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'Feelgood' endings 'Historical event' television 'Movie of the week' 1984 3 Weeks and 2 Days 4 months Adaptation Afghanistan Al Gore Aliens (film) Always Ambiguity American 2nd World War Documentaries American Cinema American Films American cinema American film An Inconvenient Truth Anna Jameson Arab Archiving Arthurian film Asterix Auteur theory Autobiography BBC Band of brothers Baudrillard Bhaji on the Beach Biography Blu Ray Bonnie and Clyde Braveheart (film) British British Cinema British Film British Film; British Cinema; Media Studies British Films British War-Time feature films British cinema British film British films British history CIA Carrington Censorship Chicano Childhood Christopher Hampton Christopher Nolan Cinema Class Classical antiquity on film Clint Eastwood Cold War Collective memory Computer Games Computer Games Design Computer games Consumption Continuity of action Continuity of space Continuity of time Culture David Koepp David Lynch Deleuze Deleuze and Guattari Digital play Digitised Docudrama Documentary film Dora Carrington Dreamgirls E.T. Education Family Film Film Grammar Film Language Film Practice Film Studies Film Theory Film history Film studies Film theory Flags of Our Fathers Francois Ozon Game Studies Gender Gender history George Orwell George W. Bush Gladiator (film) Gothic Gunther Kress Hispanic cinema Historical film Historiography History History (General) History in popular culture History of the novel History on film IMF noir ITV Iconophobia Identification in film Identification in videogames Identity Ideology Inland Empire Inside Man Interactive Narratives Iran Iraq Islam Israel James Cameron Jeff Nichols Jewish Joe Rosenthal John Bowlby Jude Jude the Obscure Jurassic Park Laura Mulvey Letters from Iwo Jima Life Writing Listen to Britain Little Miss Sunshine Mary Howitt Masculinity Mass culture Media Studies Media Studies; British Film; British Cinema Medieval Medieval History Medieval film Medieval film: Historiography Memory Mexico Michael Anderson Michael Crichton Michael Winterbottom Middle Ages Mildred Pierce Mimetic uncanny Mise-en-scene Montage Mossad Munich Narration Narrative Nation National cinema Neil Burger Nigel Kneale Nineteen Eighty-Four North Korea Norway Oliver Stone Olympics PLO Palestine Paul Greengrass Policy Politics Popular culture Public Service Broadcasting Public Television Reappraisal Relational selfhood Representation Reputation Romanian film Romantic religion Rudolph Cartier Sadam Hussein Schindler's List Semiology Semiotics Sentimentality Shakespeare Silence of the Lambs South Korean cinema Special issue Spielberg Spielberg at Sixty Spielberg issue Spike Lee Spiritual autobiography Steven Spielberg Sustainability Teleology The Illusionist The Lost World: Jurassic Park The Prestige The Third Man Theatre Thomas Hardy Titanic (film) Transnational cinemas UFOs Under the Sand United 93 United Kingdom Video games Videogame Design Videogames Videogames design Viewpoint Viewpoint in videogames Vikings Violence Virtual Environment Design Virtual Environments Virtual history WNET Wales War of the worlds War on Terror Website Wiseman Wollen Women's work World Trade Center World War Two adaptation affect affective labour anti-Communism architecture archives art and mourning art house film audience reception avant-garde avant-gardism becoming bmjcheck bmjtype book review broadcasting carol morley childhood children children's culture children's games children's play children's playground games cinema cinema and death cinema of transgression cinema-politics climate change colin Murray Parkes communication communism control counter-terrorism digital platforms discourse analysis documentary documentary drama documentary film drama documentary dramadoc drifters epic film experimental faction film film analysis film and television studies film and video film noir film studies film theory films free expression free speech global warming heritage historical film historicity history horror horror film human rights hyper-real iconicity ideology indexicality interactive intercultural interpretation jouissance journalism love and death magic meaning media effects media ethics media history media studies media technology media virus memory middle ages minoritarian mourning multimodality narrative stategy narrative strategy narrativity observation research painting peplum phantasmagoria play playground playground games playwriting poetry preservation press primary school prolefeed race realism refnyp refnypd refpending review reviewing science fiction screenwriting semiosis semiotics semotics simulation societies of control spectacle spectrality sub-prime mortgages teleology television teratology terrorism the real theatre torture porn trauma understanding of grief virtualization visual culture visual research wounding
Number of items at this level: 519.

'Feelgood' endings

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Historical event' television

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Movie of the week'

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

1984

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

3 Weeks and 2 Days

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

4 months

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

Adaptation

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Afghanistan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Al Gore

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Aliens (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Always

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Ambiguity

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

American 2nd World War Documentaries

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

American Cinema

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976 , 0415772974

American Films

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976 , 0415772974

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

American cinema

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

American film

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

An Inconvenient Truth

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Anna Jameson

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Arab

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Archiving

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Arthurian film

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Asterix

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Auteur theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Autobiography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

BBC

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Band of brothers

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Baudrillard

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Bhaji on the Beach

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Biography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Blu Ray

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Bonnie and Clyde

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976 , 0415772974

Braveheart (film)

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

British

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

British Cinema

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

British Film

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

British Film; British Cinema; Media Studies

Barrow, Sarah (2008) Ratcatcher. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

British Films

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

British War-Time feature films

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

British cinema

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2008) Drifters. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

British film

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

British films

Barrow, Sarah (2008) Drifters. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

British history

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

CIA

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Censorship

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

Chicano

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Childhood

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Christopher Hampton

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Christopher Nolan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Class

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Classical antiquity on film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Clint Eastwood

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cold War

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Collective memory

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Computer Games

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer Games Design

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

Consumption

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University. (Unpublished)

Continuity of action

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of space

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of time

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Culture

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

David Koepp

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

David Lynch

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Deleuze

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Deleuze and Guattari

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

Digital play

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

Digitised

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Docudrama

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Documentary film

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Dora Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Dreamgirls

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

E.T.

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Education

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Family

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Film

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Film Grammar

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Language

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Practice

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Film Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Film Theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film history

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Film studies

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Film theory

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Flags of Our Fathers

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Francois Ozon

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Game Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Gender

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Gender history

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

George Orwell

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

George W. Bush

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Gladiator (film)

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Gothic

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University. (Unpublished)

Gunther Kress

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Hispanic cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Historical film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Historiography

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

History

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

History (General)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

History in popular culture

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

History of the novel

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

History on film

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

IMF noir

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University. (Unpublished)

ITV

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Iconophobia

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Identification in film

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identification in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identity

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Ideology

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Inland Empire

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Inside Man

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Interactive Narratives

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Iran

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Iraq

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Islam

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Israel

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

James Cameron

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Jeff Nichols

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, Winter . ISSN 1076-0962 (In Press)

Jewish

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Joe Rosenthal

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

John Bowlby

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Jude

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Jude the Obscure

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Jurassic Park

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Laura Mulvey

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

Letters from Iwo Jima

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Life Writing

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Listen to Britain

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Little Miss Sunshine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Mary Howitt

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Masculinity

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Mass culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

Media Studies

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Media Studies; British Film; British Cinema

Barrow, Sarah (2008) The lodger. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Medieval

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval History

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval film

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval film: Historiography

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Memory

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Mexico

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Michael Anderson

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Michael Crichton

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Michael Winterbottom

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Middle Ages

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Mildred Pierce

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Mimetic uncanny

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Mise-en-scene

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Montage

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Mossad

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Munich

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Narration

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Narrative

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Nation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

National cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Neil Burger

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Nigel Kneale

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Nineteen Eighty-Four

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

North Korea

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Norway

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Oliver Stone

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Olympics

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

PLO

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Palestine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Paul Greengrass

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Policy

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Politics

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Popular culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN UNSPECIFIED (In Press)

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Public Service Broadcasting

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Public Television

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Reappraisal

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Relational selfhood

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Representation

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

Reputation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Romanian film

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

Romantic religion

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Rudolph Cartier

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Sadam Hussein

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Schindler's List

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Semiology

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Semiotics

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Sentimentality

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Shakespeare

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings (review). Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Silence of the Lambs

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

South Korean cinema

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University. (Unpublished)

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University. (Unpublished)

Special issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Spielberg at Sixty

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spike Lee

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Spiritual autobiography

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

Steven Spielberg

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Sustainability

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Teleology

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

The Illusionist

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Lost World: Jurassic Park

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

The Prestige

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Third Man

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Theatre

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Thomas Hardy

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Titanic (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Transnational cinemas

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

UFOs

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Under the Sand

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

United 93

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

United Kingdom

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Video games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

Videogame Design

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Videogames

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Videogames design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Viewpoint

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Viewpoint in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Vikings

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Violence

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Virtual Environment Design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Virtual Environments

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Virtual history

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic . ISBN 1623567289, 9781623567286 (In Press)

WNET

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wales

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

War of the worlds

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

War on Terror

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Website

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Wiseman

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wollen

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Women's work

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

World Trade Center

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

World War Two

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

adaptation

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

affect

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

affective labour

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

anti-Communism

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

architecture

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

archives

Winn, Joss (2002) An ecology of images. [Video]

art and mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

art house film

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

audience reception

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

avant-garde

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

avant-gardism

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

becoming

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

bmjcheck

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

bmjtype

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

book review

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings (review). Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

broadcasting

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

carol morley

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

childhood

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

cinema

Vickers, Richard and Field, James (2012) www.24-hours.in. [Show/Exhibition]

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

cinema and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

cinema of transgression

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

cinema-politics

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

climate change

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, Winter . ISSN 1076-0962 (In Press)

colin Murray Parkes

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

communication

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

communism

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

control

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

counter-terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

digital platforms

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

discourse analysis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

documentary

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Vickers, Richard and Field, James (2012) www.24-hours.in. [Show/Exhibition]

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

documentary drama

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

documentary film

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

drama documentary

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

dramadoc

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

drifters

Barrow, Sarah (2008) Drifters. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

epic film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

experimental

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

faction

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

film

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings (review). Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Eve, Martin Paul (2010) The time that remains [review of]. Excursions, 1 (1). ISSN 2044-4095

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, Winter . ISSN 1076-0962 (In Press)

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film and television studies

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

film and video

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

film noir

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

film studies

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

film theory

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

films

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

free expression

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

free speech

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

global warming

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

heritage

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

historical film

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

historicity

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

history

Winn, Joss (2002) An ecology of images. [Video]

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

horror

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University. (Unpublished)

horror film

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

human rights

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

hyper-real

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

iconicity

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

ideology

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

indexicality

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

interactive

Vickers, Richard and Field, James (2012) www.24-hours.in. [Show/Exhibition]

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

interpretation

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

jouissance

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

journalism

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

love and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

magic

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

meaning

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

media effects

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

media ethics

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media history

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media studies

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

media technology

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media virus

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

memory

Winn, Joss (2002) An ecology of images. [Video]

middle ages

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings (review). Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

minoritarian

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel. (Unpublished)

mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

multimodality

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

narrative stategy

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

narrative strategy

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

narrativity

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

observation research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

painting

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

peplum

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

phantasmagoria

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

poetry

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

preservation

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

press

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

primary school

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

prolefeed

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

race

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

realism

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

refnyp

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

refnypd

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

refpending

Styler, Rebecca (2013) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, n/a (n/a). n/a. ISSN 1448-4528 (In Press)

review

Eve, Martin Paul (2010) The time that remains [review of]. Excursions, 1 (1). ISSN 2044-4095

reviewing

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

science fiction

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semiosis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semotics

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

simulation

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

societies of control

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

spectacle

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spectrality

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

sub-prime mortgages

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

teleology

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553 (In Press)

television

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

teratology

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

the real

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

theatre

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

torture porn

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

trauma

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

understanding of grief

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA). (Unpublished)

virtualization

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

visual culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visual research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

wounding

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. University of Bucharest Press, Bucharest. ISBN UNSPECIFIED

This list was generated on Fri Dec 6 11:29:37 2013 GMT.