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Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385
Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685
Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]
Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.
Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.
Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED
Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED
Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Hjort, Mette and Bondebjerg, Ib, eds. (2001) The Danish Directors: Dialogues on a Contemporary National Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.
Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897
Hjort, Mette, Bondebjerg, Ib and Novrup Redvall, Eva, eds. (2014) Danish Directors 3: Dialogues on the New Danish Documentary Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424
Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175
Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X
Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842
Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897
Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Gergely, Gabor and Hayward, Susan (2022) The Routledge Companion to European Cinema. Routledge Media and Cultural Studies Companions . Routledge. ISBN 9780367461850
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850
Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]
Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094
Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED
Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED
O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897
Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637
Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Europe, Australia, and Asia. Palgrave Macmillan, London. ISBN UNSPECIFIED
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)
O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850
Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.
Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.
Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED
Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.
Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359
Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921
Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.
Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222
Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
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Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385
Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932
Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]
Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED
Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543
Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906
Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED
Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED
Hjort, Mette, Bondebjerg, Ib and Novrup Redvall, Eva, eds. (2014) Danish Directors 3: Dialogues on the New Danish Documentary Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Hjort, Mette, Novrup Redvall, Eva and Joerholt, Eva, eds. (2013) Danish Directors 2: Dialogues on the New Danish Fiction Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932
Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Hjort, Mette, Novrup Redvall, Eva and Joerholt, Eva, eds. (2013) Danish Directors 2: Dialogues on the New Danish Fiction Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526
Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.
Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED
Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691
Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.
Hjort, Mette and Bondebjerg, Ib, eds. (2001) The Danish Directors: Dialogues on a Contemporary National Cinema. Intellect Press, Bristol. ISBN UNSPECIFIED
Hjort, Mette and Petrie, Duncan, eds. (2007) The Cinema of Small Nations. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED
Hjort, Mette and Scott, MacKenzie, eds. (2003) Purity and Provocation: Dogma 95. BFI Publications, London. ISBN UNSPECIFIED
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Hjort, Mette and Joerholt, Eva, eds. (2019) African Cinema and Human Rights. Indiana University Press, Indianapolis. ISBN UNSPECIFIED
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921
Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.
Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Hjort, Mette and Lindqvist, Ursula, eds. (2016) A Companion to Nordic Cinema. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Palmieri, Antonella (2016) Sophia Loren and the healing power of female Italian ethnicity in Grumpier Old Men. In: Lasting screen stars: images that fade and personas that endure. Palgrave. ISBN 9781137407320
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Hjort, Mette, ed. (2008) Dekalog 01: The Five Obstructions. Wallflower Press, London. ISBN UNSPECIFIED
Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627
Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED
Hjort, Mette and MacKenzie, Scott, eds. (2000) Cinema and Nation. Routledge, London. ISBN UNSPECIFIED
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027
Hjort, Mette, ed. (2013) The Education of the Filmmaker in Africa, the Middle East and the Americas. Palgrave Macmillan, London. ISBN UNSPECIFIED
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359
Hjort, Mette, ed. (2012) Film and Risk. Contemporary Approaches to Film and Media Series . Wayne State University Press, Detroit. ISBN UNSPECIFIED
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685
Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144
Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776
Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.
Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965
Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385
O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148
Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED
Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756
Winn, Joss (2002) An ecology of images. [Video]
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526
Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
O'Rourke, Chris (2014) Early cinema today: The art of programming and live performance [Martin Loiperdinger (ed.), New Barnet: Libbey, 2011]. Historical Journal of Film, Radio and Television, 34 (2). pp. 316-317. ISSN 0143-9685
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED
Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]
Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521
O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543
Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832
O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654
O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553
Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546
O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154
Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Jones, Sarah (2002) Film. Media Wise (Hodder Children's Books . Hodder Wayland, London. ISBN 0750240482
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962
Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.
O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832
O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553
Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Kearns, Janice (2014) Like water for chocolate / Como agua para chocolate (1991). In: The Routledge Encyclopedia of Films. Routledge, Abingdon, Oxon, pp. 161-164. ISBN 9780415688932, 9781315773834
Kearns, Janice (2014) Y Tu Mamá También (2001). In: The Routledge encyclopedia of films. Routledge, Abingdon, Oxon, pp. 614-616. ISBN 9780415688932, 9781315773834
O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148
Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074
Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926
Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED
Winn, Joss (2002) An ecology of images. [Video]
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]
O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED
Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Winn, Joss (2002) An ecology of images. [Video]
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926
Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED
Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578
Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521
O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528
Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078
Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095
Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832
O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347
Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702
Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654
Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144
Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822
Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822