Items where Subject is "P303 Film studies"

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"Eyes" "L.A. 2017" "Make me Laugh" "Murder by the Book" "The Daredevil Gesture" 'Feelgood' endings 'Historical event' television 'Movie of the week' (Hetero)sex-positive post-feminism 1930s 1970s 1984 3 Weeks and 2 Days 4 months A Boatload of Wild Irishmen Aardman Absence Abstract Expressionism Accent Adaptation Adaptation discourse Afghanistan African film Al Gore Alejandro Amenábar Alerta en la Frontera Alexander Korda Alfred Hitchcock Alien movies Aliens (film) Allegory Always Amateur Film Amateur film Ambiguity Amblin' America American 2nd World War Documentaries American Cinema American Films American cinema American film An Inconvenient Truth Anais Nin Andy Vajna Angelopoulos Angola Animated Film Animated film Animation Anna Jameson Annexinema Antal Páger Anti-Semitism Anuradha Kapur Apartheid Arab Archives Archiving Argentina Arnold Schwarzenegger Arthurian film Arthurian studies Asterix Australian documentary Australian film Australian literature Auteur theory Autobiography Axis Alliance Backlash post-feminism Bajo la Piel Band of brothers Baudrillard Bazin Benemin Bernardo Bertolucci Bhaji on the Beach Bible interpretation Biography Biopolitics Black Hawk Down Blaxploitation Blu Ray Bonnie and Clyde Brasilian Cinema Braveheart (film) British British Cinema British Film British Film; British Cinema; Media Studies British Films British War-Time feature films British cinema British film British films British history British press Broadway Brydon Buster Keaton Béla Balázs Béla Lugosi CGI CIA CINEMATOGRAPHY Capitalism Carrington Cats and Mice Cavalcade Censorship Central Asia Central Station Central do Brasil Chabrol Charles Sheeler Chicano Childhood Childhood and Migration Children Children's film Chile Chinese cinema Chinese cities Chinese film Chris Hainstock Christopher Hampton Christopher Nolan Cinema Cinemas Cinematography Class Classical antiquity on film Claudia Llosa Clint Eastwood Cold War Collaboration Collective memory Colombia Columbo Commemoration Communities. Classes. Races Computer Games Computer Games Design Computer games Conrad Veidt Constructivism Consumption Continuity of action Continuity of space Continuity of time Coogan Culture Cuzco School César Villanueva David Abelevich Kaufman David Lynch Deference Defiance [2008: Zwick] Deleuze Deleuze and Guattari Difference Digital Media Digital cameras Digital play Digital resource Digitised Disney Disney musical Docudrama Documentary Documentary film Documentary film poll Dora Carrington Dreamgirls Dziga Vertov E.T. Eccentrism Education Empire Epic film Ethics Ethnic film stars Ethnicity Ethnographic film Eulogio Nishiyama European Cinema European film Exile Experimental cinema Exploitation Exploitation Cinema Exploitation Film Exploitation film FILM MAKING Familial memory Family Fan Edits Femme Fatale Film Film Criticism Film Funding Film Grammar Film Language Film Practice Film Stardom Film Studies Film Theory Film censorship Film criticism Film editing Film exhibition Film festival Film funding Film history Film making Film production Film realism Film regulation Film reviewing Film stars Film studies Film studios Film theory First World War Flags of Our Fathers Flaherty Foreign cinema Foreign film Foreignness Fourth Cinema Francisco Lombardi Francois Ozon François Laruelle French film Freud’s ‘double’ Futurism Game Studies Gender Gender history Gender studies Gendered family roles Genre Genre films George Orwell George Stoney George W. Bush Get'cha Head in the Game Ghost film Gladiator (film) Godard Goffman’s ‘frames’ Gothic Greek cinema Greek fim and history Griersonian tradition Gunther Kress Géza Radványi H. P. Lovecraft Hedwig and the Angry Inch High School Musical Hispanic cinema Historical film Historiography History History (General) History documentaries History in popular culture History of Medicine History of the novel History on film Hollywood Hollywood cinema Holocaust Holocaust Film Home movies Horror Horror Film Horror film Horthy era Hungarian Cinema Hungarian cinema Hungary IMF noir ITV Iconophobia Identification in film Identification in videogames Identity Ideology Imperialism Inbetweenness Independent Cinema Independent cinema Indexicality Indian Drama Indian theatre Indigeneity Inertia Inland Empire Inside Man Intellectual Interactive Narratives International law Internet Intertextuality Iran Iraq Islam Israel István Nemeskürty István Sz?ts Italian Cinema Italian cinema Italian film Italiannes Italianness JCNotOpen JCOpen James Cameron Jaws Jeff Nichols Jewish Jewish Hungarians Jewish Studies Jewish resistance Jia Zhangke Joe Rosenthal John Bowlby John Cameron Mitchell John Carpenter John Grierson John Holmes John Milton Johnny Weissmuller Josue Mendez Jude Jude the Obscure Kazakhstan King Arthur Klára Riedl Kracauer Kubrick LGBTQ cinema Lanzmann Latin American cinema Latin American cinemas Latvia Laura Mulvey Lens based media Letters from Iwo Jima Life Writing Lima Lima Film Festival Listen to Britain Little Miss Sunshine Local Films London London and race in the 1980s London early 20th century Los olvidados (1950) Loss Luchino Visconti Luis Buñuel Luis Figueroa M.D. Male-to-female cross-dressing Manhatta Marcus Welby Marginalisation Mary Howitt Masculinity Mass culture Media Media Studies Media Studies; British Film; British Cinema Media Theory Media history Medical Humanities Medieval Medieval History Medieval film Medieval film: Historiography Medievalism Memory Menschlikayt Metropolis Mexican Cinema Mexico Michael Anderson Michael Reynard Michael Winterbottom Middle Ages Mildred Pierce Mimetic uncanny Mise-en-scene Misfitting Modern Chinese History Modern Chinese history and arts Montage Moscow State Film School Mossad Mountains Multiculturalism Munich Music Hall Musical film Muslim women and film Nancy Narration Narrative Nation Nation-Building National Cinema National cinema Nationalism Nationhood Nations Neil Burger Neorealism New Hollywood New York New Zealand Cinema New noir films Nick Broomfield Nigel Kneale Night Gallery Nightclubs Nineteen Eighty-Four North Korea Norway Nose Nostalgia NotOAChecked Offshore detention Oh Ojos que no ven Oliver Stone Olympics Orientalism Orwell Otherness Oz PLO Pacific Solution studies Palestine Pathology Paul Greengrass Paul Henley Paul Leni Paul Rubens Paul Strand Peru Peruvian Cinema Peruvian cinema Peter Lorre Photography Policy Political violence Politics Popular Culture Popular Film Popular culture Pornography Post-truth Postcapitalism Practice Preservation Programa Ibermedia Psycoanalysis Public Service Broadcasting Public Television Public service broadcasting Pál Jávor Qingming Scroll Queer history Race Racial Nationalism Rape Realism Realist Reappraisal Recruiting Song Refugee and rubble film Refugee film-making Regeneration Rejourn Relational selfhood Religion Representation Reputation Ricky Leacock Ridley Scott Robert Flaherty Robert Zemeckis Robin Wood Rod Serling Romanian film Romantic religion Rudolph Cartier Ruggero Deodato Ruins Russian Cinema Russian cinema Sadam Hussein Satire Schenchner’s ‘dark play’ Schindler's List Schwarzenegger Science Fiction Cinema Science Fiction Film Science fiction film Self Semiology Semiotics Senegalese film Sentimentality Sergei Parajanov Sex Sexploitation Sexuality Shakespeare Shining Path Shoah Siegfried Sassoon Sigmund Freud Silence of the Lambs Sing-along Sir Denis Forman Site-specific art Snow White Snuff Soho Something Evil Somewhere in Europe Sonority Sound Effects South Africa South African film South Asia South Korean cinema Soviet film Space Special effects Special issue Spielberg Spielberg at Sixty Spielberg issue Spike Lee Spiritual autobiography Stalin Stan Brakhage Stardom Stardom; Italianness; Whiteness; Sophia Loren Stars State Power Stella Bruzzi Steven Spielberg Stick to the Status Quo Still Life Suffrage Surrealism Sustainability Symbolism Tarzan Teleology Television The 1970s The Bible The Illusionist The Name of the Game The Others The Prestige The Thief of Bagdad The Third Man The Uncanny Theatre Third Cinema Thomas Hardy Titanic (film) Toy Story Translation Transnational Ecocinema Transnational cinemas Transnationalism Trauma Troy (film) Twentieth Century British History UFOs Under the Sand United 93 United Kingdom United States United States History Urban cinema Urban history Uruguay Vanessa Hudgens Vesta Tilley Video games Video nasty Videogame Design Videogames Videogames design Vietnam War Viewpoint Viewpoint in videogames Vikings Viktor Bánky Villainy Violence Virtual Environment Design Virtual Environments Virtual history Vulnerability WNET Wales Walt Whitman War film War of the worlds War on Terror Website Wes Anderson What Lies Beneath What a Lovely War When There Was Me and You Whiteness Wilfred Owen William Blake William Friedkin Winnicott’s ‘transitional object’ Winterbottom Wiseman Wollen Women Women's Film History Women's work World Trade Center World War I World War Two Yellow Earth Zac Efron accent acting actors adaptation affect affect theory affective labour animated short film anti-Communism anti-Semitism architecture architecture and design archival footage archives art and mourning art house film artists’ film artist’s model aspiration audience reception auteur cinema authorship avant garde avant-garde avant-gardism becoming biblical film bmjcheck bmjdate bmjdoi bmjgoldcheck bmjholiday bmjlink bmjtype book review bourgeois melodrama broadcasting carol morley celebrity child child migrants child migrants on screen childhood childhood and film childhood and nation children children and film children in Latvian television children on film children's culture children's cultures children's games children's play children's playground games cine-literary culture cinema cinema - Peru - women - film cinema and childhood cinema and death cinema and migration cinema of transgression cinema schools cinema-going cinema-politics city and film city and place branding city symphony climate change co-creation colin Murray Parkes commodification communication communism computing contemporary fiction control counter-terrorism critical agency and actors cross-dressing cultural identity studies curating death and the cinema death and the city death and theatre detective fiction diaries difference digital digital humanities digital platforms digital-Foley discourse analysis documentary documentary drama documentary film domestic migration in China doppelgänger drama documentary dramadoc drifters duality dysfunction dystopia early cinema early film ecological dystopia economics emotional contingency epic film erotica essay film exile experimental experimental cinema exploitation exploitation film faction fan culture film film acting film analysis film and branding film and television studies film and video film exhibition film history film industry film noir film philosophy film reality film review film stardom film studies film technology film theory filmmaking films free expression free speech gardening gastronomy gate-keepers gender gender and genre genre gentlemen’s clubs global warming gothic heritage heroes historical film historical narrative historicity history holocaust horror horror film horror genre human rights hyper-real iconicity identity ideology indexicality inertia interactive intercultural interior monologue internet interpretation intervalle intimacy jouissance journalism l'intervalle landscape and modernity language literature local history loneliness louisiana story love and death made-for-television films magic magic lantern masculinity masquerade meaning media archaeology media effects media ethics media history media studies media technology media virus melodrama memory middle ages migrants and refugee childhoods minoritarian miranda july modern British history mondo film montage mourning movie-of-the-week movie-struck girls multimodality music hall narrative stategy narrative strategy narrativity nation national identity nationalism nineteenth-century oaopen observation research out-casting painting passeur password pathology peplum performance phantasmagoria philosophy play playground playground games playwriting poetry poltergeist popular culture popular film pornography possession post-Soviet capitalism post-memory postmodernism practice precarious - peru - cinema - preservation press primary school prolefeed propaganda queer film queer history race race and ethnicity radical film realism reality refnyp refpending refugee film-making review reviewing screenwriting self-reflexivity semiosis semiotics semotics settler education sex studies shame short fiction silent cinema simulation slasher film snuff social history societies of control sonority space space between in film spectacle spectrality spike jonze splatter film stardom stasis stillness and the city stop motion sub-prime mortgages séances teleology television television drama teratology terrorism the last stand the real the sublime theatre theory torture porn trauma uncanny understanding of grief urban photography urban politics urban studies urbanisation and China utopia variety theatre video villains violence virtualization visual culture visual literacy visual research visuality in the city war women filmmakers women in film world cinema wounding ‘Dulce et decorum est’ ‘Indianess’ ‘Your King and Country Want You’ ‘loving Indianess’
Number of items at this level: 1433.

"Eyes"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"L.A. 2017"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"Make me Laugh"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"Murder by the Book"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

"The Daredevil Gesture"

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

'Feelgood' endings

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Historical event' television

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

'Movie of the week'

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

(Hetero)sex-positive post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

1930s

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

1970s

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

1984

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

3 Weeks and 2 Days

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

4 months

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

A Boatload of Wild Irishmen

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Aardman

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

Absence

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Abstract Expressionism

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Accent

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Adaptation

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Adaptation discourse

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Afghanistan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

African film

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Al Gore

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Alejandro Amenábar

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Alerta en la Frontera

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Alexander Korda

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Alfred Hitchcock

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

Alien movies

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Aliens (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Allegory

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Always

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amateur Film

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

Amateur film

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Ambiguity

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Amblin'

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

America

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

American 2nd World War Documentaries

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

American Cinema

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

American Films

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

American cinema

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

American film

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

An Inconvenient Truth

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Anais Nin

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Andy Vajna

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Angelopoulos

Donald, Stephanie (2021) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN UNSPECIFIED

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

Angola

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Animated Film

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Animated film

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Animation

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Anna Jameson

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Annexinema

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Antal Páger

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anti-Semitism

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Anuradha Kapur

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Apartheid

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Arab

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Archives

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Archiving

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Argentina

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Arnold Schwarzenegger

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Arthurian film

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Arthurian studies

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Asterix

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Australian documentary

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Australian film

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Australian literature

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Auteur theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Autobiography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Axis Alliance

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Backlash post-feminism

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Bajo la Piel

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Band of brothers

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Baudrillard

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Bazin

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Benemin

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Bernardo Bertolucci

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Bhaji on the Beach

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Bible interpretation

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Biography

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Black Hawk Down

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Blaxploitation

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Blu Ray

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Bonnie and Clyde

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Brasilian Cinema

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Braveheart (film)

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

British

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

British Cinema

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

British Film

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

British Film; British Cinema; Media Studies

Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

British Films

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

British War-Time feature films

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

British cinema

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

British film

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

British films

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

British history

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

British press

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Broadway

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Brydon

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Buster Keaton

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

Béla Balázs

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Béla Lugosi

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

CGI

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

CIA

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

CINEMATOGRAPHY

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Capitalism

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Cats and Mice

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Censorship

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Central Asia

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Central Station

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Central do Brasil

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Chabrol

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

Charles Sheeler

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Chicano

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Childhood

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Childhood and Migration

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Children

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Children's film

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Chile

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Chinese cinema

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Chinese cities

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Chinese film

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Chris Hainstock

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Christopher Hampton

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Christopher Nolan

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cinema

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Cinemas

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Cinematography

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Class

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Classical antiquity on film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Claudia Llosa

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Clint Eastwood

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Cold War

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Collective memory

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Colombia

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Columbo

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Commemoration

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Communities. Classes. Races

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Computer Games

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer Games Design

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Computer games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Conrad Veidt

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Constructivism

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Consumption

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Continuity of action

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of space

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Continuity of time

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Coogan

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Culture

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Cuzco School

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

César Villanueva

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

David Abelevich Kaufman

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

David Lynch

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Deference

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Defiance [2008: Zwick]

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

Deleuze

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Deleuze and Guattari

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

Difference

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Digital Media

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Digital cameras

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Digital play

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Digital resource

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Digitised

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

Disney

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Docudrama

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Documentary

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Documentary film

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Documentary film poll

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Dora Carrington

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Dreamgirls

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Dziga Vertov

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

E.T.

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Eccentrism

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Education

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Empire

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Epic film

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Ethics

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Ethnic film stars

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

Ethnicity

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

Ethnographic film

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Eulogio Nishiyama

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

European Cinema

Gergely, Gabor and Hayward, Susan (2022) The Routledge Companion to European Cinema. Routledge Media and Cultural Studies Companions . Routledge. ISBN 9780367461850

European film

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Exile

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Experimental cinema

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Exploitation

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Exploitation Cinema

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Exploitation Film

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Exploitation film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

FILM MAKING

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Familial memory

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Family

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Fan Edits

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Femme Fatale

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Film

Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Film Criticism

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Film Funding

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Film Grammar

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Language

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film Practice

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Film Stardom

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Film Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film Theory

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Film censorship

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Film criticism

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Film editing

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film exhibition

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Film festival

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Film funding

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Film history

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Film making

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Film production

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Film realism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Film regulation

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Film reviewing

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Film stars

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Film studies

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Film studios

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Film theory

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

First World War

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

Flags of Our Fathers

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Flaherty

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Foreign cinema

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Foreign film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Foreignness

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Fourth Cinema

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Francisco Lombardi

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Francois Ozon

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

François Laruelle

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

French film

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Futurism

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Game Studies

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Gender

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Gender history

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Gender studies

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Gendered family roles

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Genre

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Genre films

Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

George Orwell

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

George Stoney

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

George W. Bush

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Get'cha Head in the Game

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Ghost film

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Gladiator (film)

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Godard

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Goffman’s ‘frames’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Gothic

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Greek cinema

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

Greek fim and history

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Griersonian tradition

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Gunther Kress

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Géza Radványi

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

H. P. Lovecraft

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Hedwig and the Angry Inch

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

High School Musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Hispanic cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Historical film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Historiography

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History (General)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

History documentaries

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

History in popular culture

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

History of Medicine

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

History of the novel

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

History on film

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Hollywood

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Hollywood cinema

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Holocaust

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Holocaust Film

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Home movies

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Horror

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Horror Film

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Horror film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Horthy era

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Hungarian Cinema

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Hungarian cinema

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Hungary

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

IMF noir

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

ITV

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Iconophobia

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Identification in film

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identification in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Identity

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Ideology

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Imperialism

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Inbetweenness

Donald, Stephanie (2021) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN UNSPECIFIED

Independent Cinema

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Independent cinema

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Indexicality

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Indian Drama

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indian theatre

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indigeneity

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Inertia

Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721

Inland Empire

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Inside Man

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Intellectual

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Interactive Narratives

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

International law

Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6

Internet

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Intertextuality

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Iran

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Iraq

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Islam

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Israel

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

István Nemeskürty

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

István Sz?ts

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Italian Cinema

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italian cinema

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Italian film

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Italiannes

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Italianness

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

JCNotOpen

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

JCOpen

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

James Cameron

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Jaws

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Jeff Nichols

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

Jewish

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Jewish Hungarians

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Jewish Studies

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Jewish resistance

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

Jia Zhangke

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Joe Rosenthal

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

John Bowlby

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

John Cameron Mitchell

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

John Carpenter

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

John Grierson

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

John Holmes

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

John Milton

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Johnny Weissmuller

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Josue Mendez

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Jude

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Jude the Obscure

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Kazakhstan

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

King Arthur

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Klára Riedl

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Kracauer

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Kubrick

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

LGBTQ cinema

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Lanzmann

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Latin American cinema

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Latin American cinemas

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Latvia

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

Laura Mulvey

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

Lens based media

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Letters from Iwo Jima

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Life Writing

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Lima

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Lima Film Festival

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Listen to Britain

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Little Miss Sunshine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Local Films

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

London

Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

London and race in the 1980s

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

London early 20th century

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Los olvidados (1950)

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Loss

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Luchino Visconti

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Luis Buñuel

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Luis Figueroa

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

M.D.

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Male-to-female cross-dressing

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Manhatta

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Marcus Welby

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Marginalisation

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Mary Howitt

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Masculinity

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Mass culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Media

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Media Studies

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Media Studies; British Film; British Cinema

Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Media Theory

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Media history

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

Medical Humanities

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

Medieval

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval History

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Medieval film

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Medieval film: Historiography

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Medievalism

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Memory

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Menschlikayt

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Metropolis

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Mexican Cinema

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Mexico

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Michael Anderson

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Michael Reynard

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Michael Winterbottom

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Middle Ages

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Mildred Pierce

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Mimetic uncanny

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Mise-en-scene

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Misfitting

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Modern Chinese History

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

Modern Chinese history and arts

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Montage

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Moscow State Film School

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Mossad

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Mountains

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Multiculturalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Munich

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Music Hall

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Musical film

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Muslim women and film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

Nancy

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Narration

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Narrative

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Nation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Nation-Building

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

National Cinema

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

National cinema

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Nationalism

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Isaacs, Rico (2019) Film and Identity in Kazakhstan Soviet and Post-Soviet Culture in Central Asia (podcast). [Audio]

Nationhood

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Nations

Hemelryk Donald, Stephanie, Wilson, Emma and Wright, Sarah, eds. (2017) Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic, New York. ISBN 9781501318597

Neil Burger

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Neorealism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

New Hollywood

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

New York

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

New Zealand Cinema

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

New noir films

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Nick Broomfield

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Nigel Kneale

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Night Gallery

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Nightclubs

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Nineteen Eighty-Four

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

North Korea

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Norway

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Nose

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Nostalgia

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

NotOAChecked

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Offshore detention

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Oh

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Ojos que no ven

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Oliver Stone

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Olympics

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Orientalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Orwell

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Otherness

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

Oz

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

PLO

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Pacific Solution studies

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Palestine

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Pathology

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Paul Greengrass

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Paul Henley

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Paul Leni

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Paul Rubens

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Paul Strand

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Peru

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Peruvian Cinema

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Peruvian cinema

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Peter Lorre

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Photography

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Policy

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Political violence

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Politics

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Popular Culture

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Popular Film

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Popular culture

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Pornography

Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Post-truth

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Postcapitalism

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Practice

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Preservation

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

Programa Ibermedia

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Psycoanalysis

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Public Service Broadcasting

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Public Television

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Public service broadcasting

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Pál Jávor

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Qingming Scroll

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Queer history

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

Race

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Racial Nationalism

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Rape

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Realism

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Realist

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Reappraisal

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Recruiting Song

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Refugee and rubble film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

Refugee film-making

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Regeneration

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Rejourn

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Relational selfhood

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Religion

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Representation

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Reputation

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Ricky Leacock

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Ridley Scott

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Robert Flaherty

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Robert Zemeckis

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Robin Wood

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Rod Serling

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Romanian film

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

Romantic religion

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Rudolph Cartier

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Ruggero Deodato

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Ruins

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Russian Cinema

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Russian cinema

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Sadam Hussein

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Satire

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Schenchner’s ‘dark play’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Schindler's List

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Schwarzenegger

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Science Fiction Cinema

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6

Science Fiction Film

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Science fiction film

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Self

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Semiology

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Semiotics

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Senegalese film

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Sentimentality

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Sergei Parajanov

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Sex

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Sexploitation

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Sexuality

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Shakespeare

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Shining Path

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Shoah

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Siegfried Sassoon

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sigmund Freud

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Silence of the Lambs

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Sing-along

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sir Denis Forman

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Site-specific art

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Snow White

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

Snuff

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Soho

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Something Evil

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Somewhere in Europe

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Sonority

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Sound Effects

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

South Africa

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

South African film

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

South Asia

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

South Korean cinema

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Soviet film

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Space

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Special effects

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Special issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Spielberg at Sixty

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spielberg issue

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Spike Lee

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Spiritual autobiography

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Stalin

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Stan Brakhage

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Stardom

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Stardom; Italianness; Whiteness; Sophia Loren

Palmieri, Antonella (2016) Sophia Loren and the healing power of female Italian ethnicity in Grumpier Old Men. In: Lasting screen stars: images that fade and personas that endure. Palgrave. ISBN 9781137407320

Stars

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

State Power

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Stella Bruzzi

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Steven Spielberg

Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Stick to the Status Quo

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Still Life

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

Suffrage

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Surrealism

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Sustainability

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Symbolism

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Tarzan

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Teleology

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Television

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

The 1970s

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

The Bible

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

The Illusionist

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Name of the Game

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

The Others

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

The Prestige

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

The Thief of Bagdad

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

The Third Man

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

The Uncanny

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Theatre

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Third Cinema

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Thomas Hardy

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Titanic (film)

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Toy Story

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Translation

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Transnational Ecocinema

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

Transnational cinemas

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Transnationalism

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Trauma

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

Troy (film)

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Twentieth Century British History

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

UFOs

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Under the Sand

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

United 93

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

United Kingdom

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

United States

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

United States History

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

Urban cinema

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Urban history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

Uruguay

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Vanessa Hudgens

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Vesta Tilley

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Video games

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Video nasty

Waddell, Calum, ed. (2017) Cannibal Holocaust. Columbia University Press (US)/ Auteur Publishing (UK). ISBN 1911325116

Videogame Design

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Videogames

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Videogames design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Vietnam War

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Viewpoint

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Viewpoint in videogames

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Vikings

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Viktor Bánky

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Villainy

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Violence

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Virtual Environment Design

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Virtual Environments

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Virtual history

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Vulnerability

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

WNET

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wales

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

Walt Whitman

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

War film

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

War of the worlds

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

War on Terror

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Website

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Wes Anderson

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

What Lies Beneath

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

What a Lovely War

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

When There Was Me and You

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Whiteness

Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

Wilfred Owen

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

William Blake

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

William Friedkin

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Winnicott’s ‘transitional object’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Winterbottom

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Wiseman

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Wollen

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Women

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Women's Film History

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Women's work

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

World Trade Center

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

World War I

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

World War Two

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Yellow Earth

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

Zac Efron

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

accent

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

acting

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

actors

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

adaptation

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

affect

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

affect theory

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

affective labour

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

animated short film

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

anti-Communism

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

anti-Semitism

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

architecture

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

architecture and design

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

archival footage

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

archives

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Winn, Joss (2002) An ecology of images. [Video]

art and mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

art house film

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

artists’ film

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

artist’s model

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

aspiration

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

audience reception

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

auteur cinema

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

authorship

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

avant garde

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

avant-garde

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

avant-gardism

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

becoming

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

biblical film

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

bmjcheck

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

bmjdate

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

bmjdoi

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjgoldcheck

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

bmjholiday

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

bmjlink

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

bmjtype

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

book review

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

O'Rourke, Chris (2014) Early cinema today: The art of programming and live performance [Martin Loiperdinger (ed.), New Barnet: Libbey, 2011]. Historical Journal of Film, Radio and Television, 34 (2). pp. 316-317. ISSN 0143-9685

bourgeois melodrama

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

broadcasting

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

carol morley

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

celebrity

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

child

Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580

child migrants

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

child migrants on screen

Donald, Stephanie (2021) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN UNSPECIFIED

childhood

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

childhood and film

Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED

childhood and nation

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

children

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children and film

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

children in Latvian television

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

children on film

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

children's culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's cultures

Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED

children's games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

children's playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

cine-literary culture

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

cinema

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

cinema - Peru - women - film

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

cinema and childhood

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

cinema and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

cinema and migration

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

cinema of transgression

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

cinema schools

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

cinema-going

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

cinema-politics

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

city and film

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

city and place branding

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

city symphony

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

climate change

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

co-creation

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

colin Murray Parkes

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

commodification

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

communication

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

communism

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

computing

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

contemporary fiction

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

control

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

counter-terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

critical agency and actors

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

cross-dressing

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

cultural identity studies

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

curating

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

death and the cinema

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

death and the city

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

death and theatre

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

detective fiction

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

diaries

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

difference

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

digital

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

digital humanities

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

digital platforms

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

digital-Foley

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

discourse analysis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

documentary

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

documentary drama

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

documentary film

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

domestic migration in China

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

doppelgänger

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

drama documentary

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

dramadoc

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

drifters

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

duality

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

dysfunction

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

dystopia

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

early cinema

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

early film

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

ecological dystopia

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

emotional contingency

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

epic film

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

erotica

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

essay film

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

exile

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

experimental

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

experimental cinema

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

exploitation

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

exploitation film

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

faction

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

fan culture

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

film

Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Jones, Sarah (2002) Film. Media Wise (Hodder Children's Books . Hodder Wayland, London. ISBN 0750240482

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

film acting

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film and branding

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

film and television studies

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

film and video

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

film exhibition

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

film history

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

film industry

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

film noir

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

film philosophy

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

film reality

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

film review

Kearns, Janice (2014) Like water for chocolate / Como agua para chocolate (1991). In: The Routledge Encyclopedia of Films. Routledge, Abingdon, Oxon, pp. 161-164. ISBN 9780415688932, 9781315773834

Kearns, Janice (2014) Y Tu Mamá También (2001). In: The Routledge encyclopedia of films. Routledge, Abingdon, Oxon, pp. 614-616. ISBN 9780415688932, 9781315773834

film stardom

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

film studies

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

film technology

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

film theory

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

filmmaking

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

films

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

free expression

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

free speech

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

gardening

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

gastronomy

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gate-keepers

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

gender

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

gender and genre

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

genre

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

gentlemen’s clubs

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

global warming

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

gothic

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

heritage

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

heroes

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

historical film

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

historical narrative

Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.

historicity

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

history

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

Winn, Joss (2002) An ecology of images. [Video]

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

holocaust

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

horror

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

horror film

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

horror genre

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

human rights

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

hyper-real

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

iconicity

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

identity

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

ideology

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

indexicality

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

inertia

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

interactive

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

interior monologue

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

internet

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

interpretation

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

intervalle

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

intimacy

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

jouissance

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

journalism

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

l'intervalle

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

landscape and modernity

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

language

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

literature

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

local history

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

loneliness

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

louisiana story

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

love and death

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

made-for-television films

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

magic

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

magic lantern

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

masculinity

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

masquerade

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

meaning

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

media archaeology

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

media effects

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

media ethics

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media history

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media studies

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

media technology

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

media virus

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

melodrama

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

memory

Winn, Joss (2002) An ecology of images. [Video]

middle ages

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

migrants and refugee childhoods

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

minoritarian

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

miranda july

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

modern British history

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

mondo film

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

montage

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

mourning

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

movie-of-the-week

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

movie-struck girls

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

multimodality

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

music hall

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

narrative stategy

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

narrative strategy

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

narrativity

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

nation

Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580

national identity

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

nationalism

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

nineteenth-century

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

oaopen

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

observation research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

out-casting

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

painting

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

passeur

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

password

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

pathology

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

peplum

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

performance

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

phantasmagoria

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

philosophy

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

play

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playground games

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

playwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

poetry

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

poltergeist

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

popular culture

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

popular film

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

pornography

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

possession

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

post-Soviet capitalism

Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

post-memory

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

postmodernism

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

practice

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

precarious - peru - cinema -

Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED

preservation

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

press

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

primary school

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

prolefeed

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

propaganda

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

queer film

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

queer history

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

race

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

race and ethnicity

Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

radical film

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

realism

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

reality

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

refnyp

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

refpending

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

refugee film-making

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

review

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

reviewing

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

self-reflexivity

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

semiosis

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semotics

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

settler education

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

sex studies

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

shame

Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

short fiction

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

silent cinema

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

simulation

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

slasher film

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

snuff

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

social history

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

societies of control

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

sonority

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

space

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

space between in film

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

spectacle

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spectrality

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

spike jonze

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

splatter film

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

stardom

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

stasis

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

stillness and the city

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

stop motion

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

sub-prime mortgages

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

séances

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

teleology

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

television

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

television drama

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

teratology

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

terrorism

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

the last stand

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

the real

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

the sublime

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

theatre

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

theory

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

torture porn

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

trauma

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

uncanny

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

understanding of grief

O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

urban photography

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

urban politics

Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721

urban studies

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

urbanisation and China

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

utopia

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

variety theatre

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

video

Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

villains

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

violence

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

virtualization

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

visual culture

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visual literacy

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

visual research

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

visuality in the city

Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721

war

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

women filmmakers

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

women in film

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

world cinema

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

wounding

Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

‘Dulce et decorum est’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘Indianess’

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

‘Your King and Country Want You’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘loving Indianess’

Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

This list was generated on Wed Oct 27 10:32:04 2021 BST.