Article

Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104. ISSN UNSPECIFIED

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). La otra cara de la migración: Imágenes del inmigrante latinoamericano en el cine español contemporáneo, 2 (34). pp. 117-126. ISSN 1577-3388

Bell, Erin (2011) Television and memory: history programming and contemporary identities. Image [&] Narrative, 12 (2). ISSN UNSPECIFIED

Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202

Chapman, Jane (2009) Hegemony and counter hegemony in communication history [Guest editorial of special issue on]. International Journal of Communication, 19 (1). pp. 5-8. ISSN UNSPECIFIED

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293

Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597

Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

Gray, Ann and Bell, Erin (2010) 'Rough crossings' and 'Congo: white King, red rubber, black death': documentary, drama and radical otherness in history programming. Journal of British Cinema and Television, 7 (3). pp. 459-478. ISSN 1743-4521

Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494

Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography . ISSN UNSPECIFIED

Keeble, Richard L. and Cohen-Almagor, Raphael (2010) Ethical Space: journal with a difference. Review of Communication, No 10 (No 3). pp. 228-235. ISSN 1535-8593

Keeble, R.L. (2010) New militarism, the media and the manufacture of warfare 1982-1991: the implications for peace journalism theory and practice. Global Media Journal: Mediterranean Edition, 5 (1/2). pp. 18-28. ISSN 1450-4154

Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166

Morris, Nigel (2013) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames . ISSN UNSPECIFIED (In Press)

Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769

Richards, Anthony (2011) Embalmed/unembalmed: territorial aporias within the performative field of tele-presence. International Journal of Performance Arts and Digital Media, 7 (1). pp. 77-95. ISSN 1479-4713

Tulloch, John (2012) Kicking the canon in the breeches: an appreciation of Professor Nancy Roberts’s keynote address, “Firing the Canon”. Literary Journalism Studies, 4 (2). pp. 95-99. ISSN 1944-897X

Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105

Vickers, Richard (2007) Horror vacui [Featured Artist]. Drain: Journal of Contemporary Art and Culture . ISSN UNSPECIFIED

Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036

Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004

Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452

Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica 173�1/4 (2009), 453�469, 173 (1-4). pp. 453-469. ISSN 0037-1998

Book Section

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976 , 0415772974

Barrow, Sarah (2008) Drifters. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150

Barrow, Sarah (2008) Pressure. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303

Barrow, Sarah (2008) Ratcatcher. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743

Barrow, Sarah (2008) The lodger. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678

Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081

Gray, Ann (2010) Contexts of production: commissioning history. In: Televising history, mediating the past in postwar Europe. Palgrave MacMillan, Basingstoke, Hampshire UK, pp. 59-76. ISBN 9780230222083

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Keeble, Richard (2011) Targeting Gaddafi: secret warfare and the media. In: Mirage in the desert? Reporting the "Arab Spring". Abramis Academic Publishing, Bury St Edmunds, pp. 281-296. ISBN 9781845495145

Keeble, Richard (2010) Hacks and spooks - close encounters of a strange kind: a critical history of the links between mainstream journalists and the intelligence services in the UK. In: The political economy of media and power. Peter Lang, New York, pp. 87-111. ISBN 9781433107740, 9781433107733

Keeble, Richard (2010) Operation Moshtarak and the manufacture of credible, “heroic” warfare. In: Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445

Keeble, Richard (2010) Peace journalism as political practice: a new, radical look at the theory. In: Peace journalism, war and conflict resolution. Peter Lang, New York, pp. 49-68. ISBN 9781433107629

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

Morris, Nigel (2013) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2001) Metropolis and the Modernist Gothic. In: Gothic modernisms. Palgrave, New York, pp. 188-206. ISBN 0333918738

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Proto, Francesco (2006) The machine and the aesthetics. In: Mass identity architecture: architecture writings of Jean Baudrillard. Wiley Classics . Wiley, Chichester, pp. 1-19. ISBN 9780470090190

Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189

Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441

Tulloch, John (2012) Gordon Burn: journalism as a novel, the novel as journalism. In: Global Literary Journalism. : Mass Communication & Journalism (10). Peter Lang, New York, pp. 39-56. ISBN 1433118661, 9781433118661

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

Tulloch, John (2012) The return of the 'Conchie': newspaper representations of conscientious objectors and pacifists in World War II. In: Representations of peace and conflict. Rethinking Political Violence . Palgrave Macmillan, pp. 45-66. ISBN 9780230298668

Tulloch, John (2013) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202 (In Press)

Vickers, Richard (2006) Never mind the platform – produce the design document: establishing best practice for new media project development. In: TTA EUROPRIX & VocINet Book of Innovation in Multimedia. EUROPRIX Top Talent Office, Center for New Media, Salzburg, Austria, pp. 142-148. ISBN 3933269997

Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208

Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian (2008) Claiming the Real II. In: Claiming the Real II. BFI, pp. 1-336. ISBN 97818442717

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Conference or Workshop Item

Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.

Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University. (Unpublished)

Charlesworth, Diane (2011) Journeying with Jamie Oliver: masculinity, social entrepreneurialism and the politics of C4. In: Gender Politics and Reality Television Conference, 25th-27th August 2011, University College, Dublin. (Unpublished)

Coley, Rob and Lockwood, Dean (2010) Cloud games: reinventing invention-power. In: The Experimental Society, 7-9 July, 2010, Lancaster University. (Unpublished)

Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.

Moore, Alison (2011) Representations of laboratory animals in popular media forms. In: Humanities Research Seminar, 16th Feb 2011, University of Lincoln.

Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine. (In Press)

Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.

Richards, Anthony (2009) Embalmed|Unembalmed: the problems of the lived event within media studies 2.0. In: Ends of Television, Logics/Perspectives/Entanglements, 29 June - 1 July 2009, University of Amsterdam.

Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.

Richards, Anthony (2010) Immediation|toward the selfless other? In: The Emergence of the Post-human Subject, 2 - 3 July 2010, University of Surrey.

Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010 , Watershed Media Centre, Bristol. (Unpublished)

Vickers, Richard (2011) 24-hours.in Tampere: participation and the democratisation of documentary? In: European Academy of Digital Media - Academic Network Conference, 10 Nov 2011, University of Graz, Graz, Austria.

Vickers, Richard (2012) Convergence media, participation culture and the digital vernacular: towards the democratization of documentary. In: International Conference on Communication, Media, Technology & Design, 9-11 May 2012, Istanbul, Turkey.

Vickers, Richard (2010) Photography 3.0: emergence - the post-postphotographic era? In: 7th International Symposium of Interactive Media Design, 26-27 April 2010, Yeditepe University, Istanbul, Turkey.

Vickers, Richard (2010) Teaching and learning with the digital natives. In: European Academy of Digital Media Academic Network Conference, 11 Nov 2010, FH Joanneum University of Applied Sciences, Graz, Austria.

Vickers, Richard (2007) The future in my pocket - the mobile paradigm: the social impact and artistic utilisation of the cameraphone and smart mobile device. In: 5th International Symposium of Interactive Media Design, 28-30 April 2007, Yeditepe University, Istanbul, Turkey.

Vickers, Richard (2007) The mobile paradigm. In: Europrix - European Academy of Digital Media Academic Network Conference, 22-23 Nov 2007, FH Joanneum University of Applied Sciences, Graz, Austria.

Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.

Voase, Richard (2008) From expression to instrument: the success of an arts festival as a narration of cultural change. In: Art, Culture and the Public Sphere, Joint Conference of the ESA Research Networks for the Sociology of Culture and the Sociology of the arts, 4-8 November 2008, IUAV University Venice.

Voase, Richard (2004) New wine into old wineskins: cultural regeneration as symbolic economy. In: The Art of Comparison, 6th meeting of the ESA (European Sociological Association) Research Network for the Sociology of the Arts, 3-5 November 2004, Erasmus University of Rotterdam.

Book

Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440

Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522

Coley, Rob and Lockwood, Dean (2012) Cloud time: the inception of the future. Zero Books. ISBN 1780990952 , 9781780990958

Gray, Ann and Bell , Erin (2012) History on television. Routledge, London. ISBN 9780415580397 (pbk.), 9780415580380 (hbk.), 9780203074800 (Ebook)

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Keeble, Richard and Tulloch, John and Zollmann, Florian (2010) Peace journalism, war and conflict resolution. Peace journalism, war and conflict resolution . Peter Lang Publishers, New York, USA. ISBN 9781433107269

Keeble, Richard and Mair, John (2010) Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445

King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275

Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145

Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. Directors' cuts . Wallflower Press, London. ISBN 1904764886

Tulloch, John and Sparks, Colin (2000) Tabloid tales: global debates over media standards. Critical Media Studies: Institutions, Politics, and Culture . Rowman and Littlefield. ISBN 9780230298668, 0847695727

Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849664394 (ebook), 9781849660150 (print, hardback), 9781849660037 (print, paperback)

Thesis

Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.

Artefact

Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]

Wright, Radica (2011) Storytelling snaps. [Artefact]

Show/Exhibition

Downing, Mike (2011) Desense: a photographic project. [Show/Exhibition]

Twigg, Christopher (2010) Monumental language. [Show/Exhibition]

Vickers, Richard and Field, James (2011) 24-hours.in Tampere - an interactive documentary. [Show/Exhibition]

Video

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Other

Wright, Radica (2012) 11 11 remembered. University of Lincoln.