![]() | Up a level |
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Clayton, Owen (2019) How street papers have been battling against a Vagrancy Act for decades. The Big Issue .
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Grandy, Christine (2020) 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show. Journal of British Studies, 59 (4). pp. 857-884. ISSN 0021-9371
Winston, Brian (1998) Z for zoetrope. Sight & Sound, 8 (7). pp. 28-30. ISSN 0037-4806
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Coley, Rob, Kearns, Janice and OMeara, Adam (2014) The ins and outs of imaging: community filmmaking beyond representation. In: Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy, 22-23 January, 2014, BFI Southbank.
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Coley, Rob (2018) "Destabilized Perception": Infrastructural Aesthetics in the Films of Adam Curtis. Cultural Politics, 14 (3). pp. 304-326. ISSN 1743-2197
Winston, Brian (1981) Was Hitler there? Reconsidering 'Triumph of the will'. Sight and Sound (Spring). pp. 102-107.
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Thompson, Marie (2012) Music for cyborgs: the affect and ethics of noise music. In: Reverberations: The Philosophy, Aesthetics and Politics of Noise. Bloomsbury Continuum, pp. 207-218. ISBN 9781441160652
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Keeble, Richard (2010) Operation Moshtarak and the manufacture of credible, “heroic” warfare. In: Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Keeble, Richard (2010) Operation Moshtarak and the manufacture of credible, “heroic” warfare. In: Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445
Keeble, Richard and Mair, John (2010) Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Taylor, Laurie, Haydock, William, Mansell, James, Thompson, Marie and Egerton, Jayne (2017) Age of noise [Thinking Allowed with Laurie Taylor, William Haydock, James Mansell, and Marie Thompson, BBC Radio 4]. [Audio]
Ruffino, Paolo (2018) Non-human gaming. In: PLAY/PAUSE, 24 January 2018, University of Birmingham.
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Coley, Rob (2015) Confronting an inhuman world. In: The Anthropocene and the threat to the human (21st Century Research Group), 4th March, 2015, University of Lincoln.
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. In: 21st century photography: art, philosophy, technique, 5-6 June, 2015, Central Saint Martins.
Coley, Rob (2016) The horrors of visuality. In: Photomediations: a reader. Open Humanities Press, pp. 290-310. ISBN 9781785420023
Coley, Rob (2018) Choose Life (Review of Nonhuman Photography by Joanna Zylinska). Media Theory . ISSN 2557-826X
Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Ruffino, Paolo (2018) Non-Human Gaming: Video Games in the Post-Anthropocene. In: DiGRA 2018, 25-28 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Posthuman Gaming: Video Games for the Post-Anthropocene. In: Post Start-Up Cultures, 20-21 December 2018, University of Naples, Italy.
Ruffino, Paolo (2018) Video Games for Earthly Survival: Gaming in the Post-Anthropocene. In: Digital Cultures, 19-22 September 2018, Leuphana University, Germany.
Glaser, Elaine, Jacobson, Howard and Winston, Brian (2004) Paranoia of prejudice? New Humanist, 119 (2). pp. 24-27. ISSN 0306-512X
Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Elliott, Andrew B.R. (2016) Arthurian fragments, Arthurian mosaics. Arthuriana: The journal of Arthurian studies, 25 (4). pp. 14-24. ISSN 1078-6279
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Tulloch, John and Sparks, Colin (2000) Tabloid tales: global debates over media standards. Critical Media Studies: Institutions, Politics, and Culture . Rowman and Littlefield. ISBN 9780230298668, 0847695727
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Ruffino, Paolo (2018) Posthuman Gaming: Video Games for the Post-Anthropocene. In: Post Start-Up Cultures, 20-21 December 2018, University of Naples, Italy.
Coley, Rob, Lockwood, Dean and Micali, Alberto (2014) Fictive-friction: cyberpunk reprised. In: Friction: An interdisciplinary conference on technology and resistance, 8-9 May, 2014, University of Nottingham.
Coley, Rob (2017) ‘Destabilized perception’: narrative as network in the films of Adam Curtis. In: Essay Film and Narrative Techniques: Screenwriting Non-Fiction, Symposium of the BAFTSS ‘Essay Film’ Research Group, 18-19 November, 2017, University of York.
Taylor, Laurie, Haydock, William, Mansell, James, Thompson, Marie and Egerton, Jayne (2017) Age of noise [Thinking Allowed with Laurie Taylor, William Haydock, James Mansell, and Marie Thompson, BBC Radio 4]. [Audio]
Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210
Winston, Brian (1994) The licence fee, stupid!: The BBC's charter renewal. Media Information Australia (74). pp. 99-105. ISSN 0312-9616
Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6).
Winston, Brian and Walton, Paul (1996) Virtually free (Myth of the Internet). Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Coley, Rob (2011) ‘I don’t believe you...you’re a liar’: the fabulatory function of Bob Dylan. In: Refractions of Bob Dylan: Cultural Appropriations of an American Icon, 19-21 May, 2011, University of Vienna.
Coley, Rob (2016) Ecological detection. In: Photomediations: A Symposium, 19 February, 2016, Goldsmiths, University of London.
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Thayne, Martyn (2014) Media Culture 2020: an exploration of collaborative learning. In: Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education 2014. Association for the Advancement of Computing in Education (AACE)., pp. 2207-2212. ISBN UNSPECIFIED
Thayne, Martyn and Cooper, Graham (2014) Collaborative pedagogy and digital scholarship: a case study of 'Media Culture 2020'. Media Education Research Journal (MERJ), 5 (1). pp. 46-59. ISSN 2040-4350
Vickers, Richard, Cooper, Graham, Field, James and Thayne, Martyn (2014) Hello scholr: designing for collaborative and engaging learning. In: MINA (Mobile Innovation Network Aotearoa) Mobile Creativity and Innovation Symposium, 20 - 21 November, 2014, AUT University, Auckland, New Zealand.
Vickers, Richard, Cooper, Graham, Field, James and Thayne, Martyn (2014) The educator’s new clothes: towards a collaborative and open vision for education in the 21st century. In: Proceedings of ThinkTwice2 Istanbul 2014. Istanbul Commerce University, Istanbul, Turkey. ISBN UNSPECIFIED
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2014) Media Culture 2020 - Liepāja, Latvia. [Video]
Vickers, Richard, Field, James and Melakoski, Cai (2015) Media Culture 2020: collaborative teaching and blended learning using social media and cloud-based technologies. Contemporary Educational Technology, 6 (1). pp. 62-73. ISSN 1309-517X
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Vickers, Richard (2013) Mobile media, participation culture and the digital vernacular: 24-hours.in and the democratization of documentary. Ubiquity: The Journal of Pervasive Media, 2 (1-2). pp. 132-145. ISSN 2045-6271
Vickers, Richard and Melakoski, Cai (2014) Media culture 2020: exploring opportunities for collaborative teaching and learning using social media and cloud-based technologies. In: The International Conference on Communication, Media, Technology and Design, 24-26 April 2014, Istanbul, Turkey.
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Ruffino, Paolo (2019) Troubled Legacies / Fractured Futures. In: Troubled Legacies / Fractured Futures, 14th March 2019, UCL.
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Downing, Mike (2011) Desense: a photographic project. [Event, Show or Exhibition]
Elliott, Andrew B.R. (2020) Brexit, Medievalism, and the Myth of Nations. In: Studies in Medievalism XXIX: Politics and Medievalism. Studies in Medievalism (XXIX). Boydell and Brewer, pp. 31-38. ISBN 9781787448957
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Barrow, Sarah (2008) Pressure. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303
Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Henkel, Imke, Thurman, Neil and Deffner, Veronika (2019) Comparing Journalism Cultures in Britain and Germany: Confrontation, Contextualization, Conformity. Journalism Studies, 20 (14). pp. 1995-2013. ISSN 1461-670X
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Barrow, Sarah (2008) Pressure. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Henkel, Imke (2021) Ideology and Disinformation: How False News Stories Contributed to Brexit. In: Politics of Disinformation. Wiley. ISBN 9781119743231
Henkel, Imke (2018) How the laughing, irreverent Briton trumped fact-checking: a textual analysis of fake news in British newspaper stories about the EU. Journalism Education, 6 (3). pp. 87-97. ISSN 2050-3930
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Winston, Brian (2015) No broadcaster is an island. In: The BBC today: future uncertain. Aramis. ISBN 9781845496562
Winston, Brian (2018) It’s the news, stupid! British Journalism Review . ISSN 0956-4748
Winston, Brian (2018) The conscience of cinema: the works of Joris Ivens 1912-1989 [Thomas Waugh. Amsterdam University Press. 2016]. Studies in Documentary Film . ISSN 1750-3280
Wilson, Deborah (2008) Paying the piper: funding broadcast news. In: Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210
Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Morris, Nigel (2018) Staging science on TV: Richard Hammond's Invisible Worlds, Richard Hammond's Miracles of Nature, and Wild Weather with Richard Hammond. Journal of Science and Popular Culture, 1 (2). pp. 119-136. ISSN 2059-9072
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Chapman, Jane (1988) Women working it out [1st ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 08611046681989
Chapman, Jane (1990) Women working it out [2nd ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 0861105524
Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Batkin, Jane (2016) Rethinking the rabbit: revolution, identity and connection in Looney Tunes. Animation Studies Online Journal, 11 . ISSN 1930-1928
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397
Owens, Edward (2016) Love, duty and diplomacy: the mixed response to the 1947 engagement of Princess Elizabeth. In: Royal heirs and the uses of soft power in nineteenth-century Europe. Palgrave Studies in Modern Monarchy . Palgrave Macmillan, Basingstoke, pp. 223-240. ISBN 9781137592088
Boothroyd, Dave (2009) The ends of censorship. Eurozine . ISSN 1684-4637
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Hughes, David (2018) Scrutinising the Media: Fake News, Censorship, and War. [Project]
Charlesworth, Diane (2011) Journeying with Jamie Oliver: masculinity, social entrepreneurialism and the politics of C4. In: Gender Politics and Reality Television Conference, 25th-27th August 2011, University College, Dublin.
Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. Directors' cuts . Wallflower Press, London. ISBN 1904764886
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Winston, Brian (2004) Is "British cinema" a zebra? Journal of British Cinema and Television, 1 (1). pp. 14-20. ISSN 1743-4521
Winston, Brian (1996) Jean Rouch. In: Oxford History of the Cinema. Oxford University Press, Oxford. ISBN 0198112572
Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467
Winston, Brian (2011) Richard Leacock: bearing witness. Sight and Sound, 21 (6). pp. 42-43. ISSN 0037-4806
Winston, Brian (2012) Theory for practice - ceci n'est pas l'épistémologie. In: Critical cinema: beyond the theory of practice. Wallflower/Columbia University Press, London, pp. 191-200. ISBN 9781906660376, 9781906660369
Winston, Brian (2003) The art of evil. New Humanist, 118 (4). pp. 28-29. ISSN 0306-512X
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Vickers, Richard (2018) Film & Media @ Lincoln: Research, Practice & Collaboration. In: 22nd Videomedeja International Film Festival, 31 August - 2 September, 2018, Museum of Contemporary Art of Vojvodina, Novi Sad, Serbia.
Thayne, Martyn (2014) Media Culture 2020: an exploration of collaborative learning. In: Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education 2014. Association for the Advancement of Computing in Education (AACE)., pp. 2207-2212. ISBN UNSPECIFIED
Thayne, Martyn (2016) Developing digital literacies through blended learning and co-innovation. In: CROSS-MEDIA Conference 2016: Creative Processes in Online Collaboration, 19 - 20 February 2016, University of Applied Sciences Magdeburg-Stendal, Germany.
Thayne, Martyn and Cooper, Graham (2014) Collaborative pedagogy and digital scholarship: a case study of 'Media Culture 2020'. Media Education Research Journal (MERJ), 5 (1). pp. 46-59. ISSN 2040-4350
Vickers, Richard, Cooper, Graham, Field, James and Thayne, Martyn (2014) Hello scholr: designing for collaborative and engaging learning. In: MINA (Mobile Innovation Network Aotearoa) Mobile Creativity and Innovation Symposium, 20 - 21 November, 2014, AUT University, Auckland, New Zealand.
Vickers, Richard, Cooper, Graham, Field, James and Thayne, Martyn (2014) The educator’s new clothes: towards a collaborative and open vision for education in the 21st century. In: Proceedings of ThinkTwice2 Istanbul 2014. Istanbul Commerce University, Istanbul, Turkey. ISBN UNSPECIFIED
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2013) Media Culture 2020 - Tampere, Finland. [Video]
Vickers, Richard and Melakoski, Cai (2014) Media culture 2020: exploring opportunities for collaborative teaching and learning using social media and cloud-based technologies. In: The International Conference on Communication, Media, Technology and Design, 24-26 April 2014, Istanbul, Turkey.
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn, McCarthy, Clive and Verity, Adam (2014) co_LAB - Project 1. [Video]
Vickers, Richard, Field, James and Melakoski, Cai (2015) Media Culture 2020: collaborative teaching and blended learning using social media and cloud-based technologies. Contemporary Educational Technology, 6 (1). pp. 62-73. ISSN 1309-517X
Wright, Radica (2012) 11 11 remembered. University of Lincoln.
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2014) Media Culture 2020 - Liepāja, Latvia. [Video]
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Moore, Alison (2011) Representations of laboratory animals in popular media forms. In: Humanities Research Seminar, 16th Feb 2011, University of Lincoln.
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231
Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography .
Winston, Brian (1997) Fractal dreams: new media in social context (ed. Jon Dovey). European Journal of Communication, 12 (1). pp. 119-121. ISSN 0267-3231
Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). European Journal of Communication, 13 (3). pp. 417-419. ISSN 0267-3231
Winston, Brian (1986) Survival of national networks in an age of abundance. Intermedia, 4 (6) (30). ISSN 0309-118X
Coley, Rob, Kearns, Janice and OMeara, Adam (2014) The ins and outs of imaging: community filmmaking beyond representation. In: Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy, 22-23 January, 2014, BFI Southbank.
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Henkel, Imke, Thurman, Neil, Möller, Judith and Trilling, Damian (2020) Do Online, Offline, and Multiplatform Journalists Differ in their Professional Principles and Practices? Findings from a Multinational Study. Journalism Studies, 21 (10). pp. 1363-1383. ISSN 1461-670X
Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography .
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494
Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770
Thayne, Martyn (2014) Object/process: towards an ontological levelling within media theory. In: 'Media and the Margins' - The Annual MeCCSA Conference, 8-10th January 2014, The Media School, Bournemouth University.
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.
Ruffino, Paolo (2018) Indie Game Studies workshop. In: Indie Game Studies workshop, 24 July 2018, Universita di Torino, Italy.
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Micali, Alberto (2017) For an archaeology of swarming machines: genealogy and the politics of media dissent beyond representational metaphors. Cinema&Cie. International Film Studies Journal, XVII (29). pp. 105-116. ISSN 2035-5270
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Micali, Alberto and Pasqualini, Nicolò (2016) Excavating the centrality of materiality for a post-human ‘anthropomediality’: an ecological approach. In: Media anthropology's legacies and concerns’, 14th European Association of Social Anthropologists (EASA) conference, 20-23 July 2016, Università Milano Bicocca, Italy.
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Ruffino, Paolo (2018) Posthuman Gaming: Video Games for the Post-Anthropocene. In: Post Start-Up Cultures, 20-21 December 2018, University of Naples, Italy.
Ruffino, Paolo (2018) Video Games and Posthumanism. In: DiGRA 2018 The Game is the Message, 25-28 July 2018, Universita di Torino, Italy.
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Morris, Nigel (2001) Metropolis and the Modernist Gothic. In: Gothic modernisms. Palgrave, New York, pp. 188-206. ISBN 0333918738
Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. Directors' cuts . Wallflower Press, London. ISBN 1904764886
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Elliott, Andrew B.R. and Horswell, Mike (2020) Crusading Icons: Medievalism and Authenticity in Historical Digital Games. In: History in Games: Contingencies of an Authentic Past. Transcript Verlag, Bielefeld, pp. 137-155. ISBN 9783839454206
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Winston, Brian (2013) The revolutionary founding moments of a contra-Grierson tradition [Joshua Malitsky]. Jump Cut: A Review of Contemporary Media (55). ISSN 0146-5546
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Ruffino, Paolo (2019) Troubled Legacies / Fractured Futures. In: Troubled Legacies / Fractured Futures, 14th March 2019, UCL.
Ruffino, Paolo and Carbone, Marco Benoit (2014) Introduction: Games and subcultural theory. GAME Games as Art Media Entertainment journal, 1 (3). pp. 5-22. ISSN 2280-7705
Ruffino, Paolo and Carbone, Marco Benoit (2014) Video game subcultures: playing at the periphery of mainstream culture [special issue of GAME Journal]. LUDICA. ISBN UNSPECIFIED
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
Thompson, Marie (2018) Sonic (cyber)feminisms: questions, strategies and contestations. In: Mutek Festival, 21st August 2018, Montreal.
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Thompson, Marie (2013) Three screams. In: Sound, music, affect: theorizing sonic experience. Bloomsbury, pp. 147-162. ISBN 9781441114679
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Coley, Rob (2011) ‘I don’t believe you...you’re a liar’: the fabulatory function of Bob Dylan. In: Refractions of Bob Dylan: Cultural Appropriations of an American Icon, 19-21 May, 2011, University of Vienna.
Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2015) Three moments. [Event, Show or Exhibition]
Thompson, Marie (2012) Music for cyborgs: the affect and ethics of noise music. In: Reverberations: The Philosophy, Aesthetics and Politics of Noise. Bloomsbury Continuum, pp. 207-218. ISBN 9781441160652
Thompson, Marie and Biddle, Ian (2013) Introduction: somewhere between the signifying and the sublime. In: Sound, music, affect: theorizing sonic experience. Bloomsbury, pp. 1-23. ISBN 9781441114679
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Boothroyd, Dave (2005) To be 'hospitable to madness': Derrida and Foucault chez Freud. Journal for Cultural Research, 9 (1). pp. 3-21. ISSN 1479-7585
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Richards, Anthony (2011) Embalmed/unembalmed: territorial aporias within the performative field of tele-presence. International Journal of Performance Arts and Digital Media, 7 (1). pp. 77-95. ISSN 1479-4713
Richards, Anthony (2009) Embalmed|Unembalmed: the problems of the lived event within media studies 2.0. In: Ends of Television, Logics/Perspectives/Entanglements, 29 June - 1 July 2009, University of Amsterdam.
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Richards, Anthony (2010) Immediation|toward the selfless other? In: The Emergence of the Post-human Subject, 2 - 3 July 2010, University of Surrey.
Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Boothroyd, Dave (2009) Touch, time and technics: Levinas and the ethics of haptic communications. Theory, Culture and Society, 26 (2-3). pp. 330-345. ISSN 0263-2764
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Tulloch, John (2012) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Thayne, Martyn (2014) Object/process: towards an ontological levelling within media theory. In: 'Media and the Margins' - The Annual MeCCSA Conference, 8-10th January 2014, The Media School, Bournemouth University.
Micali, Alberto (2017) For an archaeology of swarming machines: genealogy and the politics of media dissent beyond representational metaphors. Cinema&Cie. International Film Studies Journal, XVII (29). pp. 105-116. ISSN 2035-5270
Winston, Brian (1999) These isles are alive with the buzz of digits. Vertigo, 1 (9). ISSN 0968-7904
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Coley, Rob and Lockwood, Dean (2012) Cloud time: the inception of the future. Zero Books. ISBN 1780990952, 9781780990958
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Vickers, Richard (2018) Smart devices, participation culture and democritisation of documentary. In: Digital media: shifting landscapes embracing change enhancing learning innovating the future. Springer. ISBN UNSPECIFIED
Wright, Radica (2011) Storytelling snaps. [Artefact]
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2013) Media Culture 2020 - Tampere, Finland. [Video]
Winston, Brian (2003) What digital revolution? New Humanist, 118 (3). pp. 28-29. ISSN 0306-512X
Winston, Brian (1999) These isles are alive with the buzz of digits. Vertigo, 1 (9). ISSN 0968-7904
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Gray, Ann (2010) Contexts of production: commissioning history. In: Televising history, mediating the past in postwar Europe. Palgrave MacMillan, Basingstoke, Hampshire UK, pp. 59-76. ISBN 9780230222083
Keeble, Richard (2010) Peace journalism as political practice: a new, radical look at the theory. In: Peace journalism, war and conflict resolution. Peter Lang, New York, pp. 49-68. ISBN 9781433107269
Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Tulloch, John (2012) The return of the 'Conchie': newspaper representations of conscientious objectors and pacifists in World War II. In: Representations of peace and conflict. Rethinking Political Violence . Palgrave Macmillan, pp. 45-66. ISBN 9780230298668
Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.
Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]
Wang, Chi and Winston, Brian (2014) 纪录与方法 / Documenting and methods. China International Broadcasting Press, Beijing, pp. 19-29. ISBN UNSPECIFIED
Winston, Brian (2016) Duchové v obraze / Ghosts in the frame. In: Zivy film: Digitalizace filmu Methodu DRA. Akademie múzichyk um v Praz, Prague. ISBN 9788090450349
Winston, Brian (2017) Foreword. In: i-docs: the evolving practice of interactive documentary. Wallflower Press. ISBN 9780231181235
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Vickers, Richard (2013) Mobile media, participation culture and the digital vernacular: 24-hours.in and the democratization of documentary. Ubiquity: The Journal of Pervasive Media, 2 (1-2). pp. 132-145. ISSN 2045-6271
Winston, Brian (2013) Afterword: what must we change now? In: The documentary film book. British Film Institute/Palgrave Macmillan, London, p. 383. ISBN 9781844573424 (hbk.), 9781844573417 (pbk.)
Winston, Brian (1988) Before Grierson, before Flaherty: the documentary film in 1914. Sight and Sound, 57 (Autumn). pp. 277-279. ISSN 0037-4806
Winston, Brian (1995) Claiming the real: the Griersonian documentary and its legitimations. British Film Institute, London. ISBN 0851704638, 0851704646
Winston, Brian (1997) Die Digitalisierung und das Dokumentarische. In: Trau - Schau - Wem: Digitalisierung und dokmentarische Form. Close Up: Schriften aus dem Haus des Dokumentarfilms (9). UVK Medien, Konstanz, pp. 47-58. ISBN 3896692232, 9783896692238
Winston, Brian (1992) Direct cinema: the third decade. In: New challenges for documentary. University of California Press, Berkeley. ISBN 0520057252
Winston, Brian (2011) Documental: me parece que tenemos problemas. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 96-112. ISBN 9789896540623
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Winston, Brian (1988) Documentary: I think we are in trouble. In: New challenges for documentary. University of California Press, Berkeley, pp. 21-33. ISBN 0520057252 (hbk.), 0520057244 (pbk.)
Winston, Brian (2011) Documentário: penso que estamos em apuros. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 41-57. ISBN 9789896540623
Winston, Brian (2011) El protagonismo de las víctimas en la tradició documental griersoniana. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 113-137. ISBN 9789896540623
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Winston, Brian (2014) The Griersonian tradition postwar: decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (2011) Hacia un documental post-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 138-152. ISBN 9789896540623
Winston, Brian (1998) Honest, straightforward re-enactment. In: Joris Ivens & the documentary context. Film Culture in Transition . Amsterdam University, Amsterdam. ISBN 9789053564257, 9789053563892
Winston, Brian (2013) Introduction: the documentary film. In: The documentary film book. British Film Institute / Palgrave Macmillan, London, p. 1. ISBN 9781844573417 (pbk.), 9781844573424 (hbk.)
Winston, Brian (2007) Jo Durden-Smith. The Independent . p. 37. ISSN 0951-9467
Winston, Brian (2000) John Grierson: Life, contributions, influence. Visual Anthropology Review, 16 (2). pp. 92-96. ISSN 1058-7187
Winston, Brian (2013) Life as narrativised. In: The documentary film book. British Film Institute/Palgrave Macmillan, London, pp. 89-97. ISBN 9781844573424 (hbk.), 9781844573417 (pbk.)
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Winston, Brian (1998) Not a lot of laughs: documentary as a popular form. In: Dissident voices, moving lives: television culture and political change. Pluto Press, London. ISBN UNSPECIFIED
Winston, Brian (2011) Para um documentário pós-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 82-95. ISBN 9789896540623
Winston, Brian (2003) Paying the piper: the realist film in the service of the British state. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms . UVK Medien, Konstanz, Germany, pp. 144-154. ISBN 3896693824
Winston, Brian (2014) Peirce's better triad. In: A critique of judgement in film and television. Palgrave, London. ISBN 9781137014177
Winston, Brian (2009) Public issue television: World in Action 1963-98. Journalism Studies, 10 (1). pp. 130-136. ISSN 1461-670X
Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467
Winston, Brian (2011) Richard Leacock: bearing witness. Sight and Sound, 21 (6). pp. 42-43. ISSN 0037-4806
Winston, Brian (2001) 'Smell the tulips': the internet, neo-liberalism and millenarian hype. In: Access denied in the information age. Palgrave Macmillan, London, pp. 161-178. ISBN 0333920198, 9780333920190
Winston, Brian (2015) Surveillance in the service of narrative. In: Blackwell companion to documentary. John Wiley, Oxford and Boston, pp. 611-628. ISBN 9780470671641, 9781118884553
Winston, Brian (1998) Theatrical and television documentary: the sound of one hand clapping. In: Cinema futures: Cain, Abel or cable: the screen arts in the digital age. Film Cultures in Transition . University of Amsterdam, Amsterdam. ISBN 9053562826
Winston, Brian (2015) To play a role that was in fact his [her] own. In: The Grierson effect: tracing documentary's international movement. British Film Institute / Palgrave, London. ISBN 9781844575398
Winston, Brian (2003) The art of evil. New Humanist, 118 (4). pp. 28-29. ISSN 0306-512X
Winston, Brian (2003) A little touch of Harry in the night: a note on British documentary in WWII. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms (16). UVK Medien, Konstanz, Germany, pp. 333-343. ISBN 3896693824
Winston, Brian (2013) The revolutionary founding moments of a contra-Grierson tradition [Joshua Malitsky]. Jump Cut: A Review of Contemporary Media (55). ISSN 0146-5546
Winston, Brian (1989) The tradition of the victim in Griersonian documentary. In: Image ethics: moral rights of subjects in photographs, film and television. Communication and Society . Oxford University Press, New York. ISBN 0195054334
Winston, Brian (1988) The tradition of the victim in Griersonian documentary. In: New challenges for documentary. University of California Press, Berkeley, pp. 269-287. ISBN 0520057252 (hbk.), 0520057244 (pbk.)
Winston, Brian (2011) A tradição da vítima no documentário griersoniano’? In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 58-81. ISBN 9789896540623
Winston, Brian (1984) The white man's burden: the example of Robert Flaherty. Sight and Sound, 54 (Winter). pp. 58-60. ISSN 0037-4806
Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175
Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Winston, Brian (1981) Was Hitler there? Reconsidering 'Triumph of the will'. Sight and Sound (Spring). pp. 102-107.
Winston, Brian (2014) ‘‘A handshake or a kiss’’: the legacy of George Stoney (1916–2012). Film Quarterly, 67 (3). pp. 35-49. ISSN 0015-1386
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Thompson, Marie (2012) Music for cyborgs: the affect and ethics of noise music. In: Reverberations: The Philosophy, Aesthetics and Politics of Noise. Bloomsbury Continuum, pp. 207-218. ISBN 9781441160652
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Coley, Rob (2014) Visuality and the vector: mapping and hijacking drone culture. In: Autonomy and Automation: Robotics, AI and the Digital Cultural Future, 8th March, 2014, Pervasive Media Studio, Digital Cultures Research Centre, University of the West of England.
Coley, Rob and Lockwood, Dean (2015) Dreaming the drone. In: School of Arts and Media Research Seminar, 3 June, 2015, University of Salford.
Coley, Rob, Lockwood, Dean and OMeara, Adam (2014) As above, so below: triangulating drone culture. In: As Above, So Below: A Colloquium on Drone Culture, 24 May, 2014, University of Lincoln.
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Airminded. [Event, Show or Exhibition]
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .
Coley, Rob (2013) Minutes of the Society for Ontofabulatory Research: report from the Committee for Aeronautical Psychogeography. In: Radical Space, 18-20 October, 2013, Centre for Cutural Studies Research, University of East London.
Coley, Rob and Lockwood, Dean (2015) As above, so below: triangulating drone culture. Culture Machine, 16 . pp. 1-19. ISSN 1465-4121
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]
Boothroyd, Dave (2007) Cinematic heroin and narcotic modernity. In: Symbolism: an international annual of critical aesthetics. AMS Press Inc., New York, pp. 7-28. ISBN 9780404635671
Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Henkel, Imke (2018) How the laughing, irreverent Briton trumped fact-checking: a textual analysis of fake news in British newspaper stories about the EU. Journalism Education, 6 (3). pp. 87-97. ISSN 2050-3930
Henkel, Imke, Thurman, Neil, Möller, Judith and Trilling, Damian (2020) Do Online, Offline, and Multiplatform Journalists Differ in their Professional Principles and Practices? Findings from a Multinational Study. Journalism Studies, 21 (10). pp. 1363-1383. ISSN 1461-670X
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Micali, Alberto and Pasqualini, Nicolò (2016) Excavating the centrality of materiality for a post-human ‘anthropomediality’: an ecological approach. In: Media anthropology's legacies and concerns’, 14th European Association of Social Anthropologists (EASA) conference, 20-23 July 2016, Università Milano Bicocca, Italy.
Charnock, Ruth (2016) "I want what everyone wants": cruel optimism in HBO's 'Girls'. In: Gender and Economics in Popular Culture: Femininity, Masculinity and Austerity in Film and TV. I. B. Tauris. ISBN 1784536644, 9781784536640
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Winston, Brian (1988) Before Grierson, before Flaherty: the documentary film in 1914. Sight and Sound, 57 (Autumn). pp. 277-279. ISSN 0037-4806
Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography .
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Owens, Edward (2016) Love, duty and diplomacy: the mixed response to the 1947 engagement of Princess Elizabeth. In: Royal heirs and the uses of soft power in nineteenth-century Europe. Palgrave Studies in Modern Monarchy . Palgrave Macmillan, Basingstoke, pp. 223-240. ISBN 9781137592088
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Ruffino, Paolo (2017) Engagement and the quantified self: uneventful relationships with ghostly companions. In: Self-tracking: empirical and philosophical investigations. Palgrave, pp. 11-25. ISBN 9783319653785
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We Need to Talk about Heidegger: Essays Situating Martin Heidegger in Contemporary Media Studies. Literary and Cultural Theory . Peter Lang, pp. 185-210. ISBN 978-3-631-75067-4
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We need to talk about Martin: 12 essays situating Heidegger in contemporary media studies. Peter Lang. ISBN UNSPECIFIED
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Coley, Rob (2019) Essays on the Essay Film, ed. N.M. Alter and T. Corrigan. Visual Studies . ISSN 1472-586X
Boothroyd, Dave (2013) Ethical subjects in contemporary culture. Edinburgh University Press, Edinburgh University Press. ISBN 9780748640096
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Keeble, Richard L. and Cohen-Almagor, Raphael (2010) Ethical Space: journal with a difference. Review of Communication, No 10 (No 3). pp. 228-235. ISSN 1535-8593
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Henkel, Imke (2021) Ideology and Disinformation: How False News Stories Contributed to Brexit. In: Politics of Disinformation. Wiley. ISBN 9781119743231
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Hughes, David (2018) Scrutinising the Media: Fake News, Censorship, and War. [Project]
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Micali, Alberto (2014) Hacking the power through a minor reading of Tarde’s vitalism. In: Cultural Im/materialities: Contagion, Affective Rhythms and Mobilization, 23-27 June 2014, Aarhus University.
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Thompson, Marie (2018) Noise, mediation, labour. In: Glasgow International, 5th May 2018, Mitchell Library, Glasgow.
Thompson, Marie (2018) Sonic (cyber)feminisms: questions, strategies and contestations. In: Mutek Festival, 21st August 2018, Montreal.
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Morris, Nigel (2001) Metropolis and the Modernist Gothic. In: Gothic modernisms. Palgrave, New York, pp. 188-206. ISBN 0333918738
Vickers, Richard (2018) Film & Media @ Lincoln: Research, Practice & Collaboration. In: 22nd Videomedeja International Film Festival, 31 August - 2 September, 2018, Museum of Contemporary Art of Vojvodina, Novi Sad, Serbia.
Winston, Brian (2000) Triumph of the will. In: Behind the screen: history at the movies. Sutton Publishing, London. ISBN 9780750923316
Winston, Brian (1998) Z for zoetrope. Sight & Sound, 8 (7). pp. 28-30. ISSN 0037-4806
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Winston, Brian (2000) Necessities and constraints: a pattern of technological change. In: Film and theory: an anthology. Blackwell, Oxford, pp. 102-110. ISBN 0631206256, 0631206264
Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166
Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Winston, Brian (2005) Emancipation, the media and modernity: some reflections on Garnham's Kantian turn. Media, Culture & Society, 27 (4). pp. 495-509. ISSN 0163-4437
Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]
Boothroyd, Dave (2005) To be 'hospitable to madness': Derrida and Foucault chez Freud. Journal for Cultural Research, 9 (1). pp. 3-21. ISSN 1479-7585
Sutherland, Thomas (2015) The entelechies of media: formal and material causality in media ecology. Explorations in Media Ecology, 13 (3-4). pp. 253-268. ISSN 1539-7785
Sutherland, Thomas and Patsoura, Elliot (2017) Michel Foucault, Friedrich Kittler, and the interminable half-life of 'so-called man'. Angelaki: Journal of the Theoretical Humanities, 22 (4). pp. 49-68. ISSN 0969-725X
Micali, Alberto (2015) Notes for an ecological archaeology of imaginary media hacking. Journal of Contemporary Archaeology, 2 (1). S15-S22. ISSN 2051-3429
Micali, Alberto (2014) Hacking the power through a minor reading of Tarde’s vitalism. In: Cultural Im/materialities: Contagion, Affective Rhythms and Mobilization, 23-27 June 2014, Aarhus University.
Keeble, Richard (2011) Targeting Gaddafi: secret warfare and the media. In: Mirage in the desert? Reporting the "Arab Spring". Abramis Academic Publishing, Bury St Edmunds, pp. 281-296. ISBN 9781845495145
Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Ruffino, Paolo, Crawford, Garry and Mac-Callum Stewart, Esther, eds. (2018) Special issue, British DiGRA. ETC Press. ISBN UNSPECIFIED
Aluffi, Giuliano and Ruffino, Paolo (2018) Come riprendersi il relax di una volta (English translation: how to claim back your leisure). [Impact]
Bertolotti, Silvia and Ruffino, Paolo (2018) Review of Future Gaming: Creative Interventions in Video Game Culture. [Impact]
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
Crawford, Garry, MacCallum-Stewart, Esther and Ruffino, Paolo (2018) British Digital Game Studies. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). pp. 1-11. ISSN 2328-9414
Fuchs, Mathias, Fizek, Sonia, Ruffino, Paolo and Schrape, Niklas (2014) Rethinking gamification. Meson Press, Lueneburg, Germany. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Ruffino, Paolo (2019) Future Gaming: Creative Interventions in Video Game Culture - talk at UEA. In: Film TV & Media Research Seminars at University of East Anglia, 28 January 2019, Norwich, UK.
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. Future Media . Goldsmiths Press, London. ISBN 9781906897550
Ruffino, Paolo, MacCallum-Stewart, Esther and Crawford, Garry (2018) British DiGRA 2017/2018. ETC PRESS. ISBN UNSPECIFIED
Ruffino, Paolo (2014) From engagement to life, or: How to do things with gamification? In: Rethinking gamification. Meson Press, Luneburg, Germany, pp. 47-69. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. In: Talks at Google, March 1st 2018, London.
Ruffino, Paolo (2018) Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture. In: Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture, 29th May 2018, Institute of Digital Games - University of Malta.
Ruffino, Paolo (2018) GamerGate: Giocare da Parassiti. In: DiGRA Italia 2018: Women, LGBTQI & Allies: videogiochi e identità di genere, June 1st 2018, Palermo, Italy.
Ruffino, Paolo (2018) Indie Game Studies workshop. In: Indie Game Studies workshop, 24 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Non-Human Gaming: Video Games in the Post-Anthropocene. In: DiGRA 2018, 25-28 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Non-human gaming. In: PLAY/PAUSE, 24 January 2018, University of Birmingham.
Ruffino, Paolo (2019) Troubled Legacies / Fractured Futures. In: Troubled Legacies / Fractured Futures, 14th March 2019, UCL.
Ruffino, Paolo (2018) Video Games and Posthumanism. In: DiGRA 2018 The Game is the Message, 25-28 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Video Games for Earthly Survival: Gaming in the Post-Anthropocene. In: Digital Cultures, 19-22 September 2018, Leuphana University, Germany.
Ruffino, Paolo and UNSPECIFIED (2018) DiGRA Italia 2018: Women, LGBTQI & Allies: videogiochi e identità di genere. [Event, Show or Exhibition]
Ruffino, Paolo and Bittanti, Matteo (2017) DiGRA Italia: Testi, Contesti e Pretesti Videoludici. [Event, Show or Exhibition]
Ruffino, Paolo and Carbone, Marco Benoit (2017) DiGRA Italia: made in Italy conference. [Event, Show or Exhibition]
Ruffino, Paolo, MacCallum-Stewart, Esther and Crawford, Garry (2017) DiGRA UK conference. [Event, Show or Exhibition]
Ruffino, Paolo, MacCallum-Stewart, Esther and Crawford, Garry (2018) Introduction to British DiGRA issue. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). ix-xiii. ISSN 2328-9414
Ruffino, Paolo (2019) Parasites to Gaming: Learning from GamerGate. In: Beyond the Console: Gender and Narrative Games, 8-9 February 2019, V&A and London South Bank University, London.
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. Future Media . Goldsmiths Press, London. ISBN 9781906897550
Ruffino, Paolo (2018) Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture. In: Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture, 29th May 2018, Institute of Digital Games - University of Malta.
Ruffino, Paolo (2018) GamerGate: Giocare da Parassiti. In: DiGRA Italia 2018: Women, LGBTQI & Allies: videogiochi e identità di genere, June 1st 2018, Palermo, Italy.
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Ruffino, Paolo (2019) Parasites to Gaming: Learning from GamerGate. In: Beyond the Console: Gender and Narrative Games, 8-9 February 2019, V&A and London South Bank University, London.
Ruffino, Paolo (2018) Video Games for Earthly Survival: Gaming in the Post-Anthropocene. In: Digital Cultures, 19-22 September 2018, Leuphana University, Germany.
Aluffi, Giuliano and Ruffino, Paolo (2018) Come riprendersi il relax di una volta (English translation: how to claim back your leisure). [Impact]
Ruffino, Paolo (2017) Engagement and the quantified self: uneventful relationships with ghostly companions. In: Self-tracking: empirical and philosophical investigations. Palgrave, pp. 11-25. ISBN 9783319653785
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654
Ruffino, Paolo (2018) GamerGate: Giocare da Parassiti. In: DiGRA Italia 2018: Women, LGBTQI & Allies: videogiochi e identità di genere, June 1st 2018, Palermo, Italy.
Ruffino, Paolo (2019) Parasites to Gaming: Learning from GamerGate. In: Beyond the Console: Gender and Narrative Games, 8-9 February 2019, V&A and London South Bank University, London.
Ruffino, Paolo and UNSPECIFIED (2018) DiGRA Italia 2018: Women, LGBTQI & Allies: videogiochi e identità di genere. [Event, Show or Exhibition]
Spaulding, Hannah (2021) Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone. Journal of Cinema and Media Studies, 60 (5). pp. 150-173. ISSN 0009-7101
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Winston, Brian (2014) ‘‘A handshake or a kiss’’: the legacy of George Stoney (1916–2012). Film Quarterly, 67 (3). pp. 35-49. ISSN 0015-1386
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Wark, Scott and Sutherland, Thomas (2015) Platforms for the new: Simondon and media studies. Platform: Journal of Media and Communication, 6 (1). pp. 4-10. ISSN 1836-5132
Boothroyd, Dave (2007) Cinematic heroin and narcotic modernity. In: Symbolism: an international annual of critical aesthetics. AMS Press Inc., New York, pp. 7-28. ISBN 9780404635671
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764
Sutherland, Thomas (2015) The syntax of difference: Gilles Deleuze and media theory. In: Work-in-Progress Day, 28 October 2015, University of Melbourne.
Winston, Brian, Beharrell, Peter, Davis, Howard, Eldridge, John, Hewitt, John, Oddie, Jean, Philo, Greg, Walton, Paul, Broadbent, Lucinda, Kimmett, Gordon, Spaven, Malcolm and Williams, Kevin (1995) Glasgow Media Group reader, volume 1. Routledge, London. ISBN 0415127297, 0415127300
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253
Tulloch, John (2012) Gordon Burn: journalism as a novel, the novel as journalism. In: Global Literary Journalism. : Mass Communication & Journalism (10). Peter Lang, New York, pp. 39-56. ISBN 1433118661, 9781433118661
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Winston, Brian (2014) The Griersonian tradition postwar: decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Coley, Rob, Lockwood, Dean and OMeara, Adam (2013) Refraining photography for a post-media era. In: On the Verge of Photography: Imaging, Mobile Art, Humans & Computers, 24-25 May, 2013, Birmingham School of Art.
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2015) Three moments. [Event, Show or Exhibition]
Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Coley, Rob (2016) The horrors of visuality. In: Photomediations: a reader. Open Humanities Press, pp. 290-310. ISBN 9781785420023
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Micali, Alberto (2016) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. In: Resistance: 5th International Critical Studies Research Group Conference, 13-14 June 2016, University of Brighton.
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Winston, Brian (1997) The journalist's perspective. In: Health scares : conflicting agendas : a report of the proceedings of a seminar organised by the West Wales Centre for Public Health at the Welsh Water Conference Centre, Enterprise Park, Swansea on 29th April, 1997. School of Postgraduate Studies in Medical and Health Care, University of Wales, Swansea, Swansea. ISBN UNSPECIFIED
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2009) Hegemony and counter hegemony in communication history [Guest editorial of special issue on]. International Journal of Communication, 19 (1). pp. 5-8.
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We Need to Talk about Heidegger: Essays Situating Martin Heidegger in Contemporary Media Studies. Literary and Cultural Theory . Peter Lang, pp. 185-210. ISBN 978-3-631-75067-4
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We need to talk about Martin: 12 essays situating Heidegger in contemporary media studies. Peter Lang. ISBN UNSPECIFIED
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.
Coley, Rob (2016) Ecological detection. In: Photomediations: A Symposium, 19 February, 2016, Goldsmiths, University of London.
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Bell, Erin and Gray, Ann (2016) Television's royal family: continuity and change. In: The British monarchy on screen. Manchester University Press. ISBN 9780719099564
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Spaulding, Hannah (2021) Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone. Journal of Cinema and Media Studies, 60 (5). pp. 150-173. ISSN 0009-7101
Elliott, Andrew (2018) Internet medievalism and the White Middle Ages. History Compass, 16 (3). pp. 1-10. ISSN 1478-0542
Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Elliott, Andrew B.R. (2016) Arthurian fragments, Arthurian mosaics. Arthuriana: The journal of Arthurian studies, 25 (4). pp. 14-24. ISSN 1078-6279
Crawford, Garry, MacCallum-Stewart, Esther and Ruffino, Paolo (2018) British Digital Game Studies. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). pp. 1-11. ISSN 2328-9414
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Gray, Ann and Bell, Erin (2010) 'Rough crossings' and 'Congo: white King, red rubber, black death': documentary, drama and radical otherness in history programming. Journal of British Cinema and Television, 7 (3). pp. 459-478. ISSN 1743-4521
Clayton, Owen (2019) How street papers have been battling against a Vagrancy Act for decades. The Big Issue .
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Varriale, Simone (2013) Rockin' the jazz biopic: changing images of African American musicians in Hollywood biographical films. Jazz Research Journal, 6 (1). ISSN 1753-8637
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Clayton, Owen (2019) How street papers have been battling against a Vagrancy Act for decades. The Big Issue .
Coley, Rob and Lockwood, Dean (2012) Cloud time. In: The Colloquium for Unpopular Culture, 22 October, 2012, New York University.
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Voase, Richard (2008) From expression to instrument: the success of an arts festival as a narration of cultural change. In: Art, Culture and the Public Sphere, Joint Conference of the ESA Research Networks for the Sociology of Culture and the Sociology of the arts, 4-8 November 2008, IUAV University Venice.
Voase, Richard (2004) New wine into old wineskins: cultural regeneration as symbolic economy. In: The Art of Comparison, 6th meeting of the ESA (European Sociological Association) Research Network for the Sociology of the Arts, 3-5 November 2004, Erasmus University of Rotterdam.
Coley, Rob (2015) Confronting an inhuman world. In: The Anthropocene and the threat to the human (21st Century Research Group), 4th March, 2015, University of Lincoln.
Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). European Journal of Communication, 13 (3). pp. 417-419. ISSN 0267-3231
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049
Sutherland, Thomas (2019) The categorical imperative of speed: acceleration as moral duty. In: Mediated time: perspectives on time in a digital age. Palgrave Macmillan, pp. 25-43. ISBN 978-3-030-24949-6
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Grandy, Christine (2020) 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show. Journal of British Studies, 59 (4). pp. 857-884. ISSN 0021-9371
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Downing, Mike (2011) Desense: a photographic project. [Event, Show or Exhibition]
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Winston, Brian (2007) International encyclopaedia of the information age. Blackwell, London. ISBN 9781405109130
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.
Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]
Vickers, Richard and Field, James (2012) 24-hours.in. [Event, Show or Exhibition]
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Boothroyd, Dave and Lewis, Sarah (2016) Rethinking evidence in online social drug use research. In: Evidence in social drug research and drug policy. Pabst Science, Lengerich, pp. 69-84. ISBN 9783958532632
Winston, Brian (2001) 'Smell the tulips': the internet, neo-liberalism and millenarian hype. In: Access denied in the information age. Palgrave Macmillan, London, pp. 161-178. ISBN 0333920198, 9780333920190
Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6).
Winston, Brian and Walton, Paul (1996) Virtually free (Myth of the Internet). Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220
Dickerson, Nikolas and Hodler, Matt (2020) "Real Men Stand for our Nation": Constructions of an American nation and anti-Colin Kaepernick memes. Journal of Sport and Social Issues . ISSN 0193-7235
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Winston, Brian (2018) Hell is for the inquisitive. In: Investigative journalism today: speaking truth to power! Bite Sized Books. ISBN UNSPECIFIED
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2
Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642
Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397
Izak, Michal (2015) Translucent society and its nonfortuitous design: producing and consuming reality through images. Culture and Organization, 20 (5). pp. 359-376. ISSN 1475-9551
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434
Winston, Brian (1998) A tangled web. Prospect (35). ISSN 1359-5024
Batkin, Jane (2016) Rethinking the rabbit: revolution, identity and connection in Looney Tunes. Animation Studies Online Journal, 11 . ISSN 1930-1928
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Coley, Rob and Lockwood, Dean (2015) As above, so below: triangulating drone culture. Culture Machine, 16 . pp. 1-19. ISSN 1465-4121
Flynn, Niall (2015) Contemporary ecological perspectives and media education. Cinema Journal Teaching Dossier: Critical Pedagogies in Neoliberal Times, 3 (2). ISSN 0009-7101
Flynn, Niall (2016) Performativity and metaphor in new materialist media theory. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (1). ISSN 1755-9944
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Micali, Alberto (2015) Notes for an ecological archaeology of imaginary media hacking. Journal of Contemporary Archaeology, 2 (1). S15-S22. ISSN 2051-3429
Ruffino, Paolo (2016) Meaningful interactions. Schirn Mag . ISSN .
Ruffino, Paolo and Carbone, Marco Benoit (2014) Introduction: Games and subcultural theory. GAME Games as Art Media Entertainment journal, 1 (3). pp. 5-22. ISSN 2280-7705
Sutherland, Thomas (2014) Counterculture, capitalism, and the constancy of change. M/C Journal, 17 (6). ISSN 1441-2616
Sutherland, Thomas (2016) Mediation and metaxý: the interval between analog animality and digital humanity. Ctrl-Z: New Media Philosophy, 6 . ISSN 2200-8616
Sutherland, Thomas (2014) Social media and the slow death throes of diachrony. Proceedings of the Australian and New Zealand Communication Association Annual Conference: 'The Digital and the Social: Communication for Inclusion and Exchange' . ISSN 1448-4331
Vickers, Richard, Field, James and Melakoski, Cai (2015) Media Culture 2020: collaborative teaching and blended learning using social media and cloud-based technologies. Contemporary Educational Technology, 6 (1). pp. 62-73. ISSN 1309-517X
Wark, Scott and Sutherland, Thomas (2015) Platforms for the new: Simondon and media studies. Platform: Journal of Media and Communication, 6 (1). pp. 4-10. ISSN 1836-5132
Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Sutherland, Thomas (2022) Plato’s prescription: The origin myth of media theory. Media Theory . ISSN 2557-826X
Sutherland, Thomas (2016) Mediation and metaxý: the interval between analog animality and digital humanity. Ctrl-Z: New Media Philosophy, 6 . ISSN 2200-8616
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Coley, Rob (2021) Street Smarts for Smart Streets. In: Surreal Entanglements: Essays on Jeff VanderMeer’s Fiction. Routledge Studies in World Literatures and the Environment . Routledge, pp. 147-168. ISBN 9780367360849
Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356
Bell, Erin (2011) Television and memory: history programming and contemporary identities. Image [&] Narrative, 12 (2). ISSN 1780-678X
Winston, Brian (2007) Jo Durden-Smith. The Independent . p. 37. ISSN 0951-9467
Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434
Winston, Brian (1988) Before Grierson, before Flaherty: the documentary film in 1914. Sight and Sound, 57 (Autumn). pp. 277-279. ISSN 0037-4806
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353
Winston, Brian (2014) The Griersonian tradition postwar: decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (2000) John Grierson: Life, contributions, influence. Visual Anthropology Review, 16 (2). pp. 92-96. ISSN 1058-7187
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Winston, Brian (1997) Fractal dreams: new media in social context (ed. Jon Dovey). European Journal of Communication, 12 (1). pp. 119-121. ISSN 0267-3231
Chapman, Jane (2006) Reflections on 15 years of activist media and India’s Narmada Dams controversy. International Journal of Communication, 16 (1-2). pp. 21-39.
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145
Tulloch, John (2012) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202
Wilson, Deborah (2008) Paying the piper: funding broadcast news. In: Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Winston, Brian (2008) Dangerous curbs on free speech. The Guardian .
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Keeble, Richard (2010) Hacks and spooks - close encounters of a strange kind: a critical history of the links between mainstream journalists and the intelligence services in the UK. In: The political economy of media and power. Peter Lang, New York, pp. 87-111. ISBN 9781433107740, 9781433107733
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Winston, Brian (2005) Emancipation, the media and modernity: some reflections on Garnham's Kantian turn. Media, Culture & Society, 27 (4). pp. 495-509. ISSN 0163-4437
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Moore, Alison (2011) Representations of laboratory animals in popular media forms. In: Humanities Research Seminar, 16th Feb 2011, University of Lincoln.
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Winston, Brian (2003) The art of evil. New Humanist, 118 (4). pp. 28-29. ISSN 0306-512X
Winston, Brian (2009) Leni Riefenstahl: a life. History Today, 59 (6). p. 62. ISSN 0018-2753
Winston, Brian (1997) Triumph of the will. History Today, 47 (1). pp. 24-28. ISSN 0018-2753
Winston, Brian (1981) Was Hitler there? Reconsidering 'Triumph of the will'. Sight and Sound (Spring). pp. 102-107.
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Tulloch, John (2012) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202
Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538
Coley, Rob and Lockwood, Dean (2015) Dreaming the drone. In: School of Arts and Media Research Seminar, 3 June, 2015, University of Salford.
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Hirsch, Pam and O'Rourke, Chris, eds. (2017) London on film. Screening Spaces . Palgrave Macmillan, Basingstoke. ISBN 9783319649795
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Boothroyd, Dave (1998) Sexual politics and sexual difference: Luce Irigaray. In: Politics of Sexuality: Identity, Gender, Citizenship. Routledge/ECPR Studies in European Political Science . Taylor & Francis Ltd, pp. 135-146. ISBN 9780415169530
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Grandy, Christine (2020) 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show. Journal of British Studies, 59 (4). pp. 857-884. ISSN 0021-9371
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626
Sutherland, Thomas (2013) Communication, causation, and the logos. Continuum, 27 (5). pp. 755-757. ISSN 1030-4312
Sutherland, Thomas (2018) Searching for stillness in the flux of the electric world: vorticular media theory from Wyndham Lewis to Marshall McLuhan. Explorations in Media Ecology, 17 (1). pp. 7-22. ISSN 1539-7785
Sutherland, Thomas (2015) The entelechies of media: formal and material causality in media ecology. Explorations in Media Ecology, 13 (3-4). pp. 253-268. ISSN 1539-7785
Winston, Brian (1985) On Marshall McLuhan's television picture. Sight and Sound, 54 (Autumn). pp. 258-263. ISSN 0037-4806
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Sutherland, Thomas (2019) Peter Sloterdijk and the ‘security architecture of existence’: Immunity, autochthony, and ontological nativism. Theory, Culture & Society, 36 (7-8). pp. 193-214. ISSN 0263-2764
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
Winston, Brian (1995) How are media born and developed? In: Questioning the media: a critical introduction [2nd ed.]. Sage Publications, Thousand Oaks, CA, pp. 54-74. ISBN 0803971966, 0803971974
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Sutherland, Thomas (2019) The categorical imperative of speed: acceleration as moral duty. In: Mediated time: perspectives on time in a digital age. Palgrave Macmillan, pp. 25-43. ISBN 978-3-030-24949-6
Bingham, Adrian, Mullen, Megan, Ward, Stephen J. A. and Winston, Brian (2009) Messages: free expression, media and the west from Gutenberg to Google. Media History, 15 (1). pp. 103-119. ISSN 1368-8804
Boothroyd, Dave (2000) Deconstruction and drugs: a philosophical/literary cocktail. In: Deconstructions: a user's guide. Palgrave Macmillan, Basingstoke, pp. 44-63. ISBN 9780333717615
Boothroyd, Dave (2013) Ethical subjects in contemporary culture. Edinburgh University Press, Edinburgh University Press. ISBN 9780748640096
Boothroyd, Dave (1988) Responding to Levinas. In: The provocation of Levinas: rethinking the other. Warwick Studies in Philosophy and Literature . Routledge, pp. 15-31. ISBN 9780415008266, 0415008263
Boothroyd, Dave (2009) The ends of censorship. Eurozine . ISSN 1684-4637
Boothroyd, Dave (2001) The touch of the other on the threshold of sex. In: Sensual reading. Bucknell University Press, pp. 39-56. ISBN 9780838754719
Dickerson, Nikolas (2017) Popcorn patriotism: a journey through US cultural politics. In: British Sociological Association Sport Study Group Postgraduate Forum, 1 Sep 2017, School of Sport and Exercise Science at University of Lincoln.
Hughes, David (2018) Scrutinising the Media: Fake News, Censorship, and War. [Project]
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Mair, John, Tait, Richard and Keeble, Richard Lance (2014) Is the BBC in crisis? Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845496210
Morris, Nigel (2001) Metropolis and the Modernist Gothic. In: Gothic modernisms. Palgrave, New York, pp. 188-206. ISBN 0333918738
Rudd, Bryan Peter (2004) Are you listening ... are we learning? Radio production as a means of teaching & learning [case study]. Journal of Media Practice, 4 (2). pp. 93-103. ISSN 1468-2753
Smejkalova, Jirina (2013) Angels without a paradise. Slavonica, n/a . n/a. ISSN 1361-7427
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2013) Media Culture 2020 - Tampere, Finland. [Video]
Whittaker, Jason (2003) The cyberspace handbook. Media Practice . Routledge, Abingdon, Oxon, UK. ISBN 9780415168359
Winston, Brian (2007) Above all liberties. Rationalist Association/New Humanist . ISSN 0306-512X
Winston, Brian (1995) After Grierson. DOX, Summer . ISSN 0929-7529
Winston, Brian (2007) Anyone watching? Rationalist Association/New Humanist . ISSN 0306-512X
Winston, Brian (1990) Brunelleschi icin bir ayna. Adam Sanat, 59 (Summer). pp. 43-55. ISSN 1300-154X
Winston, Brian (1993) The CBS Evening News, April 7, 1949: creating an ineffable television form. In: Getting the message: News, truth and power. Communication and Society . Routledge, London, pp. 181-209. ISBN 0415079837
Winston, Brian (2008) Dangerous curbs on free speech. The Guardian .
Winston, Brian (1973) Dangling conversations: the image of the media. Dangling Conversations, 1 . Davis-Poynter, London. ISBN 0706701194
Winston, Brian (1998) Digital obsession. Creation . ISSN 1367-2576
Winston, Brian (1980) Disingenuousness and television news reports. Television Quarterly: The Journal of the National Academy of Television Arts and Sciences, 17 (1). ISSN 0040-2796
Winston, Brian (1988) Documentary: I think we are in trouble. In: New challenges for documentary. University of California Press, Berkeley, pp. 21-33. ISBN 0520057252 (hbk.), 0520057244 (pbk.)
Winston, Brian (2001) Ein Sturm von Paradies:Technologische Innovation, Verbreitung und unterdrüking/ Die Informationsrevolution als Hyperbel. In: Mediale Historiographien. Universitätsverlag Weimar, Weimar. ISBN 3860681583
Winston, Brian (2009) English roots of the free press. In: The encyclopaedia of journalism. Sage, Los Angeles. ISBN 0761929576
Winston, Brian (1999) Fires were started. BFI Film Classics . BFI, London. ISBN 0851707734
Winston, Brian (2012) Foreword: Artists’ video is blessed and cursed by its technology. In: Rewind: British artists' video in the 1970s & 1980s. John Libbey, London. ISBN 9780861967063
Winston, Brian (1997) Fractal dreams: new media in social context (ed. Jon Dovey). European Journal of Communication, 12 (1). pp. 119-121. ISSN 0267-3231
Winston, Brian (2008) Freedom of communication. In: The Blackwell international encyclopaedia of communication. Blackwell. ISBN 9781405131995
Winston, Brian (1981) Future developments in telecommunications, The wired society, Communication satellite systems [by] James Martin. Journal of Broadcasting, 25 (1). pp. 88-92. ISSN 0883-8151
Winston, Brian (1987) Great artist or fly on the wall. In: Visual exploration of the world: selected papers from the International Conference on Visual Communication. Forum . Rader Verlag, Aachen. ISBN 3922868797
Winston, Brian (1989) HDTV in Hollywood: lights, camera, inaction. Gannett Center Journal, 3 (3). pp. 123-137.
Winston, Brian (2011) Hacia un documental post-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 138-152. ISBN 9789896540623
Winston, Brian (1990) How are media born and developed? In: Questioning the media: a critical introduction. Sage, Newbury Park, California. ISBN 0803936427
Winston, Brian (1995) How are media born and developed? In: Questioning the media: a critical introduction [2nd ed.]. Sage Publications, Thousand Oaks, CA, pp. 54-74. ISBN 0803971966, 0803971974
Winston, Brian (1977) How visual is television news? Journalism Studies Review, 1 (2).
Winston, Brian (1993) I am not a document, I'm a person. DOX, Winter . ISSN 0929-7529
Winston, Brian (2015) Impact of new media: a corrective. In: Communication and technology. Handbooks of Communication Science [HOCS] . De Gruyter. ISBN 9783110266535
Winston, Brian (2007) International encyclopaedia of the information age. Blackwell, London. ISBN 9781405109130
Winston, Brian (1975) Intervention. L'Attualità In TV/ News and Current Events on TV, XXVII .
Winston, Brian (2013) Introduction: the documentary film. In: The documentary film book. British Film Institute / Palgrave Macmillan, London, p. 1. ISBN 9781844573417 (pbk.), 9781844573424 (hbk.)
Winston, Brian (2000) John Grierson: Life, contributions, influence. Visual Anthropology Review, 16 (2). pp. 92-96. ISSN 1058-7187
Winston, Brian (2000) Lies, damn lies and documentaries. BFI, London. ISBN 9780851707976
Winston, Brian (1992) Mapping hegemony: television news coverage of industrial conflict by Robert Goldman and Arvind Rajagopal. Journalism Quarterly, 69 (4). p. 1083. ISSN 0196-3031
Winston, Brian (1989) Marshall McLuhan. In: International encyclopaedia of communications. Oxford University Press, New York. ISBN UNSPECIFIED
Winston, Brian (2002) Media technology. In: Access denied. Pergamon, Amsterdam. ISBN UNSPECIFIED
Winston, Brian (1998) Media technology and society: a history: from the telegraph to the internet. Routledge, London. ISBN 0415142296
Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253
Winston, Brian (1986) Misunderstanding media. Routledge and Kegan Paul, London. ISBN 0710200021, 0674576632
Winston, Brian (2018) Misunderstanding media. Library Editions: Cultural Studies, 4 . Routledge, London. ISBN 0710200021
Winston, Brian (2000) Necessities and constraints: a pattern of technological change. In: Film and theory: an anthology. Blackwell, Oxford, pp. 102-110. ISBN 0631206256, 0631206264
Winston, Brian (1993) New technology: no fear. In: The television book 1993. Edinburgh International Television Festival, London, pp. 60-61. ISBN 0952181002
Winston, Brian (1994) New vocabularies in film semiotics: structuralism, post-structuralism and beyond. Textual Practice, 8 (3). p. 487.
Winston, Brian (1993) Observable failures. In: The Television Book 1994. 19th Edinburgh International Television Festival, Edinburgh. ISBN 0952181002
Winston, Brian (1983) On counting the wrong things. In: Labour, the working class and the media. Critical Communications Review, 1 . Ablex. ISBN 0893911224
Winston, Brian (2011) Para um documentário pós-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 82-95. ISBN 9789896540623
Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). European Journal of Communication, 13 (3). pp. 417-419. ISSN 0267-3231
Winston, Brian (2003) Paying the piper: the realist film in the service of the British state. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms . UVK Medien, Konstanz, Germany, pp. 144-154. ISBN 3896693824
Winston, Brian (2014) Peirce's better triad. In: A critique of judgement in film and television. Palgrave, London. ISBN 9781137014177
Winston, Brian (1994) Public service broadcasting. In: Behind the screen: structure of British television in the nineties. Lawrence and Wishart, London. ISBN 085315774X
Winston, Brian (1992) Re-regulating the USA. Television: The Journal of the Royal Television Society . ISSN 0308-454X
Winston, Brian (1990) Rejecting the Jehovah's Witness gambit. Intermedia, Oct/No . ISSN 0309-118X
Winston, Brian (2003) Reporting diversity: curriculum framework. Media Diversity Institute & Samizdat, London & Belgrade. ISBN 8679631728
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Winston, Brian (2001) 'Smell the tulips': the internet, neo-liberalism and millenarian hype. In: Access denied in the information age. Palgrave Macmillan, London, pp. 161-178. ISBN 0333920198, 9780333920190
Winston, Brian (2015) Surveillance in the service of narrative. In: Blackwell companion to documentary. John Wiley, Oxford and Boston, pp. 611-628. ISBN 9780470671641, 9781118884553
Winston, Brian (1986) Survival of national networks in an age of abundance. Intermedia, 4 (6) (30). ISSN 0309-118X
Winston, Brian (2003) Technical history of television. In: The television history book. Television, Media & Cultural Studies . BFI, London. ISBN 0851709885
Winston, Brian (1984) Television at a glance. Quarterly Review of Film Studies, 9 (3). pp. 256-261. ISSN 1050-9208
Winston, Brian (2012) Theory for practice - ceci n'est pas l'épistémologie. In: Critical cinema: beyond the theory of practice. Wallflower/Columbia University Press, London, pp. 191-200. ISBN 9781906660376, 9781906660369
Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421
Winston, Brian (1999) These isles are alive with the buzz of digits. Vertigo, 1 (9). ISSN 0968-7904
Winston, Brian (2015) To play a role that was in fact his [her] own. In: The Grierson effect: tracing documentary's international movement. British Film Institute / Palgrave, London. ISBN 9781844575398
Winston, Brian (1995) Tyrell's owl: the limits of the technological imagination in an epoch of hyperbolic discourse. In: Theorizing culture: critique. An Interdisciplinary Critique After Postmodernism . University College London Press, London. ISBN 1857283287
Winston, Brian (1989) What information revolution? In: Perspectives on culture and society. The Provost's Lecture Series . Ball State University, Muncie. ISBN 093799412X
Winston, Brian (1993) What the BBC should know about PBS. Television: The Journal of the Royal Television Society . ISSN 0308-454X
Winston, Brian (1984) What took so long? Re-examining the technical history of television. Intermedia, Autumn . ISSN 0309-118X
Winston, Brian (2003) Why picture messaging won't take off. In: Media studies: the essential resource. Essentials . Routledge. ISBN 0415291739
Winston, Brian (1999) Witchhunt. DOX (23).
Winston, Brian (1998) The camera never lies: the partiality of photographic evidence. In: Image based research: a sourcebook for qualitative researchers. Falmer. ISBN 9780750707060
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210
Winston, Brian (1973) The end of the book. In: Education without schools. Souvenir, London. ISBN 0285647210
Winston, Brian (1997) The journalist's perspective. In: Health scares : conflicting agendas : a report of the proceedings of a seminar organised by the West Wales Centre for Public Health at the Welsh Water Conference Centre, Enterprise Park, Swansea on 29th April, 1997. School of Postgraduate Studies in Medical and Health Care, University of Wales, Swansea, Swansea. ISBN UNSPECIFIED
Winston, Brian (1994) The licence fee, stupid!: The BBC's charter renewal. Media Information Australia (74). pp. 99-105. ISSN 0312-9616
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (1983) 'The most perfect contrivance': interviewing as an unnatural act. The Independent, 6 (3).
Winston, Brian (1999) The primrose path: faking UK television documentary, "docuglitz" and docusoap (Lying in Public: British Television Regulators Invent a New Offence). Screening the Past (8).
Winston, Brian (1996) The quest for television quality: the documentary. Prix Italia/Edizioni RAI. ISBN UNSPECIFIED
Winston, Brian (2013) The revolutionary founding moments of a contra-Grierson tradition [Joshua Malitsky]. Jump Cut: A Review of Contemporary Media (55). ISSN 0146-5546
Winston, Brian (1998) A tangled web. Prospect (35). ISSN 1359-5024
Winston, Brian (1985) A whole technology of dyeing: a note on ideology and the apparatus of the chromatic moving image. Daedalus, 114 (4). pp. 105-123. ISSN 0011-5266
Winston, Brian, Beharrell, Peter, Davis, Howard, Eldridge, John, Hewitt, John, Oddie, Jean, Philo, Greg, Walton, Paul, Broadbent, Lucinda, Kimmett, Gordon, Spaven, Malcolm and Williams, Kevin (1995) Glasgow Media Group reader, volume 1. Routledge, London. ISBN 0415127297, 0415127300
Winston, Brian and Keydel, Julia (1986) Working with video: a comprehensive guide to the world of video production. Amphoto, New York. ISBN 0817464336, 9780817464332
Winston, Brian and Keydel, Julia (1987) Working with video: a comprehensive guide to the world of video production. Pelham Books, London. ISBN 072071723X
Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6).
Winston, Brian and Walton, Paul (1996) Virtually free (Myth of the Internet). Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220
Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231
Winston, Brian (1991) "Contested Culture", Jane Gaines. Journal of Media Law, 14 (2).
Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (1999) Documentary: how the myth was deconstructed. Wide Angle, 21 (2). pp. 71-86. ISSN 0160-6840
Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X
Winston, Brian (2007) Let them eat laptops: the limits of technicism. International Journal of Communication, 1 . pp. 170-176. ISSN 1932-8036
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X
Winston, Brian (1987) A mirror for Brunelleschi. Daedalus, 116 (3). pp. 187-202. ISSN 0011-5266
Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347
Winston, Brian Norman (2006) How does technological development and adoption occur In the media? A cultural determinist model. PhD thesis, University of Lincoln.
Micali, Alberto and Pasqualini, Nicolò (2016) Excavating the centrality of materiality for a post-human ‘anthropomediality’: an ecological approach. In: Media anthropology's legacies and concerns’, 14th European Association of Social Anthropologists (EASA) conference, 20-23 July 2016, Università Milano Bicocca, Italy.
Flynn, Niall (2015) Contemporary ecological perspectives and media education. Cinema Journal Teaching Dossier: Critical Pedagogies in Neoliberal Times, 3 (2). ISSN 0009-7101
Micali, Alberto (2016) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. In: Resistance: 5th International Critical Studies Research Group Conference, 13-14 June 2016, University of Brighton.
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Micali, Alberto and Pasqualini, Nicolò (2016) Excavating the centrality of materiality for a post-human ‘anthropomediality’: an ecological approach. In: Media anthropology's legacies and concerns’, 14th European Association of Social Anthropologists (EASA) conference, 20-23 July 2016, Università Milano Bicocca, Italy.
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Ruffino, Paolo, Crawford, Garry and Mac-Callum Stewart, Esther, eds. (2018) Special issue, British DiGRA. ETC Press. ISBN UNSPECIFIED
Barrow, Sarah (2008) Pressure. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Bertolotti, Silvia and Ruffino, Paolo (2018) Review of Future Gaming: Creative Interventions in Video Game Culture. [Impact]
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine .
Coley, Rob (2014) After the aftermath. Reviews in Cultural Theory, 5 (2). ISSN 1918-9710
Crawford, Garry, MacCallum-Stewart, Esther and Ruffino, Paolo (2018) British Digital Game Studies. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). pp. 1-11. ISSN 2328-9414
Fuchs, Mathias, Fizek, Sonia, Ruffino, Paolo and Schrape, Niklas (2014) Rethinking gamification. Meson Press, Lueneburg, Germany. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Ruffino, Paolo (2019) Future Gaming: Creative Interventions in Video Game Culture - talk at UEA. In: Film TV & Media Research Seminars at University of East Anglia, 28 January 2019, Norwich, UK.
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. Future Media . Goldsmiths Press, London. ISBN 9781906897550
Ruffino, Paolo, MacCallum-Stewart, Esther and Crawford, Garry (2018) British DiGRA 2017/2018. ETC PRESS. ISBN UNSPECIFIED
Ruffino, Paolo (2017) Drone memorial. In: Talent Prize 2017: Premio Speciale UTOPIA, 12 December 2017, MACRO, Rome.
Ruffino, Paolo (2016) Failing forward. In: Failing Forward, 17 Dec 2016 - 5 Mar 2017, Il Colorificio gallery, Milan.
Ruffino, Paolo (2014) From engagement to life, or: How to do things with gamification? In: Rethinking gamification. Meson Press, Luneburg, Germany, pp. 47-69. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. In: Talks at Google, March 1st 2018, London.
Ruffino, Paolo (2018) Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture. In: Game Lecture Series - Future Gaming: Creative Interventions in Video Game Culture, 29th May 2018, Institute of Digital Games - University of Malta.
Ruffino, Paolo (2017) ICONOMANIA. In: ICONOMANIA, 31 January - 1 April 2017, MAIF Social Club, Paris.
Ruffino, Paolo (2017) NEoN. In: NEoN: Artists' Shorts, 8 November, THE MAYFLY 142 Perth Road DD1 4JW.
Ruffino, Paolo (2018) Non-human gaming. In: PLAY/PAUSE, 24 January 2018, University of Birmingham.
Ruffino, Paolo (2018) Video Games and Posthumanism. In: DiGRA 2018 The Game is the Message, 25-28 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Video Games for Earthly Survival: Gaming in the Post-Anthropocene. In: Digital Cultures, 19-22 September 2018, Leuphana University, Germany.
Ruffino, Paolo and Carbone, Marco Benoit (2017) DiGRA Italia: made in Italy conference. [Event, Show or Exhibition]
Ruffino, Paolo and Carbone, Marco Benoit (2014) Introduction: Games and subcultural theory. GAME Games as Art Media Entertainment journal, 1 (3). pp. 5-22. ISSN 2280-7705
Ruffino, Paolo and Carbone, Marco Benoit (2014) Video game subcultures: playing at the periphery of mainstream culture [special issue of GAME Journal]. LUDICA. ISBN UNSPECIFIED
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
Ruffino, Paolo, MacCallum-Stewart, Esther and Crawford, Garry (2018) Introduction to British DiGRA issue. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). ix-xiii. ISSN 2328-9414
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X
Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X
Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X
Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303
Winston, Brian (1993) HTDV in Hollywood: lights, camera, inaction. In: Demystifying media technology. Freedom Forum Readers . Mayfield, Mountain View, California. ISBN 1559341459
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Flynn, Niall (2015) Media-ecological perspectives and the reimagination of method. In: MeCCSA PGN Conference, 2 - 3 July 2015, Coventry.
Flynn, Niall (2015) Contemporary ecological perspectives and media education. Cinema Journal Teaching Dossier: Critical Pedagogies in Neoliberal Times, 3 (2). ISSN 0009-7101
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Flynn, Niall (2016) Performativity and metaphor in new materialist media theory. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (1). ISSN 1755-9944
Micali, Alberto (2017) For an archaeology of swarming machines: genealogy and the politics of media dissent beyond representational metaphors. Cinema&Cie. International Film Studies Journal, XVII (29). pp. 105-116. ISSN 2035-5270
Micali, Alberto (2014) Hacking the power through a minor reading of Tarde’s vitalism. In: Cultural Im/materialities: Contagion, Affective Rhythms and Mobilization, 23-27 June 2014, Aarhus University.
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Micali, Alberto (2014) Mediation as the in-between space of hacktivist subjectivities. In: Inside/Outside/In-Between Perspectives on Space, Power and Subjectivities, 9-11 May, 2014, Birkbeck, University of London.
Micali, Alberto (2017) Leak early, leak (more than) often: outlining the affective politics of data leaks in network ecologies. In: Affects - Media – Power Conference, 29 June - 1 July, 2017, Freie Universität, Berlin.
Thayne, Martyn (2014) Object/process: towards an ontological levelling within media theory. In: 'Media and the Margins' - The Annual MeCCSA Conference, 8-10th January 2014, The Media School, Bournemouth University.
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Coley, Rob and Lockwood, Dean (2013) Cloud time and the ethics of mediation. In: Philosophy of Education Seminar on The Ethics of Information Technology, 23 January, 2013, Liverpool Hope University.
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. Directors' cuts . Wallflower Press, London. ISBN 1904764886
Ruffino, Paolo (2018) Indie Game Studies workshop. In: Indie Game Studies workshop, 24 July 2018, Universita di Torino, Italy.
Winston, Brian (2015) The Martian invasion and the sociological imagination. In: Stretching the sociological imagination: essays in honour of John Eldridge. AIAA / Palgrave Macmillan, pp. 226-245. ISBN 9781137493637, 978113749364
Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Thayne, Martyn and West, Andrew (2019) ‘Doing’ media studies: The media lab as entangled media praxis. Convergence: The International Journal of Research into New Media Technologies, 25 (2). pp. 186-208. ISSN 1354-8565
Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X
Elliott, Andrew B.R. and Horswell, Mike (2020) Crusading Icons: Medievalism and Authenticity in Historical Digital Games. In: History in Games: Contingencies of an Authentic Past. Transcript Verlag, Bielefeld, pp. 137-155. ISBN 9783839454206
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Elliott, Andrew (2021) #Medieval: "First World" Medievalism and Participatory Culture. In: Middle Ages without Borders: A Conversation on Medievalism. Publications de l'Ecole francaise de Rome, Rome, pp. 87-106. ISBN 978-2-7283-1493-5
Elliott, Andrew B.R. (2020) Brexit, Medievalism, and the Myth of Nations. In: Studies in Medievalism XXIX: Politics and Medievalism. Studies in Medievalism (XXIX). Boydell and Brewer, pp. 31-38. ISBN 9781787448957
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Boothroyd, Dave (2005) To be 'hospitable to madness': Derrida and Foucault chez Freud. Journal for Cultural Research, 9 (1). pp. 3-21. ISSN 1479-7585
Sutherland, Thomas and Patsoura, Elliot (2017) Michel Foucault, Friedrich Kittler, and the interminable half-life of 'so-called man'. Angelaki: Journal of the Theoretical Humanities, 22 (4). pp. 49-68. ISSN 0969-725X
Sutherland, Thomas (2021) Communicating the Incommunicable: Formalism and Noise in Michel Serres. In: Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury, pp. 117-132. ISBN 9781501363856
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318
Thompson, Marie (2011) Productive parasites: thinking of noise as affect. In: In/compatible research, DARC/Transmediale, November 2011, Universität der Künste, Berlin.
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Vickers, Richard and Field, James (2012) 24-hours.in. [Event, Show or Exhibition]
Vickers, Richard and Field, James (2012) 24-hours.in. [Event, Show or Exhibition]
Vickers, Richard (2013) Mobile media, participation culture and the digital vernacular: 24-hours.in and the democratization of documentary. Ubiquity: The Journal of Pervasive Media, 2 (1-2). pp. 132-145. ISSN 2045-6271
Vickers, Richard and Field, James (2012) 24-hours.in. [Event, Show or Exhibition]
Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.
Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]
Winston, Brian (2007) Anyone watching? Rationalist Association/New Humanist . ISSN 0306-512X
Winston, Brian (2007) Anyone watching? Rationalist Association/New Humanist . ISSN 0306-512X
Owens, Edward (2016) Love, duty and diplomacy: the mixed response to the 1947 engagement of Princess Elizabeth. In: Royal heirs and the uses of soft power in nineteenth-century Europe. Palgrave Studies in Modern Monarchy . Palgrave Macmillan, Basingstoke, pp. 223-240. ISBN 9781137592088
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Rudd, Bryan Peter (2004) Are you listening ... are we learning? Radio production as a means of teaching & learning [case study]. Journal of Media Practice, 4 (2). pp. 93-103. ISSN 1468-2753
Boothroyd, Dave (2011) Pharmacology. Living Books About Life . Open Humanities Press. ISBN 9781607852704
Thompson, Marie (2018) Sonic (cyber)feminisms: questions, strategies and contestations. In: Mutek Festival, 21st August 2018, Montreal.
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Coley, Rob and Lockwood, Dean (2015) A causeway around picture: Muybridge’s solar darkness. In: Rethinking Early Photography, 16th-17th June, University of Lincoln.
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Tulloch, John (2012) Kicking the canon in the breeches: an appreciation of Professor Nancy Roberts’s keynote address, “Firing the Canon”. Literary Journalism Studies, 4 (2). pp. 95-99. ISSN 1944-897X
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane (2006) Reflections on 15 years of activist media and India’s Narmada Dams controversy. International Journal of Communication, 16 (1-2). pp. 21-39.
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Winston, Brian (2004) Is "British cinema" a zebra? Journal of British Cinema and Television, 1 (1). pp. 14-20. ISSN 1743-4521
Dickerson, Nikolas (2017) Popcorn patriotism: a journey through US cultural politics. In: British Sociological Association Sport Study Group Postgraduate Forum, 1 Sep 2017, School of Sport and Exercise Science at University of Lincoln.
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Elliott, Andrew B.R. (2020) Brexit, Medievalism, and the Myth of Nations. In: Studies in Medievalism XXIX: Politics and Medievalism. Studies in Medievalism (XXIX). Boydell and Brewer, pp. 31-38. ISBN 9781787448957
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Winston, Brian (2009) Leni Riefenstahl: a life. History Today, 59 (6). p. 62. ISSN 0018-2753
Winston, Brian (1997) Triumph of the will. History Today, 47 (1). pp. 24-28. ISSN 0018-2753
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography .
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Keeble, R. L. (2010) New militarism, the media and the manufacture of warfare 1982-1991: the implications for peace journalism theory and practice. Global Media Journal: Mediterranean Edition, 5 (1/2). pp. 18-28. ISSN 1450-4154
Micali, Alberto (2017) Leak early, leak (more than) often: outlining the affective politics of data leaks in network ecologies. In: Affects - Media – Power Conference, 29 June - 1 July, 2017, Freie Universität, Berlin.
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Coley, Rob (2014) Visuality and the vector: mapping and hijacking drone culture. In: Autonomy and Automation: Robotics, AI and the Digital Cultural Future, 8th March, 2014, Pervasive Media Studio, Digital Cultures Research Centre, University of the West of England.
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Ruffino, Paolo (2017) Engagement and the quantified self: uneventful relationships with ghostly companions. In: Self-tracking: empirical and philosophical investigations. Palgrave, pp. 11-25. ISBN 9783319653785
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318
Thompson, Marie (2018) Noise, mediation, labour. In: Glasgow International, 5th May 2018, Mitchell Library, Glasgow.
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Micali, Alberto (2017) Leak early, leak (more than) often: outlining the affective politics of data leaks in network ecologies. In: Affects - Media – Power Conference, 29 June - 1 July, 2017, Freie Universität, Berlin.
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Micali, Alberto (2017) For an archaeology of swarming machines: genealogy and the politics of media dissent beyond representational metaphors. Cinema&Cie. International Film Studies Journal, XVII (29). pp. 105-116. ISSN 2035-5270
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine .
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Elliott, Andrew B.R. (2016) Arthurian fragments, Arthurian mosaics. Arthuriana: The journal of Arthurian studies, 25 (4). pp. 14-24. ISSN 1078-6279
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Sutherland, Thomas (2014) Getting nowhere fast: a teleological conception of socio-technical acceleration. Time & Society, 23 (1). pp. 49-68. ISSN 0961-463X
Sutherland, Thomas (2014) Intensive mobilities: figurations of the nomad in contemporary theory. Environment and Planning D: Society and Space, 32 (5). pp. 935-950. ISSN 0263-7758
Sutherland, Thomas (2015) The entelechies of media: formal and material causality in media ecology. Explorations in Media Ecology, 13 (3-4). pp. 253-268. ISSN 1539-7785
Thayne, Martyn and Cooper, Graham (2014) Collaborative pedagogy and digital scholarship: a case study of 'Media Culture 2020'. Media Education Research Journal (MERJ), 5 (1). pp. 46-59. ISSN 2040-4350
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Winston, Brian (2014) The Griersonian tradition postwar: decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Winston, Brian (2014) ‘‘A handshake or a kiss’’: the legacy of George Stoney (1916–2012). Film Quarterly, 67 (3). pp. 35-49. ISSN 0015-1386
Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Winston, Brian (2007) Jo Durden-Smith. The Independent . p. 37. ISSN 0951-9467
Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Charlesworth, Diane (2011) Journeying with Jamie Oliver: masculinity, social entrepreneurialism and the politics of C4. In: Gender Politics and Reality Television Conference, 25th-27th August 2011, University College, Dublin.
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Thayne, Martyn (2017) Experiments in online collaborative learning: charting co_LAB’s OnCreate journey. In: OnCreate Symposium, ‘Creative Processes in Online Collaboration’, 27 May 2017, Stephen Langton Building, University of Lincoln.
Thayne, Martyn (2014) Media Culture 2020: an exploration of collaborative learning. In: Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education 2014. Association for the Advancement of Computing in Education (AACE)., pp. 2207-2212. ISBN UNSPECIFIED
Thayne, Martyn (2014) Object/process: towards an ontological levelling within media theory. In: 'Media and the Margins' - The Annual MeCCSA Conference, 8-10th January 2014, The Media School, Bournemouth University.
Boothroyd, Dave (2011) Pharmacology. Living Books About Life . Open Humanities Press. ISBN 9781607852704
Winston, Brian (2008) Red planet guide. History Today, 58 (12). p. 75. ISSN 0018-2753
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Elliott, Andrew (2021) #Medieval: "First World" Medievalism and Participatory Culture. In: Middle Ages without Borders: A Conversation on Medievalism. Publications de l'Ecole francaise de Rome, Rome, pp. 87-106. ISBN 978-2-7283-1493-5
Vickers, Richard (2013) Mobile media, participation culture and the digital vernacular: 24-hours.in and the democratization of documentary. Ubiquity: The Journal of Pervasive Media, 2 (1-2). pp. 132-145. ISSN 2045-6271
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397
Flynn, Niall (2015) Contemporary ecological perspectives and media education. Cinema Journal Teaching Dossier: Critical Pedagogies in Neoliberal Times, 3 (2). ISSN 0009-7101
Thayne, Martyn (2014) Media Culture 2020: an exploration of collaborative learning. In: Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education 2014. Association for the Advancement of Computing in Education (AACE)., pp. 2207-2212. ISBN UNSPECIFIED
Thayne, Martyn and Cooper, Graham (2014) Collaborative pedagogy and digital scholarship: a case study of 'Media Culture 2020'. Media Education Research Journal (MERJ), 5 (1). pp. 46-59. ISSN 2040-4350
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Flynn, Niall (2016) Performativity and metaphor in new materialist media theory. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (1). ISSN 1755-9944
Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Sutherland, Thomas (2019) Peter Sloterdijk and the ‘security architecture of existence’: Immunity, autochthony, and ontological nativism. Theory, Culture & Society, 36 (7-8). pp. 193-214. ISSN 0263-2764
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Wright, Radica (2011) Storytelling snaps. [Artefact]
Coley, Rob (2015) Confronting an inhuman world. In: The Anthropocene and the threat to the human (21st Century Research Group), 4th March, 2015, University of Lincoln.
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. In: 21st century photography: art, philosophy, technique, 5-6 June, 2015, Central Saint Martins.
Coley, Rob (2016) The horrors of visuality. In: Photomediations: a reader. Open Humanities Press, pp. 290-310. ISBN 9781785420023
Coley, Rob and Lockwood, Dean (2015) Arcanum of the exploded camera. In: School of Film and Media Research Seminar, 15th April, 2015, University of Lincoln.
Coley, Rob and Lockwood, Dean (2014) Paraphotographic belief, or, critical horror. In: Helsinki Photomedia: Photographic Powers, 26-28 March 2014, Aalto University, School of Arts, Design and Architecture, Helsinki.
Coley, Rob and Lockwood, Dean (2014) Photography in a war universe: control answers. In: Beyond the Cut-Up: William S Burroughs and the Image, 15th February, 2014, The Photographer's Gallery, London.
Coley, Rob and Lockwood, Dean (2015) A causeway around picture: Muybridge’s solar darkness. In: Rethinking Early Photography, 16th-17th June, University of Lincoln.
Coley, Rob, Lockwood, Dean and OMeara, Adam (2013) Refraining photography for a post-media era. In: On the Verge of Photography: Imaging, Mobile Art, Humans & Computers, 24-25 May, 2013, Birmingham School of Art.
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine .
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2015) Three moments. [Event, Show or Exhibition]
Coley, Rob (2018) Choose Life (Review of Nonhuman Photography by Joanna Zylinska). Media Theory . ISSN 2557-826X
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Vickers, Richard (2007) The mobile paradigm. In: Europrix - European Academy of Digital Media Academic Network Conference, 22-23 Nov 2007, FH Joanneum University of Applied Sciences, Graz, Austria.
Winston, Brian (1996) Technologies of seeing: photography, cinematography and television. BFI, London. ISBN 0851706010 (hbk.), 0851706029 (pbk.)
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Sutherland, Thomas (2013) Plato and the origins of digital media: tentative tracings of a surprisingly resilient discourse network. In: Australian Media Traditions, 25 -26 November 2013, University of Queensland.
Sutherland, Thomas (2022) Plato’s prescription: The origin myth of media theory. Media Theory . ISSN 2557-826X
Sutherland, Thomas (2016) Mediation and metaxý: the interval between analog animality and digital humanity. Ctrl-Z: New Media Philosophy, 6 . ISSN 2200-8616
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Ruffino, Paolo (2019) Troubled Legacies / Fractured Futures. In: Troubled Legacies / Fractured Futures, 14th March 2019, UCL.
Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Moore, Alison (2011) Representations of laboratory animals in popular media forms. In: Humanities Research Seminar, 16th Feb 2011, University of Lincoln.
Varriale, Simone (2013) Rockin' the jazz biopic: changing images of African American musicians in Hollywood biographical films. Jazz Research Journal, 6 (1). ISSN 1753-8637
Charnock, Ruth (2016) "I want what everyone wants": cruel optimism in HBO's 'Girls'. In: Gender and Economics in Popular Culture: Femininity, Masculinity and Austerity in Film and TV. I. B. Tauris. ISBN 1784536644, 9781784536640
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359
Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235
Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Micali, Alberto (2016) How to become war machine, or... a low hacktivist (un)methodology in pieces. Networking Knowledge, 9 (1). pp. 1-17. ISSN 1755-9944
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Hughes, David (2018) Scrutinising the Media: Fake News, Censorship, and War. [Project]
Winston, Brian (2009) Leni Riefenstahl: a life. History Today, 59 (6). p. 62. ISSN 0018-2753
Winston, Brian (1997) Triumph of the will. History Today, 47 (1). pp. 24-28. ISSN 0018-2753
Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Moretti, Matteo, Teli, Maurizio and De angeli, Antonella (2017) People’s Republic of Bolzano or how digital artifacts can be adversarial to misinformation. The Design Journal, 20 (sup1). S3380-S3392. ISSN 1460-6925
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Morris, Nigel (2018) Staging science on TV: Richard Hammond's Invisible Worlds, Richard Hammond's Miracles of Nature, and Wild Weather with Richard Hammond. Journal of Science and Popular Culture, 1 (2). pp. 119-136. ISSN 2059-9072
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Owens, Edward (2016) Love, duty and diplomacy: the mixed response to the 1947 engagement of Princess Elizabeth. In: Royal heirs and the uses of soft power in nineteenth-century Europe. Palgrave Studies in Modern Monarchy . Palgrave Macmillan, Basingstoke, pp. 223-240. ISBN 9781137592088
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Aluffi, Giuliano and Ruffino, Paolo (2018) Come riprendersi il relax di una volta (English translation: how to claim back your leisure). [Impact]
Ruffino, Paolo (2017) Engagement and the quantified self: uneventful relationships with ghostly companions. In: Self-tracking: empirical and philosophical investigations. Palgrave, pp. 11-25. ISBN 9783319653785
Ruffino, Paolo (2016) Games to live with: speculations regarding NikeFuel. Digital Culture & Society, 2 (1). ISSN 2364-2114
Dickerson, Nikolas (2016) Sporting the unproductive body: challenging understandings of the marijuana user through sport. In: Qualitative Research in Sport and Exercise, 30 Aug - 1 Sep 2016, Chichester, England.
Dickerson, Nikolas and Hodler, Matt (2020) "Real Men Stand for our Nation": Constructions of an American nation and anti-Colin Kaepernick memes. Journal of Sport and Social Issues . ISSN 0193-7235
Varriale, Simone (2013) Rockin' the jazz biopic: changing images of African American musicians in Hollywood biographical films. Jazz Research Journal, 6 (1). ISSN 1753-8637
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Rudd, Bryan Peter (2004) Are you listening ... are we learning? Radio production as a means of teaching & learning [case study]. Journal of Media Practice, 4 (2). pp. 93-103. ISSN 1468-2753
Bell, Erin and Gray, Ann (2016) Television's royal family: continuity and change. In: The British monarchy on screen. Manchester University Press. ISBN 9780719099564
Winston, Brian (2008) Red planet guide. History Today, 58 (12). p. 75. ISSN 0018-2753
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231
Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Rudd, Bryan Peter (2004) Are you listening ... are we learning? Radio production as a means of teaching & learning [case study]. Journal of Media Practice, 4 (2). pp. 93-103. ISSN 1468-2753
Coley, Rob, Lockwood, Dean and OMeara, Adam (2013) Refraining photography for a post-media era. In: On the Verge of Photography: Imaging, Mobile Art, Humans & Computers, 24-25 May, 2013, Birmingham School of Art.
Winston, Brian (2003) What digital revolution? New Humanist, 118 (3). pp. 28-29. ISSN 0306-512X
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467
Winston, Brian (2011) Richard Leacock: bearing witness. Sight and Sound, 21 (6). pp. 42-43. ISSN 0037-4806
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Winston, Brian (1988) Before Grierson, before Flaherty: the documentary film in 1914. Sight and Sound, 57 (Autumn). pp. 277-279. ISSN 0037-4806
Winston, Brian (1984) The white man's burden: the example of Robert Flaherty. Sight and Sound, 54 (Winter). pp. 58-60. ISSN 0037-4806
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Henkel, Imke (2018) How the laughing, irreverent Briton trumped fact-checking: a textual analysis of fake news in British newspaper stories about the EU. Journalism Education, 6 (3). pp. 87-97. ISSN 2050-3930
Henkel, Imke (2021) Ideology and Disinformation: How False News Stories Contributed to Brexit. In: Politics of Disinformation. Wiley. ISBN 9781119743231
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). European Journal of Communication, 13 (3). pp. 417-419. ISSN 0267-3231
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2006) Reflections on 15 years of activist media and India’s Narmada Dams controversy. International Journal of Communication, 16 (1-2). pp. 21-39.
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. In: 21st century photography: art, philosophy, technique, 5-6 June, 2015, Central Saint Martins.
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Aluffi, Giuliano and Ruffino, Paolo (2018) Come riprendersi il relax di una volta (English translation: how to claim back your leisure). [Impact]
Ruffino, Paolo (2017) Engagement and the quantified self: uneventful relationships with ghostly companions. In: Self-tracking: empirical and philosophical investigations. Palgrave, pp. 11-25. ISBN 9783319653785
Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Thayne, Martyn and Cooper, Graham (2014) Collaborative pedagogy and digital scholarship: a case study of 'Media Culture 2020'. Media Education Research Journal (MERJ), 5 (1). pp. 46-59. ISSN 2040-4350
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Vickers, Richard (2015) Smart phone photography, psychogeography and the vernacular. In: CONTEMPHOTO 2015, 9-10 June 2015, Nâzım Hikmet Cultural Center (NHKM).
Vickers, Richard, Field, James and Melakoski, Cai (2015) Media Culture 2020: collaborative teaching and blended learning using social media and cloud-based technologies. Contemporary Educational Technology, 6 (1). pp. 62-73. ISSN 1309-517X
Winston, Brian (2003) What digital revolution? New Humanist, 118 (3). pp. 28-29. ISSN 0306-512X
Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397
Dickerson, Nikolas and Hodler, Matt (2020) "Real Men Stand for our Nation": Constructions of an American nation and anti-Colin Kaepernick memes. Journal of Sport and Social Issues . ISSN 0193-7235
Elliott, Andrew (2018) Internet medievalism and the White Middle Ages. History Compass, 16 (3). pp. 1-10. ISSN 1478-0542
Elliott, Andrew (2021) #Medieval: "First World" Medievalism and Participatory Culture. In: Middle Ages without Borders: A Conversation on Medievalism. Publications de l'Ecole francaise de Rome, Rome, pp. 87-106. ISBN 978-2-7283-1493-5
Vickers, Richard and Melakoski, Cai (2014) Media culture 2020: exploring opportunities for collaborative teaching and learning using social media and cloud-based technologies. In: The International Conference on Communication, Media, Technology and Design, 24-26 April 2014, Istanbul, Turkey.
Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.
Winston, Brian (2015) The Martian invasion and the sociological imagination. In: Stretching the sociological imagination: essays in honour of John Eldridge. AIAA / Palgrave Macmillan, pp. 226-245. ISBN 9781137493637, 978113749364
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Spaulding, Hannah (2021) Overhearing the Unheimlich Home: Power and Proximity in “Shut Up Little Man!”. Journal of Sonic Studies, 22 . ISSN 2212–6252
Thompson, Marie (2018) Sonic (cyber)feminisms: questions, strategies and contestations. In: Mutek Festival, 21st August 2018, Montreal.
Winston, Brian (2013) The revolutionary founding moments of a contra-Grierson tradition [Joshua Malitsky]. Jump Cut: A Review of Contemporary Media (55). ISSN 0146-5546
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862
Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318
Thompson, Marie and Biddle, Ian (2013) Introduction: somewhere between the signifying and the sublime. In: Sound, music, affect: theorizing sonic experience. Bloomsbury, pp. 1-23. ISBN 9781441114679
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054
Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED
Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Wright, Radica (2011) Storytelling snaps. [Artefact]
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Rudd, Bryan Peter (2004) Are you listening ... are we learning? Radio production as a means of teaching & learning [case study]. Journal of Media Practice, 4 (2). pp. 93-103. ISSN 1468-2753
Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550
Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424
Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128
Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Tulloch, John and Sparks, Colin (2000) Tabloid tales: global debates over media standards. Critical Media Studies: Institutions, Politics, and Culture . Rowman and Littlefield. ISBN 9780230298668, 0847695727
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Tulloch, John and Sparks, Colin (2000) Tabloid tales: global debates over media standards. Critical Media Studies: Institutions, Politics, and Culture . Rowman and Littlefield. ISBN 9780230298668, 0847695727
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Winston, Brian (1995) How are media born and developed? In: Questioning the media: a critical introduction [2nd ed.]. Sage Publications, Thousand Oaks, CA, pp. 54-74. ISBN 0803971966, 0803971974
Spaulding, Hannah (2021) Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone. Journal of Cinema and Media Studies, 60 (5). pp. 150-173. ISSN 0009-7101
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421
Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231
Winston, Brian (2007) Let them eat laptops: the limits of technicism. International Journal of Communication, 1 . pp. 170-176. ISSN 1932-8036
Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020
Charnock, Ruth (2016) "I want what everyone wants": cruel optimism in HBO's 'Girls'. In: Gender and Economics in Popular Culture: Femininity, Masculinity and Austerity in Film and TV. I. B. Tauris. ISBN 1784536644, 9781784536640
Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231
Mair, John, Tait, Richard and Keeble, Richard Lance (2014) Is the BBC in crisis? Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845496210
Spaulding, Hannah (2021) Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone. Journal of Cinema and Media Studies, 60 (5). pp. 150-173. ISSN 0009-7101
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Uricchio, William and Winston, Brian (1986) The anniversary stakes: high definition television in the 1930s. Sight and Sound, 55 (Autumn). pp. 231-232. ISSN 0037-4806
Winston, Brian (1983) Escapist realism. In: Fast forward: the new television and American society. Andrews & McMeel, Kansas City. ISBN 0836262085
Winston, Brian (1993) Observable failures. In: The Television Book 1994. 19th Edinburgh International Television Festival, Edinburgh. ISBN 0952181002
Winston, Brian (2003) Technical history of television. In: The television history book. Television, Media & Cultural Studies . BFI, London. ISBN 0851709885
Winston, Brian (1996) Technologies of seeing: photography, cinematography and television. BFI, London. ISBN 0851706010 (hbk.), 0851706029 (pbk.)
Winston, Brian (1984) Television at a glance. Quarterly Review of Film Studies, 9 (3). pp. 256-261. ISSN 1050-9208
Winston, Brian (1997) Tony Garnett. In: Encyclopaedia of Television. Fitzroy Dearborn, Chicago. ISBN 1884964265
Winston, Brian (1984) What took so long? Re-examining the technical history of television. Intermedia, Autumn . ISSN 0309-118X
Winston, Brian (1994) The licence fee, stupid!: The BBC's charter renewal. Media Information Australia (74). pp. 99-105. ISSN 0312-9616
Winston, Brian (1999) The primrose path: faking UK television documentary, "docuglitz" and docusoap (Lying in Public: British Television Regulators Invent a New Offence). Screening the Past (8).
Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6).
Winston, Brian and Walton, Paul (1996) Virtually free (Myth of the Internet). Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220
Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X
Winston, Brian (1985) On Marshall McLuhan's television picture. Sight and Sound, 54 (Autumn). pp. 258-263. ISSN 0037-4806
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X
Uricchio, William and Winston, Brian (1986) The anniversary stakes: high definition television in the 1930s. Sight and Sound, 55 (Autumn). pp. 231-232. ISSN 0037-4806
Winston, Brian (2009) Public issue television: World in Action 1963-98. Journalism Studies, 10 (1). pp. 130-136. ISSN 1461-670X
Winston, Brian (1993) The CBS Evening News, April 7, 1949: creating an ineffable television form. In: Getting the message: News, truth and power. Communication and Society . Routledge, London, pp. 181-209. ISBN 0415079837
Winston, Brian (1980) Disingenuousness and television news reports. Television Quarterly: The Journal of the National Academy of Television Arts and Sciences, 17 (1). ISSN 0040-2796
Winston, Brian (1977) How visual is television news? Journalism Studies Review, 1 (2).
Winston, Brian (1975) Intervention. L'Attualità In TV/ News and Current Events on TV, XXVII .
Winston, Brian (1992) Mapping hegemony: television news coverage of industrial conflict by Robert Goldman and Arvind Rajagopal. Journalism Quarterly, 69 (4). p. 1083. ISSN 0196-3031
Winston, Brian, Beharrell, Peter, Davis, Howard, Eldridge, John, Hewitt, John, Oddie, Jean, Philo, Greg, Walton, Paul, Broadbent, Lucinda, Kimmett, Gordon, Spaven, Malcolm and Williams, Kevin (1995) Glasgow Media Group reader, volume 1. Routledge, London. ISBN 0415127297, 0415127300
Winston, Brian (2007) Jo Durden-Smith. The Independent . p. 37. ISSN 0951-9467
Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Winston, Brian (1985) On Marshall McLuhan's television picture. Sight and Sound, 54 (Autumn). pp. 258-263. ISSN 0037-4806
Kilby, L. and Horowitz, A. D. (2013) Opening up terrorism talk: the sequential and categorical production of discursive power within the call openings of a talk radio broadcast. Discourse and Society, 24 (6). pp. 725-742. ISSN 0957-9265
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Spaulding, Hannah (2021) Overhearing the Unheimlich Home: Power and Proximity in “Shut Up Little Man!”. Journal of Sonic Studies, 22 . ISSN 2212–6252
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Taylor, Laurie, Haydock, William, Mansell, James, Thompson, Marie and Egerton, Jayne (2017) Age of noise [Thinking Allowed with Laurie Taylor, William Haydock, James Mansell, and Marie Thompson, BBC Radio 4]. [Audio]
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. In: 21st century photography: art, philosophy, technique, 5-6 June, 2015, Central Saint Martins.
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .
Coley, Rob (2018) Cultural Infrastructure (Review of List Cultures by Liam Cole Young). Cultural Politics, 14 (3). pp. 407-409. ISSN 1743-2197
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Coley, Rob (2016) The horrors of visuality. In: Photomediations: a reader. Open Humanities Press, pp. 290-310. ISBN 9781785420023
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Bell, Erin and Gray, Ann (2016) Television's royal family: continuity and change. In: The British monarchy on screen. Manchester University Press. ISBN 9780719099564
Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Spaulding, Hannah (2021) Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone. Journal of Cinema and Media Studies, 60 (5). pp. 150-173. ISSN 0009-7101
Winston, Brian (1992) Re-regulating the USA. Television: The Journal of the Royal Television Society . ISSN 0308-454X
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Moretti, Matteo, Teli, Maurizio and De angeli, Antonella (2017) People’s Republic of Bolzano or how digital artifacts can be adversarial to misinformation. The Design Journal, 20 (sup1). S3380-S3392. ISSN 1460-6925
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Clayton, Owen (2019) How street papers have been battling against a Vagrancy Act for decades. The Big Issue .
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Spaulding, Hannah (2018) Recording Intimacy, Reviewing Spectacle: The Emergence of Video in the American Home. Television & New Media, 19 (3). pp. 257-273. ISSN 1527-4764
Ruffino, Paolo (2018) Future gaming: creative interventions in video game culture. In: Talks at Google, March 1st 2018, London.
Ruffino, Paolo (2018) Indie Game Studies workshop. In: Indie Game Studies workshop, 24 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Non-Human Gaming: Video Games in the Post-Anthropocene. In: DiGRA 2018, 25-28 July 2018, Universita di Torino, Italy.
Ruffino, Paolo (2018) Video Games and Posthumanism. In: DiGRA 2018 The Game is the Message, 25-28 July 2018, Universita di Torino, Italy.
Winston, Brian (2012) Foreword: Artists’ video is blessed and cursed by its technology. In: Rewind: British artists' video in the 1970s & 1980s. John Libbey, London. ISBN 9780861967063
Elliott, Andrew B.R. and Horswell, Mike (2020) Crusading Icons: Medievalism and Authenticity in Historical Digital Games. In: History in Games: Contingencies of an Authentic Past. Transcript Verlag, Bielefeld, pp. 137-155. ISBN 9783839454206
Winston, Brian and Keydel, Julia (1987) Working with video: a comprehensive guide to the world of video production. Pelham Books, London. ISBN 072071723X
Ruffino, Paolo (2016) Games as arts / Arts as games. In: Games as Arts / Arts as Games, 12 - 22 October 2016, Falmouth University.
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049
Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161
Moretti, Matteo, Teli, Maurizio and De angeli, Antonella (2017) People’s Republic of Bolzano or how digital artifacts can be adversarial to misinformation. The Design Journal, 20 (sup1). S3380-S3392. ISSN 1460-6925
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Sutherland, Thomas (2018) Searching for stillness in the flux of the electric world: vorticular media theory from Wyndham Lewis to Marshall McLuhan. Explorations in Media Ecology, 17 (1). pp. 7-22. ISSN 1539-7785
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Hughes, David (2018) Scrutinising the Media: Fake News, Censorship, and War. [Project]
Wright, Radica (2012) 11 11 remembered. University of Lincoln.
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145
Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665
Downing, Mike (2011) Desense: a photographic project. [Event, Show or Exhibition]
Coley, Rob and Lockwood, Dean (2012) Cloud time: the inception of the future. Zero Books. ISBN 1780990952, 9781780990958
Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010, Watershed Media Centre, Bristol.
Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Chapman, Jane (1988) Women working it out [1st ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 08611046681989
Chapman, Jane (1990) Women working it out [2nd ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 0861105524
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Forster, Marcella (2015) Andrea Arnold. In: Women screenwriters: an international guide. Palgrave Macmillan, London, pp. 591-685. ISBN 9781137312365, 9781137312372
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Forster, Marcella (2015) Andrea Arnold. In: Women screenwriters: an international guide. Palgrave Macmillan, London, pp. 591-685. ISBN 9781137312365, 9781137312372
Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
Tulloch, John (2012) The return of the 'Conchie': newspaper representations of conscientious objectors and pacifists in World War II. In: Representations of peace and conflict. Rethinking Political Violence . Palgrave Macmillan, pp. 45-66. ISBN 9780230298668
Winston, Brian (2003) A little touch of Harry in the night: a note on British documentary in WWII. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms (16). UVK Medien, Konstanz, Germany, pp. 333-343. ISBN 3896693824
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Henkel, Imke, Thurman, Neil and Deffner, Veronika (2019) Comparing Journalism Cultures in Britain and Germany: Confrontation, Contextualization, Conformity. Journalism Studies, 20 (14). pp. 1995-2013. ISSN 1461-670X
Sutherland, Thomas (2018) Searching for stillness in the flux of the electric world: vorticular media theory from Wyndham Lewis to Marshall McLuhan. Explorations in Media Ecology, 17 (1). pp. 7-22. ISSN 1539-7785
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Winston, Brian (1992) No rapido change. Sight and Sound, 2 (1). p. 7. ISSN 0037-4806
Winston, Brian (1998) Z for zoetrope. Sight & Sound, 8 (7). pp. 28-30. ISSN 0037-4806
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We Need to Talk about Heidegger: Essays Situating Martin Heidegger in Contemporary Media Studies. Literary and Cultural Theory . Peter Lang, pp. 185-210. ISBN 978-3-631-75067-4
Richards, Anthony (2018) Take a wander in my shoes: of zombeing, twombs and equipmentality. In: We need to talk about Martin: 12 essays situating Heidegger in contemporary media studies. Peter Lang. ISBN UNSPECIFIED
Sutherland, Thomas (2017) Democracy, fascism, and the dissimulative affect of acceleration in social media. In: Affect and Social Media, 25th May, 2017, University of East London.
Sutherland, Thomas (2017) The temporal lag and latency of media theory. In: Media and Time, 15-16 June, 2017, Loughborough University.
Sutherland, Thomas (2018) Searching for stillness in the flux of the electric world: vorticular media theory from Wyndham Lewis to Marshall McLuhan. Explorations in Media Ecology, 17 (1). pp. 7-22. ISSN 1539-7785
Sutherland, Thomas (2019) The categorical imperative of speed: acceleration as moral duty. In: Mediated time: perspectives on time in a digital age. Palgrave Macmillan, pp. 25-43. ISBN 978-3-030-24949-6
Sutherland, Thomas and Wark, Scott (2022) Making Sense of the High-Speed Society. [Event, Show or Exhibition]
Wark, Scott and Sutherland, Thomas (2022) Theorising media critically: Thinking after contemporaneity. In: Critique, post-critique, and the present conjuncture, 25 May, 2022, Université Paris Nanterre.
Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538
Coley, Rob (2015) Tradecraft accelerated, or, The spy who ceased being afraid of becoming mad. In: Spying on Spies: Popular Representations of Spies and Espionage, 3-5 September 2015, University of Warwick at The Shard.
Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.
Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318
Boothroyd, Dave (2007) Cinematic heroin and narcotic modernity. In: Symbolism: an international annual of critical aesthetics. AMS Press Inc., New York, pp. 7-28. ISBN 9780404635671
Coley, Rob (2017) ‘Destabilized perception’: narrative as network in the films of Adam Curtis. In: Essay Film and Narrative Techniques: Screenwriting Non-Fiction, Symposium of the BAFTSS ‘Essay Film’ Research Group, 18-19 November, 2017, University of York.
Coley, Rob (2017) The case of the speculative detective: aesthetic truths and the television ‘crime board’. NECSUS: European Journal of Media Studies, Spring . ISSN 2215-1222
Coley, Rob (2018) "Destabilized Perception": Infrastructural Aesthetics in the Films of Adam Curtis. Cultural Politics, 14 (3). pp. 304-326. ISSN 1743-2197
Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905
Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905
Micali, Alberto (2017) Leak early, leak (more than) often: outlining the affective politics of data leaks in network ecologies. In: Affects - Media – Power Conference, 29 June - 1 July, 2017, Freie Universität, Berlin.
Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318
Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.
Thompson, Marie (2011) Productive parasites: thinking of noise as affect. In: In/compatible research, DARC/Transmediale, November 2011, Universität der Künste, Berlin.
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
Thompson, Marie (2018) ‘Sounding reproduction: pre-natal speakers, sonic affects and uterine audiophilia’. In: Capacious: Affect Inquiry/Making Space, August 8-11th, 2018, Millersville University, USA.
Thompson, Marie and Biddle, Ian (2013) Introduction: somewhere between the signifying and the sublime. In: Sound, music, affect: theorizing sonic experience. Bloomsbury, pp. 1-23. ISBN 9781441114679
Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770
Micali, Alberto (2017) Leak early, leak (more than) often: outlining the affective politics of data leaks in network ecologies. In: Affects - Media – Power Conference, 29 June - 1 July, 2017, Freie Universität, Berlin.
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
White, Joanna (2015) Project sky cube. [Event, Show or Exhibition]
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
Richards, Anthony (2009) Embalmed|Unembalmed: the problems of the lived event within media studies 2.0. In: Ends of Television, Logics/Perspectives/Entanglements, 29 June - 1 July 2009, University of Amsterdam.
Keeble, Richard (2010) Peace journalism as political practice: a new, radical look at the theory. In: Peace journalism, war and conflict resolution. Peter Lang, New York, pp. 49-68. ISBN 9781433107269
Sutherland, Thomas (2016) Mediation and metaxý: the interval between analog animality and digital humanity. Ctrl-Z: New Media Philosophy, 6 . ISSN 2200-8616
Batkin, Jane (2017) Identity in animation: a journey into self, difference, culture and the body. Routledge. ISBN 9781138849785, 9781138849778
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Sutherland, Thomas and Patsoura, Elliot (2017) Michel Foucault, Friedrich Kittler, and the interminable half-life of 'so-called man'. Angelaki: Journal of the Theoretical Humanities, 22 (4). pp. 49-68. ISSN 0969-725X
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713
Proto, Francesco (2006) The machine and the aesthetics. In: Mass identity architecture: architecture writings of Jean Baudrillard. Wiley Classics . Wiley, Chichester, pp. 1-19. ISBN 9780470090190
Sutherland, Thomas (2015) Sacrifice on the altar of history: mediation and the corrosive teleology of rationalized efficiency. In: Reason Plus Enjoyment, 10 -14 July 2015, University of New South Wales.
Sutherland, Thomas (2014) Social media and the slow death throes of diachrony. Proceedings of the Australian and New Zealand Communication Association Annual Conference: 'The Digital and the Social: Communication for Inclusion and Exchange' . ISSN 1448-4331
Coley, Rob (2017) ‘Destabilized perception’: narrative as network in the films of Adam Curtis. In: Essay Film and Narrative Techniques: Screenwriting Non-Fiction, Symposium of the BAFTSS ‘Essay Film’ Research Group, 18-19 November, 2017, University of York.
Coley, Rob (2014) Digital memory and the archive (Wolfgang Ernst). Journal of American Studies of Turkey . ISSN 1300-6606
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Sutherland, Thomas (2018) Searching for stillness in the flux of the electric world: vorticular media theory from Wyndham Lewis to Marshall McLuhan. Explorations in Media Ecology, 17 (1). pp. 7-22. ISSN 1539-7785
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905
Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .
Sutherland, Thomas (2014) Counterculture, capitalism, and the constancy of change. M/C Journal, 17 (6). ISSN 1441-2616
Sutherland, Thomas (2014) Getting nowhere fast: a teleological conception of socio-technical acceleration. Time & Society, 23 (1). pp. 49-68. ISSN 0961-463X
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn, McCarthy, Clive and Verity, Adam (2014) co_LAB - Project 1. [Video]
Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine .
Coley, Rob (2014) Digital memory and the archive (Wolfgang Ernst). Journal of American Studies of Turkey . ISSN 1300-6606
Winston, Brian (1993) Observable failures. In: The Television Book 1994. 19th Edinburgh International Television Festival, Edinburgh. ISBN 0952181002
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Proto, Francesco (2006) The machine and the aesthetics. In: Mass identity architecture: architecture writings of Jean Baudrillard. Wiley Classics . Wiley, Chichester, pp. 1-19. ISBN 9780470090190
Sutherland, Thomas (2013) Communication, causation, and the logos. Continuum, 27 (5). pp. 755-757. ISSN 1030-4312
Sutherland, Thomas (2014) Getting nowhere fast: a teleological conception of socio-technical acceleration. Time & Society, 23 (1). pp. 49-68. ISSN 0961-463X
Sutherland, Thomas (2014) Intensive mobilities: figurations of the nomad in contemporary theory. Environment and Planning D: Society and Space, 32 (5). pp. 935-950. ISSN 0263-7758
Sutherland, Thomas (2013) Liquid networks and the metaphysics of flux: ontologies of flow in an age of speed and mobility. Theory, Culture & Society, 30 (5). pp. 3-23. ISSN 0263-2764
Sutherland, Thomas (2014) Media life. Global Media and Communication, 10 (1). pp. 113-115. ISSN 1742-7665
Thayne, Martyn (2016) Developing digital literacies through blended learning and co-innovation. In: CROSS-MEDIA Conference 2016: Creative Processes in Online Collaboration, 19 - 20 February 2016, University of Applied Sciences Magdeburg-Stendal, Germany.
Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Coley, Rob (2017) The case of the speculative detective: aesthetic truths and the television ‘crime board’. NECSUS: European Journal of Media Studies, Spring . ISSN 2215-1222
Winston, Brian (1990) Rejecting the Jehovah's Witness gambit. Intermedia, Oct/No . ISSN 0309-118X
Winston, Brian (1986) Survival of national networks in an age of abundance. Intermedia, 4 (6) (30). ISSN 0309-118X
Winston, Brian (1984) What took so long? Re-examining the technical history of television. Intermedia, Autumn . ISSN 0309-118X
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137
Thompson, Marie (2012) Feminizing the threat of noise. In: Sound, Gender, Feminism, Activism, May 2012, London College of Communication.
Thompson, Marie (2011) Productive parasites: thinking of noise as affect. In: In/compatible research, DARC/Transmediale, November 2011, Universität der Künste, Berlin.
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Thompson, Marie (2014) Feminizing noise. In: Sound, Gender, Technology: Where to with Cyberfeminism?, February 2014, CTM Festival, Berlin.
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Wilson, Deborah (2008) Paying the piper: funding broadcast news. In: Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544
Winston, Brian (2003) Paying the piper: the realist film in the service of the British state. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms . UVK Medien, Konstanz, Germany, pp. 144-154. ISBN 3896693824
Winston, Brian (2003) A little touch of Harry in the night: a note on British documentary in WWII. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms (16). UVK Medien, Konstanz, Germany, pp. 333-343. ISBN 3896693824
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Vickers, Richard (2018) Smart devices, participation culture and democritisation of documentary. In: Digital media: shifting landscapes embracing change enhancing learning innovating the future. Springer. ISBN UNSPECIFIED
Keeble, Richard (2010) Hacks and spooks - close encounters of a strange kind: a critical history of the links between mainstream journalists and the intelligence services in the UK. In: The political economy of media and power. Peter Lang, New York, pp. 87-111. ISBN 9781433107740, 9781433107733
Keeble, Richard (2010) Peace journalism as political practice: a new, radical look at the theory. In: Peace journalism, war and conflict resolution. Peter Lang, New York, pp. 49-68. ISBN 9781433107269
Thayne, Martyn (2014) Media Culture 2020: an exploration of collaborative learning. In: Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education 2014. Association for the Advancement of Computing in Education (AACE)., pp. 2207-2212. ISBN UNSPECIFIED
Vickers, Richard, Cooper, Graham, Field, James and Thayne, Martyn (2014) The educator’s new clothes: towards a collaborative and open vision for education in the 21st century. In: Proceedings of ThinkTwice2 Istanbul 2014. Istanbul Commerce University, Istanbul, Turkey. ISBN UNSPECIFIED
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .
Sutherland, Thomas and Wark, Scott (2022) Making Sense of the High-Speed Society. [Event, Show or Exhibition]
Vickers, Richard (2007) Horror vacui [Featured Artist]. Drain: Journal of Contemporary Art and Culture .
Vickers, Richard (2007) The future in my pocket - the mobile paradigm: the social impact and artistic utilisation of the cameraphone and smart mobile device. In: 5th International Symposium of Interactive Media Design, 28-30 April 2007, Yeditepe University, Istanbul, Turkey.
Vickers, Richard (2007) The mobile paradigm. In: Europrix - European Academy of Digital Media Academic Network Conference, 22-23 Nov 2007, FH Joanneum University of Applied Sciences, Graz, Austria.
Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Tulloch, John (2012) Kicking the canon in the breeches: an appreciation of Professor Nancy Roberts’s keynote address, “Firing the Canon”. Literary Journalism Studies, 4 (2). pp. 95-99. ISSN 1944-897X
Sutherland, Thomas (2014) Counterculture, capitalism, and the constancy of change. M/C Journal, 17 (6). ISSN 1441-2616
Sutherland, Thomas (2014) Intensive mobilities: figurations of the nomad in contemporary theory. Environment and Planning D: Society and Space, 32 (5). pp. 935-950. ISSN 0263-7758
Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Spaulding, Hannah (2021) Overhearing the Unheimlich Home: Power and Proximity in “Shut Up Little Man!”. Journal of Sonic Studies, 22 . ISSN 2212–6252
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Hemelryk Donald, Stephanie (2008) Children, Media and Regional Modernity in the Asia Pacific. In: The International Handbook of Children, Media and Culture. Sage Handbooks . SAGE Publications, London, pp. 299-313. ISBN 978-1-4129-2832-8
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Coley, Rob (2019) Essays on the Essay Film, ed. N.M. Alter and T. Corrigan. Visual Studies . ISSN 1472-586X
Winston, Brian (1996) Technologies of seeing: photography, cinematography and television. BFI, London. ISBN 0851706010 (hbk.), 0851706029 (pbk.)
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Coley, Rob and Lockwood, Dean (2010) Cloud games: reinventing invention-power. In: The Experimental Society, 7-9 July, 2010, Lancaster University.
Coley, Rob and Lockwood, Dean (2012) Cloud time. In: The Colloquium for Unpopular Culture, 22 October, 2012, New York University.
Coley, Rob and Lockwood, Dean (2013) Cloud time and the ethics of mediation. In: Philosophy of Education Seminar on The Ethics of Information Technology, 23 January, 2013, Liverpool Hope University.
Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.
Vickers, Richard, Field, James, Cooper, Graham, Thayne, Martyn and Melakoski, Cai (2013) Media Culture 2020 - Tampere, Finland. [Video]
Vickers, Richard and Melakoski, Cai (2014) Media culture 2020: exploring opportunities for collaborative teaching and learning using social media and cloud-based technologies. In: The International Conference on Communication, Media, Technology and Design, 24-26 April 2014, Istanbul, Turkey.
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Vickers, Richard (2011) 24-hours.in Tampere: participation and the democratisation of documentary? In: European Academy of Digital Media - Academic Network Conference, 10 Nov 2011, University of Graz, Graz, Austria.
Thayne, Martyn (2017) Experiments in online collaborative learning: charting co_LAB’s OnCreate journey. In: OnCreate Symposium, ‘Creative Processes in Online Collaboration’, 27 May 2017, Stephen Langton Building, University of Lincoln.
Vickers, Richard and Thayne, Martyn (2016) Digital tools for collaboration: co_LAB in practice. In: European Conference on Collaborative Online International Learning, 1-2 December 2016, The Hague University of Applied Sciences, Netherlands.
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Gray, Ann (2010) Contexts of production: commissioning history. In: Televising history, mediating the past in postwar Europe. Palgrave MacMillan, Basingstoke, Hampshire UK, pp. 59-76. ISBN 9780230222083
Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.
Sutherland, Thomas (2021) Communicating the Incommunicable: Formalism and Noise in Michel Serres. In: Miscommunications: Errors, Mistakes, Media. Thinking Media . Bloomsbury, pp. 117-132. ISBN 9781501363856
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Sutherland, Thomas (2022) Plato’s prescription: The origin myth of media theory. Media Theory . ISSN 2557-826X
Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Keeble, Richard L. and Cohen-Almagor, Raphael (2010) Ethical Space: journal with a difference. Review of Communication, No 10 (No 3). pp. 228-235. ISSN 1535-8593
White, Joanna (2015) Project sky cube. [Event, Show or Exhibition]
Sutherland, Thomas (2013) Communication, causation, and the logos. Continuum, 27 (5). pp. 755-757. ISSN 1030-4312
Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Henkel, Imke, Thurman, Neil and Deffner, Veronika (2019) Comparing Journalism Cultures in Britain and Germany: Confrontation, Contextualization, Conformity. Journalism Studies, 20 (14). pp. 1995-2013. ISSN 1461-670X
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Tulloch, John (2012) The return of the 'Conchie': newspaper representations of conscientious objectors and pacifists in World War II. In: Representations of peace and conflict. Rethinking Political Violence . Palgrave Macmillan, pp. 45-66. ISBN 9780230298668
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Voase, Richard (2004) New wine into old wineskins: cultural regeneration as symbolic economy. In: The Art of Comparison, 6th meeting of the ESA (European Sociological Association) Research Network for the Sociology of the Arts, 3-5 November 2004, Erasmus University of Rotterdam.
Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764
Sutherland, Thomas (2016) Filtering operations and metaphysics. In: IKKM Lab, 3 June 2016, Internationale Kolleg für Kulturtechnikforschung und Medienphilosophie, Bauhaus-Universität Weimar.
Sutherland, Thomas (2015) Sacrifice on the altar of history: mediation and the corrosive teleology of rationalized efficiency. In: Reason Plus Enjoyment, 10 -14 July 2015, University of New South Wales.
Sutherland, Thomas (2015) The syntax of difference: Gilles Deleuze and media theory. In: Work-in-Progress Day, 28 October 2015, University of Melbourne.
Wark, Scott and Sutherland, Thomas (2015) Platforms for the new: Simondon and media studies. Platform: Journal of Media and Communication, 6 (1). pp. 4-10. ISSN 1836-5132
Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1
Vickers, Richard (2012) Convergence media, participation culture and the digital vernacular: towards the democratization of documentary. In: International Conference on Communication, Media, Technology & Design, 9-11 May 2012, Istanbul, Turkey.
Tulloch, John (2012) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.
Sutherland, Thomas (2014) Counterculture, capitalism, and the constancy of change. M/C Journal, 17 (6). ISSN 1441-2616
Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X
Coley, Rob (2017) The case of the speculative detective: aesthetic truths and the television ‘crime board’. NECSUS: European Journal of Media Studies, Spring . ISSN 2215-1222
Henkel, Imke (2021) Ideology and Disinformation: How False News Stories Contributed to Brexit. In: Politics of Disinformation. Wiley. ISBN 9781119743231
Grandy, Christine (2020) 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show. Journal of British Studies, 59 (4). pp. 857-884. ISSN 0021-9371
Micali, Alberto (2016) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. In: Resistance: 5th International Critical Studies Research Group Conference, 13-14 June 2016, University of Brighton.
Wark, Scott and Sutherland, Thomas (2022) Theorising media critically: Thinking after contemporaneity. In: Critique, post-critique, and the present conjuncture, 25 May, 2022, Université Paris Nanterre.
Sutherland, Thomas and Wark, Scott (2022) Making Sense of the High-Speed Society. [Event, Show or Exhibition]
Wark, Scott and Sutherland, Thomas (2022) Theorising media critically: Thinking after contemporaneity. In: Critique, post-critique, and the present conjuncture, 25 May, 2022, Université Paris Nanterre.
Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388
Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743
Voase, Richard (2008) From expression to instrument: the success of an arts festival as a narration of cultural change. In: Art, Culture and the Public Sphere, Joint Conference of the ESA Research Networks for the Sociology of Culture and the Sociology of the arts, 4-8 November 2008, IUAV University Venice.
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Dickerson, Nikolas (2017) Popcorn patriotism: a journey through US cultural politics. In: British Sociological Association Sport Study Group Postgraduate Forum, 1 Sep 2017, School of Sport and Exercise Science at University of Lincoln.
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710
Voase, Richard (2004) New wine into old wineskins: cultural regeneration as symbolic economy. In: The Art of Comparison, 6th meeting of the ESA (European Sociological Association) Research Network for the Sociology of the Arts, 3-5 November 2004, Erasmus University of Rotterdam.
Micali, Alberto (2016) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. In: Resistance: 5th International Critical Studies Research Group Conference, 13-14 June 2016, University of Brighton.
Micali, Alberto (2017) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. Critical Studies, 3 . pp. 3-19. ISSN 2055-1428
Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
Charnock, Ruth (2016) "I want what everyone wants": cruel optimism in HBO's 'Girls'. In: Gender and Economics in Popular Culture: Femininity, Masculinity and Austerity in Film and TV. I. B. Tauris. ISBN 1784536644, 9781784536640
Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764
Micali, Alberto (2016) Networked media actions as hacktions: rethinking resistance(s) in media ecologies. In: Resistance: 5th International Critical Studies Research Group Conference, 13-14 June 2016, University of Brighton.
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Batkin, Jane (2017) Identity in animation: a journey into self, difference, culture and the body. Routledge. ISBN 9781138849785, 9781138849778
Coley, Rob and Lockwood, Dean (2014) Photography in a war universe: control answers. In: Beyond the Cut-Up: William S Burroughs and the Image, 15th February, 2014, The Photographer's Gallery, London.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2014) Feminizing noise. In: Sound, Gender, Technology: Where to with Cyberfeminism?, February 2014, CTM Festival, Berlin.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2014) Feminizing noise. In: Sound, Gender, Technology: Where to with Cyberfeminism?, February 2014, CTM Festival, Berlin.
Coley, Rob, Lockwood, Dean and Micali, Alberto (2014) Fictive-friction: cyberpunk reprised. In: Friction: An interdisciplinary conference on technology and resistance, 8-9 May, 2014, University of Nottingham.
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Coley, Rob (2014) The horrors of visuality. Photomediations Machine .
Sutherland, Thomas (2020) Spectral archives, weird sciences, haunted data. Cultural Politics, 16 (3). pp. 415-417. ISSN 1743-2197
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105
Coley, Rob and Lockwood, Dean (2014) Photography in a war universe: control answers. In: Beyond the Cut-Up: William S Burroughs and the Image, 15th February, 2014, The Photographer's Gallery, London.
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Sutherland, Thomas (2017) Democracy, fascism, and the dissimulative affect of acceleration in social media. In: Affect and Social Media, 25th May, 2017, University of East London.
Vickers, Richard (2011) 24-hours.in Tampere: participation and the democratisation of documentary? In: European Academy of Digital Media - Academic Network Conference, 10 Nov 2011, University of Graz, Graz, Austria.
Vickers, Richard (2012) Convergence media, participation culture and the digital vernacular: towards the democratization of documentary. In: International Conference on Communication, Media, Technology & Design, 9-11 May 2012, Istanbul, Turkey.
Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.
Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]
Vickers, Richard (2006) Never mind the platform – produce the design document: establishing best practice for new media project development. In: TTA EUROPRIX & VocINet Book of Innovation in Multimedia. EUROPRIX Top Talent Office, Center for New Media, Salzburg, Austria, pp. 142-148. ISBN 3933269997
Proto, Francesco (2006) The machine and the aesthetics. In: Mass identity architecture: architecture writings of Jean Baudrillard. Wiley Classics . Wiley, Chichester, pp. 1-19. ISBN 9780470090190
Coley, Rob (2016) Ecological detection. In: Photomediations: A Symposium, 19 February, 2016, Goldsmiths, University of London.
Coley, Rob (2017) The case of the speculative detective: aesthetic truths and the television ‘crime board’. NECSUS: European Journal of Media Studies, Spring . ISSN 2215-1222
Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764
Coley, Rob (2021) Street Smarts for Smart Streets. In: Surreal Entanglements: Essays on Jeff VanderMeer’s Fiction. Routledge Studies in World Literatures and the Environment . Routledge, pp. 147-168. ISBN 9780367360849
Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a
Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.
Sutherland, Thomas (2022) Plato’s prescription: The origin myth of media theory. Media Theory . ISSN 2557-826X
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189
Sutherland, Thomas (2016) Filtering operations and metaphysics. In: IKKM Lab, 3 June 2016, Internationale Kolleg für Kulturtechnikforschung und Medienphilosophie, Bauhaus-Universität Weimar.
Sutherland, Thomas (2013) Microtemporality, media archaeology, and the hidden worlds of digital media. In: Australasian Universities Language and Literature Association Congress, 10 - 12 July 2013, University of Queensland.
Sutherland, Thomas (2013) Plato and the origins of digital media: tentative tracings of a surprisingly resilient discourse network. In: Australian Media Traditions, 25 -26 November 2013, University of Queensland.
Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538
Coley, Rob and Lockwood, Dean (2010) Cloud games: reinventing invention-power. In: The Experimental Society, 7-9 July, 2010, Lancaster University.
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .
Coley, Rob (2013) Minutes of the Society for Ontofabulatory Research: report from the Committee for Aeronautical Psychogeography. In: Radical Space, 18-20 October, 2013, Centre for Cutural Studies Research, University of East London.
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]
Micali, Alberto (2017) Towards a micropolitical archaeology of digital swarms: a novel genealogy of media disruptiveness beyond representational metaphors. In: No Turning Back: Re-Thinking the Postmodern; XV MAGIS – Gorizia International Film Studies Spring School, 29 March - 1 April, 2017, Università degli Studi di Udine, Gorizia.
Thayne, Martyn (2016) Developing digital literacies through blended learning and co-innovation. In: CROSS-MEDIA Conference 2016: Creative Processes in Online Collaboration, 19 - 20 February 2016, University of Applied Sciences Magdeburg-Stendal, Germany.
Flynn, Niall (2017) Finite media: environmental implications of digital media [by Sean Cubitt]. LSE Review of Books . ISSN .
Vickers, Richard (2010) Teaching and learning with the digital natives. In: European Academy of Digital Media Academic Network Conference, 11 Nov 2010, FH Joanneum University of Applied Sciences, Graz, Austria.
Vickers, Richard (2010) Teaching and learning with the digital natives. In: European Academy of Digital Media Academic Network Conference, 11 Nov 2010, FH Joanneum University of Applied Sciences, Graz, Austria.
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Micali, Alberto (2017) Towards a micropolitical archaeology of digital swarms: a novel genealogy of media disruptiveness beyond representational metaphors. In: No Turning Back: Re-Thinking the Postmodern; XV MAGIS – Gorizia International Film Studies Spring School, 29 March - 1 April, 2017, Università degli Studi di Udine, Gorizia.
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Vickers, Richard (2015) Remembering the future: the vernacular, technology, and memory. In: Changing Platforms of Memory Practices. Technologies, User Generations and Amateur Media DIspositifs., 10-12 September 2015, University of Groningen, Netherlands.
Hassan, Robert and Sutherland, Thomas (2016) The philosophy of media: a short history of ideas and innovations from Socrates to social media. Routledge, London. ISBN 1138908339, 9781138908338
Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440
Morris, Nigel (2018) Staging science on TV: Richard Hammond's Invisible Worlds, Richard Hammond's Miracles of Nature, and Wild Weather with Richard Hammond. Journal of Science and Popular Culture, 1 (2). pp. 119-136. ISSN 2059-9072
Twigg, Christopher (2010) Monumental language. [Event, Show or Exhibition]
Voase, Richard (2008) From expression to instrument: the success of an arts festival as a narration of cultural change. In: Art, Culture and the Public Sphere, Joint Conference of the ESA Research Networks for the Sociology of Culture and the Sociology of the arts, 4-8 November 2008, IUAV University Venice.
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Henkel, Imke (2021) Destructive Storytelling: Disinformation and the Eurosceptic Myth that Shaped Brexit. Palgrave Macmillan, London. ISBN 9783030695033
Bell, Erin (2011) Television and memory: history programming and contemporary identities. Image [&] Narrative, 12 (2). ISSN 1780-678X
Morris, Nigel (2018) Staging science on TV: Richard Hammond's Invisible Worlds, Richard Hammond's Miracles of Nature, and Wild Weather with Richard Hammond. Journal of Science and Popular Culture, 1 (2). pp. 119-136. ISSN 2059-9072
Vickers, Richard (2012) Convergence media, participation culture and the digital vernacular: towards the democratization of documentary. In: International Conference on Communication, Media, Technology & Design, 9-11 May 2012, Istanbul, Turkey.
Vickers, Richard and Field, James (2012) 24-hours.in. [Event, Show or Exhibition]
Vickers, Richard and Field, James (2011) 24-hours.in Tampere - an interactive documentary. [Event, Show or Exhibition]
Winston, Brian (1995) After Grierson. DOX, Summer . ISSN 0929-7529
Winston, Brian (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 1. World Cinema / 世界电影, 2 . pp. 170-186. ISSN 1002-9966
Winston, Brian (1993) I am not a document, I'm a person. DOX, Winter . ISSN 0929-7529
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2000) Making connections: the ECHR, the ITC and the documentary. In: From Grierson to the docusoap: breaking the boundaries. University of Luton, Luton. ISBN 9781860205774
Winston, Brian (1999) Witchhunt. DOX (23).
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (1996) The quest for television quality: the documentary. Prix Italia/Edizioni RAI. ISBN UNSPECIFIED
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 2. World Cinema / 世界电影, 3 . pp. 180-188. ISSN 1002-9966
Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 3. World Cinema / 世界电影, 4 . pp. 174-178. ISSN 1002-9966
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (1999) Documentary: how the myth was deconstructed. Wide Angle, 21 (2). pp. 71-86. ISSN 0160-6840
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Mitchell, Grethe (2011) Ipidipidation my generation! [Video]
Winston, Brian (1993) The documentary film as scientific inscription. In: Theorizing documentary. AFI Film Readers . Routledge/American Film Institute, New York, pp. 37-57. ISBN 0415903815, 0415903823
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538
Sutherland, Thomas (2019) Peter Sloterdijk and the ‘security architecture of existence’: Immunity, autochthony, and ontological nativism. Theory, Culture & Society, 36 (7-8). pp. 193-214. ISSN 0263-2764
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Micali, Alberto (2014) Hacking the power through a minor reading of Tarde’s vitalism. In: Cultural Im/materialities: Contagion, Affective Rhythms and Mobilization, 23-27 June 2014, Aarhus University.
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Vickers, Richard (2010) Teaching and learning with the digital natives. In: European Academy of Digital Media Academic Network Conference, 11 Nov 2010, FH Joanneum University of Applied Sciences, Graz, Austria.
Sutherland, Thomas (2019) The categorical imperative of speed: acceleration as moral duty. In: Mediated time: perspectives on time in a digital age. Palgrave Macmillan, pp. 25-43. ISBN 978-3-030-24949-6
Sutherland, Thomas and Wark, Scott (2022) Making Sense of the High-Speed Society. [Event, Show or Exhibition]
Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293
White, Joanna (2015) Project sky cube. [Event, Show or Exhibition]
Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861
Vickers, Richard (2010) Photography 3.0: emergence - the post-postphotographic era? In: 7th International Symposium of Interactive Media Design, 26-27 April 2010, Yeditepe University, Istanbul, Turkey.
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804
Boothroyd, Dave and Lewis, Sarah (2016) Rethinking evidence in online social drug use research. In: Evidence in social drug research and drug policy. Pabst Science, Lengerich, pp. 69-84. ISBN 9783958532632
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Winston, Brian (2005) Emancipation, the media and modernity: some reflections on Garnham's Kantian turn. Media, Culture & Society, 27 (4). pp. 495-509. ISSN 0163-4437
Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861
Flynn, Niall (2017) Finite media: environmental implications of digital media [by Sean Cubitt]. LSE Review of Books . ISSN .
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Coley, Rob (2015) The terminal city: elemental politics and mediated urbanism. In: Political Agency in the Digital Age: Media, Participation and Democracy ( ECREA Communication and Democracy conference 2015), 9-10 October, Copenhagen Business School.
Wark, Scott and Sutherland, Thomas (2022) Theorising media critically: Thinking after contemporaneity. In: Critique, post-critique, and the present conjuncture, 25 May, 2022, Université Paris Nanterre.
Tulloch, John (2012) Kicking the canon in the breeches: an appreciation of Professor Nancy Roberts’s keynote address, “Firing the Canon”. Literary Journalism Studies, 4 (2). pp. 95-99. ISSN 1944-897X
Coley, Rob (2015) Tradecraft accelerated, or, The spy who ceased being afraid of becoming mad. In: Spying on Spies: Popular Representations of Spies and Espionage, 3-5 September 2015, University of Warwick at The Shard.
Coley, Rob (2017) ‘Destabilized perception’: narrative as network in the films of Adam Curtis. In: Essay Film and Narrative Techniques: Screenwriting Non-Fiction, Symposium of the BAFTSS ‘Essay Film’ Research Group, 18-19 November, 2017, University of York.
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .
Coley, Rob (2018) "Destabilized Perception": Infrastructural Aesthetics in the Films of Adam Curtis. Cultural Politics, 14 (3). pp. 304-326. ISSN 1743-2197
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]
Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127
King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275
Hjort, Mette (2021) Ethical Imperatives: Reflections on the Past and Future of Media Studies. NECSUS_European Journal for Media Studies . ISSN 2213-0217
Hjort, Mette (2021) Ethical Imperatives: Reflections on the Past and Future of Media Studies. NECSUS_European Journal for Media Studies . ISSN 2213-0217
Hjort, Mette and Nannicelli, Ted Nannicelli, eds. (2022) A Companion to Motion Pictures and Public Value. Wiley-Blackwell, Hoboken, NJ. ISBN UNSPECIFIED
Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693
Sutherland, Thomas (2019) The categorical imperative of speed: acceleration as moral duty. In: Mediated time: perspectives on time in a digital age. Palgrave Macmillan, pp. 25-43. ISBN 978-3-030-24949-6
Thompson, Marie (2012) Music for cyborgs: the affect and ethics of noise music. In: Reverberations: The Philosophy, Aesthetics and Politics of Noise. Bloomsbury Continuum, pp. 207-218. ISBN 9781441160652
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.
Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]
Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434
Coley, Rob (2011) ‘I don’t believe you...you’re a liar’: the fabulatory function of Bob Dylan. In: Refractions of Bob Dylan: Cultural Appropriations of an American Icon, 19-21 May, 2011, University of Vienna.
Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538
Coley, Rob (2013) Minutes of the Society for Ontofabulatory Research: report from the Committee for Aeronautical Psychogeography. In: Radical Space, 18-20 October, 2013, Centre for Cutural Studies Research, University of East London.
Lockwood, Dean and Coley, Rob (2016) Photography in the middle: dispatches on media ecologies and aesthetics. Punctum, Brooklyn: New York. ISBN 9780998237510, 0998237515
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Henkel, Imke (2018) How the laughing, irreverent Briton trumped fact-checking: a textual analysis of fake news in British newspaper stories about the EU. Journalism Education, 6 (3). pp. 87-97. ISSN 2050-3930
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434
Thompson, Marie (2012) Feminizing the threat of noise. In: Sound, Gender, Feminism, Activism, May 2012, London College of Communication.
Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373
Thompson, Marie (2018) ‘Sounding reproduction: pre-natal speakers, sonic affects and uterine audiophilia’. In: Capacious: Affect Inquiry/Making Space, August 8-11th, 2018, Millersville University, USA.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2014) Feminizing noise. In: Sound, Gender, Technology: Where to with Cyberfeminism?, February 2014, CTM Festival, Berlin.
Downing, Mike (2011) Desense: a photographic project. [Event, Show or Exhibition]
Coley, Rob, Kearns, Janice and OMeara, Adam (2014) The ins and outs of imaging: community filmmaking beyond representation. In: Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy, 22-23 January, 2014, BFI Southbank.
Forster, Marcella (2015) Andrea Arnold. In: Women screenwriters: an international guide. Palgrave Macmillan, London, pp. 591-685. ISBN 9781137312365, 9781137312372
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543
Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Hjort, Mette (2021) Ethical Imperatives: Reflections on the Past and Future of Media Studies. NECSUS_European Journal for Media Studies . ISSN 2213-0217
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Winston, Brian (1984) Television at a glance. Quarterly Review of Film Studies, 9 (3). pp. 256-261. ISSN 1050-9208
Winston, Brian (1985) A whole technology of dyeing: a note on ideology and the apparatus of the chromatic moving image. Daedalus, 114 (4). pp. 105-123. ISSN 0011-5266
Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861
Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Richards, Anthony (2011) Embalmed/unembalmed: territorial aporias within the performative field of tele-presence. International Journal of Performance Arts and Digital Media, 7 (1). pp. 77-95. ISSN 1479-4713
Richards, Anthony (2009) Embalmed|Unembalmed: the problems of the lived event within media studies 2.0. In: Ends of Television, Logics/Perspectives/Entanglements, 29 June - 1 July 2009, University of Amsterdam.
Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Sutherland, Thomas (2013) Liquid networks and the metaphysics of flux: ontologies of flow in an age of speed and mobility. Theory, Culture & Society, 30 (5). pp. 3-23. ISSN 0263-2764
Sutherland, Thomas (2018) Mapping the space of flows: considerations and consequences. In: Time for mapping: Cartographic temporalities. Manchester University Press, Manchester, pp. 175-196. ISBN 9781526122520
Sutherland, Thomas (2013) Liquid networks and the metaphysics of flux: ontologies of flow in an age of speed and mobility. Theory, Culture & Society, 30 (5). pp. 3-23. ISSN 0263-2764
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Sutherland, Thomas (2015) The entelechies of media: formal and material causality in media ecology. Explorations in Media Ecology, 13 (3-4). pp. 253-268. ISSN 1539-7785
Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Winston, Brian (2008) Dangerous curbs on free speech. The Guardian .
Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036
Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253
Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599
Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208
Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278
Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394
Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452
Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0
Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641
Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004
Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X
Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280
Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Winston, Brian (2005) Emancipation, the media and modernity: some reflections on Garnham's Kantian turn. Media, Culture & Society, 27 (4). pp. 495-509. ISSN 0163-4437
Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.
Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804
Ruffino, Paolo and Carbone, Marco Benoit (2014) Introduction: Games and subcultural theory. GAME Games as Art Media Entertainment journal, 1 (3). pp. 5-22. ISSN 2280-7705
Ruffino, Paolo and Carbone, Marco Benoit (2014) Video game subcultures: playing at the periphery of mainstream culture [special issue of GAME Journal]. LUDICA. ISBN UNSPECIFIED
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120
Fuchs, Mathias, Fizek, Sonia, Ruffino, Paolo and Schrape, Niklas (2014) Rethinking gamification. Meson Press, Lueneburg, Germany. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Ruffino, Paolo (2016) Breaking up with NikeFuel: how I ended a 2-years long relationship with my quantified self. In: Gamified Life: Arts and Humanities Festival, 13 October 2016, King's College London.
Ruffino, Paolo (2014) From engagement to life, or: How to do things with gamification? In: Rethinking gamification. Meson Press, Luneburg, Germany, pp. 47-69. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023
Batkin, Jane (2017) Identity in animation: a journey into self, difference, culture and the body. Routledge. ISBN 9781138849785, 9781138849778
Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
Thompson, Marie (2012) Feminizing the threat of noise. In: Sound, Gender, Feminism, Activism, May 2012, London College of Communication.
Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373
Thompson, Marie (2018) Noise, mediation, labour. In: Glasgow International, 5th May 2018, Mitchell Library, Glasgow.
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2014) Feminizing noise. In: Sound, Gender, Technology: Where to with Cyberfeminism?, February 2014, CTM Festival, Berlin.
Sutherland, Thomas (2018) Mapping the space of flows: considerations and consequences. In: Time for mapping: Cartographic temporalities. Manchester University Press, Manchester, pp. 175-196. ISBN 9781526122520
Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769
Izak, Michal (2015) Translucent society and its nonfortuitous design: producing and consuming reality through images. Culture and Organization, 20 (5). pp. 359-376. ISSN 1475-9551
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597
Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334
Sutherland, Thomas (2019) Peter Sloterdijk and the ‘security architecture of existence’: Immunity, autochthony, and ontological nativism. Theory, Culture & Society, 36 (7-8). pp. 193-214. ISSN 0263-2764
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770
Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Micali, Alberto (2015) Notes for an ecological archaeology of imaginary media hacking. Journal of Contemporary Archaeology, 2 (1). S15-S22. ISSN 2051-3429
Micali, Alberto (2014) Hacking the power through a minor reading of Tarde’s vitalism. In: Cultural Im/materialities: Contagion, Affective Rhythms and Mobilization, 23-27 June 2014, Aarhus University.
Micali, Alberto (2016) Hacktivism and the heterogeneity of resistance in digital cultures. PhD thesis, University of Lincoln.
Micali, Alberto (2017) Heretical facial machines, or the ambivalence of faciality in the politics of digital dissent of Anonymous. In: Fear and Loathing of the Online Self – A Savage Journey into the Heart of Digital Cultures, 22-23 May, 2017, John Cabot University, Rome.
Micali, Alberto (2014) Hijacking the vector, or how to exploit its virtual trajectories. In: As Above, So Below: A Colloquium on Drone Culture, 24 May 2014, University of Lincoln.
Micali, Alberto (2015) How to become war machine, or... a low hacktivist (un)methodology in pieces. In: Transformative Practice and Theory: where we stand today: MeCCSA-PGN Conference 2015, 2-3 July 2015, Coventry University.
Micali, Alberto (2014) Mediation as the in-between space of hacktivist subjectivities. In: Inside/Outside/In-Between Perspectives on Space, Power and Subjectivities, 9-11 May, 2014, Birkbeck, University of London.
Micali, Alberto (2017) Towards a micropolitical archaeology of digital swarms: a novel genealogy of media disruptiveness beyond representational metaphors. In: No Turning Back: Re-Thinking the Postmodern; XV MAGIS – Gorizia International Film Studies Spring School, 29 March - 1 April, 2017, Università degli Studi di Udine, Gorizia.
Micali, Alberto (2015) Notes for an ecological archaeology of imaginary media hacking. Journal of Contemporary Archaeology, 2 (1). S15-S22. ISSN 2051-3429
Micali, Alberto (2017) Towards a nonlinear, material history of digital swarms. Internet Histories. Digital Technology, Culture and Society, 1 (3). pp. 238-257. ISSN 2470-1475
Hjort, Mette (2021) Ethical Imperatives: Reflections on the Past and Future of Media Studies. NECSUS_European Journal for Media Studies . ISSN 2213-0217
Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770
Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441
Dickerson, Nikolas (2016) Sporting the unproductive body: challenging understandings of the marijuana user through sport. In: Qualitative Research in Sport and Exercise, 30 Aug - 1 Sep 2016, Chichester, England.
Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.
Elliott, Andrew B.R. (2019) "Charlemagne at the Battle of Gettysburg": Video Games and the Middle Ages. In: Historia Ludens: The Playing Historian. Routledge, London and New York, pp. 170-185. ISBN 9780367363864
Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X
Elliott, Andrew B.R. (2019) "Charlemagne at the Battle of Gettysburg": Video Games and the Middle Ages. In: Historia Ludens: The Playing Historian. Routledge, London and New York, pp. 170-185. ISBN 9780367363864
Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238
Elliott, Andrew B.R. (2019) "Charlemagne at the Battle of Gettysburg": Video Games and the Middle Ages. In: Historia Ludens: The Playing Historian. Routledge, London and New York, pp. 170-185. ISBN 9780367363864
Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638
Gray, Ann and Bell, Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800
Hassan, Robert and Sutherland, Thomas (2016) The philosophy of media: a short history of ideas and innovations from Socrates to social media. Routledge, London. ISBN 1138908339, 9781138908338
Sutherland, Thomas (2015) Sacrifice on the altar of history: mediation and the corrosive teleology of rationalized efficiency. In: Reason Plus Enjoyment, 10 -14 July 2015, University of New South Wales.
Sutherland, Thomas (2017) The temporal lag and latency of media theory. In: Media and Time, 15-16 June, 2017, Loughborough University.
Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083
Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861
Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522
Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202
Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081
Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347
Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797
Coley, Rob and Lockwood, Dean (2014) Paraphotographic belief, or, critical horror. In: Helsinki Photomedia: Photographic Powers, 26-28 March 2014, Aalto University, School of Arts, Design and Architecture, Helsinki.
Whittaker, Jason (2017) The media of madness: gothic transmedia and the Cthulhu mythos. In: Transgothic in literature and culture. Routledge Interdisciplinary Perspectives on Literature . Routledge, pp. 179-198. ISBN 9781138699106
Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2