photography

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

urban politics

urban studies

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

urbanisation and China

use

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

utopia

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

variety theatre

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

video

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

villains

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

violence

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

virtualization

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

visual culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visual literacy

visual research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visuality in the city

war

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

well-being

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

women filmmakers

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

women in film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

women’s screen authorship

world cinema

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

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