"Eyes"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"L.A. 2017"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"Make me Laugh"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"Murder by the Book"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"The Daredevil Gesture"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

'Feelgood' endings

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Historical event' television

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Movie of the week'

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

(Hetero)sex-positive post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

1970s

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

1984

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

3 Weeks and 2 Days

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

4 months

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

A Boatload of Wild Irishmen

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Absence

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Abstract Expressionism

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Accent

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Adaptation

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Afghanistan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Al Gore

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Alejandro Amenábar

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Alerta en la Frontera

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Alexander Korda

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Alien movies

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Aliens (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Allegory

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Always

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amateur film

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Ambiguity

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amblin'

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

American 2nd World War Documentaries

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

American Cinema

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

American Films

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

American cinema

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

American film

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

An Inconvenient Truth

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Anais Nin

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Animated film

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Anna Jameson

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Annexinema

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Antal Páger

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anti-Semitism

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anuradha Kapur

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Arab

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Archives

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Archiving

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Argentina

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Arnold Schwarzenegger

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Arthurian film

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Arthurian studies

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Asterix

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Australian literature

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Auteur theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Autobiography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Axis Alliance

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Backlash post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Bajo la Piel

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Band of brothers

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Baudrillard

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Bazin

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Benemin

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED

Bernardo Bertolucci

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Bhaji on the Beach

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Biography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Black Hawk Down

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Blu Ray

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Bonnie and Clyde

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Brasilian Cinema

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Braveheart (film)

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

British

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

British Cinema

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

British Film

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

British Film; British Cinema; Media Studies

Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

British Films

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

British War-Time feature films

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

British cinema

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

British film

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

British films

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

British history

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

British press

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Broadway

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Brydon

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Buster Keaton

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

Béla Balázs

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Béla Lugosi

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

CGI

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

CIA

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

CINEMATOGRAPHY

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Censorship

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Central Station

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Central do Brasil

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Chabrol

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

Chicano

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Childhood

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Chile

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Chris Hainstock

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Christopher Hampton

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Christopher Nolan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cinema

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Cinemas

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Cinematography

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Class

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Classical antiquity on film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Claudia Llosa

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Clint Eastwood

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cold War

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Collective memory

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Colombia

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Columbo

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Computer Games

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer Games Design

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Conrad Veidt

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Consumption

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Continuity of action

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of space

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of time

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Coogan

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Culture

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Cuzco School

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

César Villanueva

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

David Abelevich Kaufman

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

David Lynch

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Defiance [2008: Zwick]

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

Deleuze

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Deleuze and Guattari

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

Digital Media

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Digital cameras

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Digital play

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Digital resource

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Digitised

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Disney

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Docudrama

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Documentary

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Documentary film

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Winston, Brian and Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175

Documentary film poll

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Dora Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Dreamgirls

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Dziga Vertov

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

E.T.

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Education

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Empire

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Epic film

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Ethics

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Ethnicity

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Ethnographic film

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Eulogio Nishiyama

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Exile

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Experimental cinema

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Exploitation

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

FILM MAKING

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Family

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Femme Fatale

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Film

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Barrow, Sarah and Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Film Grammar

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Language

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Practice

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Film Stardom

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

Film Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Film Theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film exhibition

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Film festival

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Film history

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Hirsch, Pam and O'Rourke, Chris (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Film making

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Film stars

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Film studies

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Film studios

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Film theory

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

First World War

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

Flags of Our Fathers

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Flaherty

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Foreignness

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Francisco Lombardi

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Francois Ozon

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Game Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Gender

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Gender history

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Gendered family roles

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Genre

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Genre films

Barrow, Sarah and Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

George Orwell

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

George Stoney

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

George W. Bush

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Get'cha Head in the Game

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Ghost film

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Gladiator (film)

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Godard

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Gothic

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Griersonian tradition

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Gunther Kress

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Géza Radványi

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

H. P. Lovecraft

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Hedwig and the Angry Inch

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

High School Musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Hispanic cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Historical film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Historiography

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History (General)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

History documentaries

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

History in popular culture

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History of the novel

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

History on film

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Hollywood

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Hollywood cinema

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Holocaust

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Home movies

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Horror

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Horthy era

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Hungarian cinema

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Hungary

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

IMF noir

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

ITV

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Iconophobia

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Identification in film

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identification in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identity

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Ideology

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Imperialism

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Independent cinema

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Indian Drama

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indian theatre

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Inland Empire

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Inside Man

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Interactive Narratives

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Internet

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Intertextuality

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Iran

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Iraq

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Islam

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Israel

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

István Nemeskürty

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

István Sz?ts

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Italian Cinema

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italian cinema

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italiannes

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Italianness

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

JCNotOpen

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

JCOpen

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

James Cameron

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Jeff Nichols

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

Jewish

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Jewish Studies

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Jewish resistance

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

Joe Rosenthal

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

John Bowlby

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

John Cameron Mitchell

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

John Grierson

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

John Holmes

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

John Milton

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Johnny Weissmuller

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Josue Mendez

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Jude

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Jude the Obscure

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

King Arthur

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Klára Riedl

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Kracauer

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

LGBTQ cinema

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Lanzmann

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Latin American cinema

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Latin American cinemas

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Laura Mulvey

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Lens based media

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Letters from Iwo Jima

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Life Writing

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Lima

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Lima Film Festival

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Listen to Britain

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Little Miss Sunshine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

London

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

London early 20th century

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Los olvidados (1950)

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Luchino Visconti

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Luis Buñuel

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Luis Figueroa

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

M.D.

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Male-to-female cross-dressing

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Marcus Welby

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Marginalisation

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Mary Howitt

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Masculinity

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Mass culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Media

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Media Studies

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Media Studies; British Film; British Cinema

Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Media Theory

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Medieval

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval History

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval film

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval film: Historiography

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Memory

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Metropolis

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED

Mexican Cinema

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Mexico

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Michael Anderson

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Michael Reynard

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Michael Winterbottom

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Middle Ages

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Mildred Pierce

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Mimetic uncanny

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Mise-en-scene

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Montage

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Mossad

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Munich

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Music Hall

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Musical film

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Narration

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Narrative

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Nation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

National Cinema

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

National cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Nationalism

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Neil Burger

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Neorealism

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

New Zealand Cinema

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

New noir films

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Nick Broomfield

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Nigel Kneale

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Night Gallery

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Nightclubs

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Nineteen Eighty-Four

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

North Korea

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Norway

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

NotOAChecked

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Oh

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Ojos que no ven

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Oliver Stone

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Olympics

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Orwell

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Otherness

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

PLO

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Palestine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Paul Greengrass

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Paul Henley

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Paul Rubens

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Peru

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Peruvian Cinema

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Peruvian cinema

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Peter Lorre

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Photography

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Policy

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Political violence

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Politics

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Popular Culture

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Popular Film

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Popular culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Pornography

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Programa Ibermedia

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Psycoanalysis

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Public Service Broadcasting

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Public Television

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Public service broadcasting

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Pál Jávor

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Queer history

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Racial Nationalism

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Rape

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Realist

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Reappraisal

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Recruiting Song

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Regeneration

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Relational selfhood

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Representation

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Reputation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Ricky Leacock

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Ridley Scott

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Robert Flaherty

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Robert Zemeckis

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Rod Serling

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Romanian film

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

Romantic religion

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Rudolph Cartier

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Ruins

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Russian cinema

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Sadam Hussein

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Satire

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Schindler's List

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Science Fiction Cinema

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Self

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Semiology

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Semiotics

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Sentimentality

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Sexuality

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Shakespeare

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Shining Path

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Siegfried Sassoon

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sigmund Freud

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Silence of the Lambs

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Sing-along

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sir Denis Forman

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Site-specific art

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Snuff

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Soho

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Something Evil

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Somewhere in Europe

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Sound Effects

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED

South Asia

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

South Korean cinema

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Space

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Special effects

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Special issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Spielberg at Sixty

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spike Lee

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Spiritual autobiography

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Stalin

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Stan Brakhage

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Stardom

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Stardom; Italianness; Whiteness; Sophia Loren

Palmieri, Antonella (2016) Sophia Loren and the healing power of female Italian ethnicity in Grumpier Old Men. In: Lasting screen stars: images that fade and personas that endure. Palgrave. ISBN 9781137407320

Stars

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Stella Bruzzi

Hainstock, Chris and Forman, Denis and Broomfield, Nick and Bruzzi, Stella and Reynard, Mark and Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Steven Spielberg

Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Stick to the Status Quo

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Surrealism

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Sustainability

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Tarzan

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Teleology

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

The 1970s

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

The Illusionist

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Name of the Game

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

The Others

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

The Prestige

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Thief of Bagdad

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

The Third Man

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

The Uncanny

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Theatre

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Thomas Hardy

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Titanic (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Toy Story

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Translation

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Transnational Ecocinema

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

Transnational cinemas

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Trauma

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Troy (film)

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Twentieth Century British History

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

UFOs

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Under the Sand

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

United 93

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

United Kingdom

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Urban history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Uruguay

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Vanessa Hudgens

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Vesta Tilley

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Video games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Videogame Design

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Videogames

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Videogames design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Vietnam War

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Viewpoint

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Viewpoint in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Vikings

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Viktor Bánky

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Violence

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Virtual Environment Design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Virtual Environments

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Virtual history

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

WNET

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wales

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

War of the worlds

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

War on Terror

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Website

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

What Lies Beneath

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

What a Lovely War

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

When There Was Me and You

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Whiteness

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Wilfred Owen

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

William Blake

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Winterbottom

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Wiseman

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Wollen

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Women

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Women's Film History

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Women's work

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

World Trade Center

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

World War I

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

World War Two

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Zac Efron

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

acting

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

actors

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

adaptation

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

affect

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

affect theory

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

affective labour

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

anti-Communism

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

anti-Semitism

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

architecture

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

archival footage

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

archives

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Winn, Joss (2002) An ecology of images. [Video]

art and mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

art house film

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

artists’ film

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

artist’s model

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

aspiration

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

audience reception

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

authorship

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

avant-garde

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

avant-gardism

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

becoming

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

bmjcheck

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

bmjdate

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

bmjdoi

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjgoldcheck

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjholiday

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

bmjlink

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

bmjtype

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

book review

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

O'Rourke, Chris (2014) Early cinema today: The art of programming and live performance [Martin Loiperdinger (ed.), New Barnet: Libbey, 2011]. Historical Journal of Film, Radio and Television, 34 (2). pp. 316-317. ISSN 0143-9685

bourgeois melodrama

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

broadcasting

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

carol morley

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

celebrity

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

childhood

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

cine-literary culture

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

cinema

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

cinema - Peru - women - film

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

cinema and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

cinema of transgression

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

cinema schools

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

cinema-going

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

cinema-politics

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

climate change

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

colin Murray Parkes

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

communication

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

communism

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

computing

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

contemporary fiction

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

control

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

counter-terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

cultural identity studies

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

curating

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

detective fiction

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

diaries

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

digital humanities

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

digital platforms

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

digital-Foley

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED

discourse analysis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

documentary

Coley, Rob and Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris and Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky and Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

documentary drama

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

documentary film

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

doppelgänger

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

drama documentary

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

dramadoc

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

drifters

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

duality

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

dystopia

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

early cinema

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

ecological dystopia

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

epic film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

erotica

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

experimental

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

experimental cinema

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

exploitation

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

faction

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

fan culture

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

film

Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Jones, Sarah (2002) Film. Media Wise (Hodder Children's Books . Hodder Wayland, London. ISBN 0750240482

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

film acting

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film and television studies

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

film and video

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

film exhibition

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

film history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

film industry

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

film noir

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

film review

Kearns, Janice (2014) Like water for chocolate / Como agua para chocolate (1991). In: The Routledge Encyclopedia of Films. Routledge, Abingdon, Oxon, pp. 161-164. ISBN 9780415688932, 9781315773834

Kearns, Janice (2014) Y Tu Mamá También (2001). In: The Routledge encyclopedia of films. Routledge, Abingdon, Oxon, pp. 614-616. ISBN 9780415688932, 9781315773834

film stardom

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

film studies

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

film technology

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

film theory

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

filmmaking

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

films

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

free expression

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

free speech

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

gardening

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

gastronomy

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gender

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

genre

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gentlemen’s clubs

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

global warming

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

gothic

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

heritage

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

heroes

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

historical film

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

historical narrative

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

historicity

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

history

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

Winn, Joss (2002) An ecology of images. [Video]

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

holocaust

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

horror

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

horror film

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

human rights

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

hyper-real

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

iconicity

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

identity

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

ideology

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

indexicality

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

interactive

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

internet

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

interpretation

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

intimacy

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

jouissance

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

journalism

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

language

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

literature

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

local history

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

louisiana story

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

love and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

made-for-television films

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

magic

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

magic lantern

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

masquerade

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

meaning

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

media effects

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

media ethics

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media history

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media studies

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

media technology

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media virus

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

melodrama

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

memory

Winn, Joss (2002) An ecology of images. [Video]

middle ages

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

minoritarian

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

miranda july

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

modern British history

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

movie-of-the-week

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

movie-struck girls

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

multimodality

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

narrative stategy

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

narrative strategy

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

narrativity

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

national identity

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

nationalism

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

oaopen

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

observation research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

out-casting

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

painting

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

password

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

pathology

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

peplum

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

phantasmagoria

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

philosophy

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

poetry

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

popular film

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

pornography

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

practice

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

precarious - peru - cinema -

Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED

preservation

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

press

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

primary school

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

prolefeed

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

race

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

realism

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

refnyp

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

refpending

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

review

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

reviewing

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

self-reflexivity

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

semiosis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semotics

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

sex studies

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

shame

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

short fiction

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

silent cinema

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

simulation

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

snuff

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

social history

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

societies of control

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

space

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

spectacle

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spectrality

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spike jonze

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

stardom

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

sub-prime mortgages

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

teleology

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

television

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

television drama

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

teratology

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

the last stand

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

the real

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

the sublime

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

theatre

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

torture porn

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

trauma

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

understanding of grief

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

variety theatre

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

video

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

villains

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

violence

Jackson, Neil and Kimber, Shaun and Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

virtualization

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

visual culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visual literacy

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

visual research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

war

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

women filmmakers

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

wounding

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

‘Dulce et decorum est’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘Your King and Country Want You’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630