Items where Subject is "P Mass Communications and Documentation > P300 Media studies"

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Number of items at this level: 383.

A

Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104. ISSN UNSPECIFIED

B

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976 , 0415772974

Barrow, Sarah (2008) Drifters. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049

Barrow, Sarah (2008) Listen to Britain. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150

Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.

Barrow, Sarah (2008) Pressure. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303

Barrow, Sarah (2008) Ratcatcher. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743

Barrow, Sarah (2008) The lodger. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Barrow, Sarah (2008) The third man. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Bell, Erin (2011) Television and memory: history programming and contemporary identities. Image [&] Narrative, 12 (2). ISSN UNSPECIFIED

Bingham, Adrian and Mullen, Megan and Ward, Stephen J. A. and Winston, Brian (2009) Messages: free expression, media and the west from Gutenberg to Google. Media History, 15 (1). pp. 103-119. ISSN 1368-8804

Boothroyd, Dave (2007) Cinematic heroin and narcotic modernity. In: Symbolism: an international annual of critical aesthetics. AMS Press Inc., New York, pp. 7-28. ISBN 9780404635671

Boothroyd, Dave (2000) Deconstruction and drugs: a philosophical/literary cocktail. In: Deconstructions: a user's guide. Palgrave Macmillan, Basingstoke, pp. 44-63. ISBN 9780333717615

Boothroyd, Dave (2013) Ethical subjects in contemporary culture. Edinburgh University Press, Edinburgh University Press. ISBN 9780748640096

Boothroyd, Dave (2011) Pharmacology. Living Books About Life . Open Humanities Press. ISBN 9781607852704

Boothroyd, Dave (1988) Responding to Levinas. In: The provocation of Levinas: rethinking the other. Warwick Studies in Philosophy and Literature . Routledge, pp. 15-31. ISBN 9780415008266, 0415008263

Boothroyd, Dave (1998) Sexual politics and sexual difference: Luce Irigaray. In: Politics of Sexuality: Identity, Gender, Citizenship. Routledge/ECPR Studies in European Political Science . Taylor & Francis Ltd, pp. 135-146. ISBN 9780415169530

Boothroyd, Dave (2005) To be 'hospitable to madness': Derrida and Foucault chez Freud. Journal for Cultural Research, 9 (1). pp. 3-21. ISSN 1479-7585

Boothroyd, Dave (2009) Touch, time and technics: Levinas and the ethics of haptic communications. Theory, Culture and Society, 26 (2-3). pp. 330-345. ISSN 0263-2764

Boothroyd, Dave (2009) The ends of censorship. Eurozine . ISSN 1684-4637

Boothroyd, Dave (2001) The touch of the other on the threshold of sex. In: Sensual reading. Bucknell University Press, pp. 39-56. ISBN 9780838754719

Burgin, Victor and Bann, Stephen and Lent, Michael and Johnson, Lewis (2013) Mobility and fantasy in visual culture. Routledge Advances in Art and Visual Studies . Routledge. ISBN 9780415821292

C

Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293

Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202

Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678

Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440

Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489

Chapman, Jane (2009) Hegemony and counter hegemony in communication history [Guest editorial of special issue on]. International Journal of Communication, 19 (1). pp. 5-8. ISSN UNSPECIFIED

Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.

Chapman, Jane (2006) Reflections on 15 years of activist media and India’s Narmada Dams controversy. International Journal of Communication, 16 (1-2). pp. 21-39. ISSN UNSPECIFIED

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane (1988) Women working it out [1st ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 08611046681989

Chapman, Jane (1990) Women working it out [2nd ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 0861105524

Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Peter Lang. ISBN UNSPECIFIED (In Press)

Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235

Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544

Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39. ISSN UNSPECIFIED

Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424

Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128

Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081

Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597

Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105

Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105

Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550

Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127

Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522

Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University. (Unpublished)

Charlesworth, Diane (2011) Journeying with Jamie Oliver: masculinity, social entrepreneurialism and the politics of C4. In: Gender Politics and Reality Television Conference, 25th-27th August 2011, University College, Dublin. (Unpublished)

Coley, Rob (2014) Digital memory and the archive (Wolfgang Ernst). [Review]

Coley, Rob (2011) ‘I don’t believe you...you’re a liar’: the fabulatory function of Bob Dylan. In: Refractions of Bob Dylan: Cultural Appropriations of an American Icon, 19-21 May, 2011, University of Vienna. (Unpublished)

Coley, Rob (2013) Minutes of the Society for Ontofabulatory Research: report from the Committee for Aeronautical Psychogeography. In: Radical Space, 18-20 October, 2013, Centre for Cutural Studies Research, University of East London.

Coley, Rob (2014) Visuality and the vector: mapping and hijacking drone culture. In: Autonomy and Automation: Robotics, AI and the Digital Cultural Future, 8th March, 2014, Pervasive Media Studio, Digital Cultures Research Centre, University of the West of England. (Unpublished)

Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.

Coley, Rob (2014) The horrors of visuality. Photomediations Machine . ISSN UNSPECIFIED

Coley, Rob and Kearns, Janice and OMeara, Adam (2014) The ins and outs of imaging: community filmmaking beyond representation. In: Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy, 22-23 January, 2014, BFI Southbank.

Coley, Rob and Lockwood, Dean (2010) Cloud games: reinventing invention-power. In: The Experimental Society, 7-9 July, 2010, Lancaster University. (Unpublished)

Coley, Rob and Lockwood, Dean (2012) Cloud time. In: The Colloquium for Unpopular Culture, 22 October, 2012, New York University. (Unpublished)

Coley, Rob and Lockwood, Dean (2013) Cloud time and the ethics of mediation. In: Philosophy of Education Seminar on The Ethics of Information Technology, 23 January, 2013, Liverpool Hope University. (Unpublished)

Coley, Rob and Lockwood, Dean (2012) Cloud time: the inception of the future. Zero Books. ISBN 1780990952 , 9781780990958

Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.

Coley, Rob and Lockwood, Dean (2014) Paraphotographic belief, or, critical horror. In: Helsinki Photomedia: Photographic Powers, 26-28 March 2014, Aalto University, School of Arts, Design and Architecture, Helsinki. (Unpublished)

Coley, Rob and Lockwood, Dean (2014) Photography in a war universe: control answers. In: Beyond the Cut-Up: William S Burroughs and the Image, 15th February, 2014, The Photographer's Gallery, London. (Unpublished)

Coley, Rob and Lockwood, Dean and Micali, Alberto (2014) Fictive-friction: cyberpunk reprised. In: Friction: An interdisciplinary conference on technology and resistance, 8-9 May, 2014, University of Nottingham. (Unpublished)

Coley, Rob and Lockwood, Dean and OMeara, Adam (2014) As above, so below: triangulating drone culture. In: As Above, So Below: A Colloquium on Drone Culture, 24 May, 2014, University of Lincoln. (Unpublished)

Coley, Rob and Lockwood, Dean and OMeara, Adam (2013) Refraining photography for a post-media era. In: On the Verge of Photography: Imaging, Mobile Art, Humans & Computers, 24-25 May, 2013, Birmingham School of Art. (Unpublished)

Coley, Rob and Lockwood, Dean and OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine . ISSN UNSPECIFIED

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2014) Airminded. [Show/Exhibition]

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography . ISSN UNSPECIFIED

D

Downing, Mike (2011) Desense: a photographic project. [Show/Exhibition]

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

E

Elliott, Andrew (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television . ISSN 1749-6020

Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685

G

Glaser, Elaine and Jacobson, Howard and Winston, Brian (2004) Paranoia of prejudice? New Humanist, 119 (2). pp. 24-27. ISSN 0306-512X

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History . ISSN 0955-2359

Gray, Ann (2010) Contexts of production: commissioning history. In: Televising history, mediating the past in postwar Europe. Palgrave MacMillan, Basingstoke, Hampshire UK, pp. 59-76. ISBN 9780230222083

Gray, Ann and Bell, Erin (2010) 'Rough crossings' and 'Congo: white King, red rubber, black death': documentary, drama and radical otherness in history programming. Journal of British Cinema and Television, 7 (3). pp. 459-478. ISSN 1743-4521

Gray, Ann and Bell , Erin (2012) History on television. Routledge, London. ISBN 9780415580380, 9780415580397, 9780203074800

Gray, Ann (2003) Enterprising femininity: new modes of work and subjectivity. European Journal of Cultural Studies, 6 (4). pp. 489-506. ISSN 1367-5494

H

Holden, John and Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

Hudson, John (2010) Cyberculture to e-culture (sounds so late eighties early 90s)? Erm... towards e-topia? Part 1. Digital Imaging and Photography . ISSN UNSPECIFIED

K

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Keeble, R. L. (2010) New militarism, the media and the manufacture of warfare 1982-1991: the implications for peace journalism theory and practice. Global Media Journal: Mediterranean Edition, 5 (1/2). pp. 18-28. ISSN 1450-4154

Keeble, Richard (2011) Operation Moshtarak and the manufacture of credible, 'heroic' warfare. Global Media and Communication, 7 (3). pp. 187-191. ISSN 1742-7665

Keeble, Richard (2010) Peace journalism as political practice: a new, radical look at the theory. In: Peace journalism, war and conflict resolution. Peter Lang, New York, pp. 49-68. ISBN 9781433107269

Keeble, Richard (2011) Targeting Gaddafi: secret warfare and the media. In: Mirage in the desert? Reporting the "Arab Spring". Abramis Academic Publishing, Bury St Edmunds, pp. 281-296. ISBN 9781845495145

Keeble, Richard and Mair, John (2010) Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445

Keeble, Richard and Tulloch, John and Zollmann, Florian (2010) Peace journalism, war and conflict resolution. Peace journalism, war and conflict resolution . Peter Lang Publishers, New York, USA. ISBN 9781433107269

Keeble, Richard L. and Cohen-Almagor, Raphael (2010) Ethical Space: journal with a difference. Review of Communication, No 10 (No 3). pp. 228-235. ISSN 1535-8593

Keeble, Richard (2010) Hacks and spooks - close encounters of a strange kind: a critical history of the links between mainstream journalists and the intelligence services in the UK. In: The political economy of media and power. Peter Lang, New York, pp. 87-111. ISBN 9781433107740, 9781433107733

Keeble, Richard (2010) Operation Moshtarak and the manufacture of credible, “heroic” warfare. In: Afghanistan, war and the media: deadlines and frontlines. Abramis, Bury St Edmunds. ISBN 9781845494445

Kilborn, R. and Winston, Brian (2004) Staging the real: factual TV programming in the age of Big Brother. European Journal of Communication, 19 (3). pp. 414-416. ISSN 0267-3231

King, Elliot and Chapman, Jane L. (2012) Key readings in journalism. Routledge, New York London. ISBN 9780415880275

L

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

M

Mair, John and Keeble, Richard (2011) Mirage in the desert? Reporting the 'Arab Spring'. Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845495145

Mair, John and Tait, Richard and Keeble, Richard Lance (2014) Is the BBC in crisis? Abramis Academic Publishing, Bury St Edmunds. ISBN 9781845496210

Meyer-Dinkgräfe, Daniel (2006) Thoughts on dubbing practice in Germany: procedures, aesthetic implications and ways forward. Scope: an Online Journal of Film Studies (5). ISSN 1465-9166

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Moore, Alison (2011) Representations of laboratory animals in popular media forms. In: Humanities Research Seminar, 16th Feb 2011, University of Lincoln.

Morris, Nigel (2014) Essays on Nineteen Eighty-four (1954), 1984 (1956), Jurassic Park (1993), and The Lost World: Jurassic Park (1997). In: A critical companion to science fiction film adaptations. Science Fiction Texts and Studies . Liverpool University Press, Liverpool. ISBN UNSPECIFIED (In Press)

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal . ISSN UNSPECIFIED

Morris, Nigel (2001) Metropolis and the Modernist Gothic. In: Gothic modernisms. Palgrave, New York, pp. 188-206. ISBN 0333918738

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London. ISBN UNSPECIFIED (Submitted)

Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. Directors' cuts . Wallflower Press, London. ISBN 1904764886

O

Ogunyemi, Olatunji (2014) The impact of ethnocentric news values on the framing of Africa: a case study of African diasporic press in the United Kingdom. Ecquid Novi: African Journalism Studies, 35 (1). pp. 9-24. ISSN 0256-0054

P

Proto, Francesco (2006) The machine and the aesthetics. In: Mass identity architecture: architecture writings of Jean Baudrillard. Wiley Classics . Wiley, Chichester, pp. 1-19. ISBN 9780470090190

Proto, Francesco (2009) That old thing called flexibility: an interview with Robert Venturi and Denise Scott Brown. Architectural Design, 79 (1). pp. 70-75. ISSN 1554-2769

R

Richards, Anthony (2013) Of excrementality: ecanomie, signification and autoimmunity. Canadian Journal of Communication, 38 (4). ISSN 0705-3657

Richards, Anthony (2008) The différance engine: videogames as deconstructive spacetime. In: Cyberculture and New Media. Rodopi, pp. 197-219. ISBN 9789042025189

Richards, Anthony and Lockwood, Dean (2008) Presence-play: the hauntology of the computer game. In: Computer games as a sociocultural phenomenon: games without frontiers, war without tears. Palgrave McMillan, London, pp. 175-186. ISBN 9780230545441

Richards, Anthony (2012) Derrida and social networks: autoimmunity, ecanomie & general hospitality. In: Derrida Today 2012, July 11-13th 2012, University of California: Irvine.

Richards, Anthony (2011) Ecanomie, signification, autoimmunity: social networks and the emergence of the excessive world picture. In: Cultural Studies & the Popular, July 1-2, 2011, American University in Paris.

Richards, Anthony (2011) Embalmed/unembalmed: territorial aporias within the performative field of tele-presence. International Journal of Performance Arts and Digital Media, 7 (1). pp. 77-95. ISSN 1479-4713

Richards, Anthony (2009) Embalmed|Unembalmed: the problems of the lived event within media studies 2.0. In: Ends of Television, Logics/Perspectives/Entanglements, 29 June - 1 July 2009, University of Amsterdam.

Richards, Anthony (2010) Immediation: toward the selfless other. In: Zoontotechnics (Animality / Technicity), May 12-14th 2010, University of Cardiff.

Richards, Anthony (2010) Immediation|toward the selfless other? In: The Emergence of the Post-human Subject, 2 - 3 July 2010, University of Surrey.

S

Smejkalova, Jirina (2013) Angels without a paradise. Slavonica, n/a . n/a. ISSN 1361-7427

T

Thayne, Martyn (2010) Networked economics of user generated contents. In: Access All Areas Symposium, May 2010 , Watershed Media Centre, Bristol. (Unpublished)

Thayne, Martyn (2014) Object/process: towards an ontological levelling within media theory. In: 'Media and the Margins' - The Annual MeCCSA Conference, 8-10th January 2014, The Media School, Bournemouth University.

Tulloch, John (2012) Gordon Burn: journalism as a novel, the novel as journalism. In: Global Literary Journalism. : Mass Communication & Journalism (10). Peter Lang, New York, pp. 39-56. ISBN 1433118661, 9781433118661

Tulloch, John (2012) Kicking the canon in the breeches: an appreciation of Professor Nancy Roberts’s keynote address, “Firing the Canon”. Literary Journalism Studies, 4 (2). pp. 95-99. ISSN 1944-897X

Tulloch, John (2012) Literary authors, parliamentary doing time in the gallery: the aesthetics of accuracy and the status of parliamentary journalism revealed in the reporting careers of four great English writers [review essay]. Ethical Space: the International Journal of Communication Ethics, 9 (4). ISSN 1742- 0105

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

Tulloch, John (2012) The return of the 'Conchie': newspaper representations of conscientious objectors and pacifists in World War II. In: Representations of peace and conflict. Rethinking Political Violence . Palgrave Macmillan, pp. 45-66. ISBN 9780230298668

Tulloch, John and Chapman, Jane (2010) An outlaw editor in the endgame of the Indian Empire: F. W. Wilson's radicalisation of The Pioneer, 1928-29. In: Journalism and Media History Conference, 15 September 2010, University of Sheffield.

Tulloch, John and Chapman, Jane (2013) An outlaw editor in the endgame of the Indian empire. Media History, 19 (1). pp. 17-31. ISSN 1368-8804

Tulloch, John and Sparks, Colin (2000) Tabloid tales: global debates over media standards. Critical Media Studies: Institutions, Politics, and Culture . Rowman and Littlefield. ISBN 9780230298668, 0847695727

Tulloch, John (2012) The perils of sociability: Dickens, Victorian journalism and the detective police. In: Charles Dickens and the mid-Victorian press. University of Buckingham Press, Buckingham, pp. 107-122. ISBN 9781908684202

Twigg, Christopher (2010) Monumental language. [Show/Exhibition]

U

Uricchio, William and Winston, Brian (1986) The anniversary stakes: high definition television in the 1930s. Sight and Sound, 55 (Autumn). pp. 231-232. ISSN 0037-4806

V

Vickers, Richard (2011) 24-hours.in Tampere: participation and the democratisation of documentary? In: European Academy of Digital Media - Academic Network Conference, 10 Nov 2011, University of Graz, Graz, Austria.

Vickers, Richard (2012) Convergence media, participation culture and the digital vernacular: towards the democratization of documentary. In: International Conference on Communication, Media, Technology & Design, 9-11 May 2012, Istanbul, Turkey.

Vickers, Richard (2007) Horror vacui [Featured Artist]. Drain: Journal of Contemporary Art and Culture . ISSN UNSPECIFIED

Vickers, Richard (2013) Mobile media, participation culture and the digital vernacular: 24-hours.in and the democratization of documentary. Ubiquity: The Journal of Pervasive Media, 2 (1-2). pp. 132-145. ISSN 2045-6271

Vickers, Richard (2006) Never mind the platform – produce the design document: establishing best practice for new media project development. In: TTA EUROPRIX & VocINet Book of Innovation in Multimedia. EUROPRIX Top Talent Office, Center for New Media, Salzburg, Austria, pp. 142-148. ISBN 3933269997

Vickers, Richard (2010) Photography 3.0: emergence - the post-postphotographic era? In: 7th International Symposium of Interactive Media Design, 26-27 April 2010, Yeditepe University, Istanbul, Turkey.

Vickers, Richard (2014) Smart devices, participation culture and democritisation of documentary. In: Digital media: shifting landscapes embracing change enhancing learning innovating the future. Springer. ISBN UNSPECIFIED (In Press)

Vickers, Richard (2010) Teaching and learning with the digital natives. In: European Academy of Digital Media Academic Network Conference, 11 Nov 2010, FH Joanneum University of Applied Sciences, Graz, Austria.

Vickers, Richard (2007) The future in my pocket - the mobile paradigm: the social impact and artistic utilisation of the cameraphone and smart mobile device. In: 5th International Symposium of Interactive Media Design, 28-30 April 2007, Yeditepe University, Istanbul, Turkey.

Vickers, Richard (2007) The mobile paradigm. In: Europrix - European Academy of Digital Media Academic Network Conference, 22-23 Nov 2007, FH Joanneum University of Applied Sciences, Graz, Austria.

Vickers, Richard and Cooper, Graham and Field, James and Thayne, Martyn (2014) The educator’s new clothes: towards a collaborative and open vision for education in the 21st century. In: Proceedings of ThinkTwice2 Istanbul 2014. Istanbul Commerce University, Istanbul, Turkey. ISBN UNSPECIFIED (In Press)

Vickers, Richard and Field, James (2012) 24-hours.in. [Show/Exhibition]

Vickers, Richard and Field, James (2012) 24-hours.in. [Show/Exhibition]

Vickers, Richard and Field, James (2012) 24-hours.in. [Show/Exhibition]

Vickers, Richard and Field, James and Cooper, Graham and Thayne, Martyn and McCarthy, Clive and Verity, Adam (2014) co_LAB - Project 1. [Video]

Vickers, Richard and Field, James and Cooper, Graham and Thayne, Martyn and Melakoski, Cai (2014) Media Culture 2020 - Liepāja, Latvia. [Video]

Vickers, Richard and Field, James and Cooper, Graham and Thayne, Martyn and Melakoski, Cai (2013) Media Culture 2020 - Tampere, Finland. [Video]

Vickers, Richard and Melakoski, Cai (2014) Media culture 2020: exploring opportunities for collaborative teaching and learning using social media and cloud-based technologies. In: The International Conference on Communication, Media, Technology and Design, 24-26 April 2014, Istanbul, Turkey.

Vickers, Richard (2011) 24-hours.in Tampere – an interactive documentary. In: Academic MindTrek Conference: Envisioning Future Media Environments, 28-30 Sept 2011, Tampere, Finland.

Vickers, Richard and Field, James (2011) 24-hours.in. [Artefact]

Vickers, Richard and Field, James (2011) 24-hours.in Tampere - an interactive documentary. [Show/Exhibition]

Voase, Richard (2008) From expression to instrument: the success of an arts festival as a narration of cultural change. In: Art, Culture and the Public Sphere, Joint Conference of the ESA Research Networks for the Sociology of Culture and the Sociology of the arts, 4-8 November 2008, IUAV University Venice.

Voase, Richard (2004) New wine into old wineskins: cultural regeneration as symbolic economy. In: The Art of Comparison, 6th meeting of the ESA (European Sociological Association) Research Network for the Sociology of the Arts, 3-5 November 2004, Erasmus University of Rotterdam.

W

Wilson, Deborah (2008) Paying the piper: funding broadcast news. In: Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544

Winston, Brian (1998) 8 v 10: The British press and the European Court of Human Rights. In: Inaugural Conference, Association for Journalism Education, May 1998, City University, London, UK.

Winston, Brian (2007) Above all liberties. Rationalist Association/New Humanist . ISSN 0306-512X

Winston, Brian (1995) After Grierson. DOX, Summer . ISSN 0929-7529

Winston, Brian (2013) Afterword: what must we change now? In: The documentary film book. British Film Institute/Palgrave Macmillan, London, p. 383. ISBN 9781844573424 (hbk.), 9781844573417 (pbk.)

Winston, Brian (2007) Anyone watching? Rationalist Association/New Humanist . ISSN 0306-512X

Winston, Brian (1988) Before Grierson, before Flaherty: the documentary film in 1914. Sight and Sound, 57 (Autumn). pp. 277-279. ISSN 0037-4806

Winston, Brian (2009) ‘Bhí Fhios Againn Gur Sórt ‘bullshit’ A Bhí Ann’ - 'We knew it was bullshit': Flaherty reconsidered. In: Visible Evidence XVI, 13-17 August 2009, School of Cinematic Arts, University of Southern California, Los Angeles, California, USA.

Winston, Brian (1979) Broken Sonys. In: Film In Higher Education, British Film Institute, 1979, June, London, UK.

Winston, Brian (1990) Brunelleschi icin bir ayna. Adam Sanat, 59 (Summer). pp. 43-55. ISSN 1300-154X

Winston, Brian (1993) The CBS Evening News, April 7, 1949: creating an ineffable television form. In: Getting the message: News, truth and power. Communication and Society . Routledge, London, pp. 181-209. ISBN 0415079837

Winston, Brian (1973) The CMX 600 and The USS Wapanoag. In: 5th Broadcasting Symposium, 1973 March, Manchester University, Manchester, UK.

Winston, Brian (1995) Claiming the real: the Griersonian documentary and its legitimations. British Film Institute, London. ISBN 0851704638, 0851704646

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 1. World Cinema / 世界电影, 2 . pp. 170-186. ISSN 1002-9966

Winston, Brian (2000) Crossing boundaries. In: Visible Evidence VIII, 17-20 August 2000, Utrecht University, Utrecht, The Netherlands.

Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521

Winston, Brian (2008) Dangerous curbs on free speech. The Guardian . ISSN UNSPECIFIED

Winston, Brian (1973) Dangling conversations: the image of the media. Dangling Conversations, 1 . Davis-Poynter, London. ISBN 0706701194

Winston, Brian (1997) Die Digitalisierung und das Dokumentarische. In: Trau - Schau - Wem: Digitalisierung und dokmentarische Form. Close Up: Schriften aus dem Haus des Dokumentarfilms (9). UVK Medien, Konstanz, pp. 47-58. ISBN 3896692232, 9783896692238

Winston, Brian (1998) Digital obsession. Creation . ISSN 1367-2576

Winston, Brian (1992) Direct cinema: the third decade. In: New challenges for documentary. University of California Press, Berkeley. ISBN 0520057252

Winston, Brian (1980) Disingenuousness and television news reports. Television Quarterly: The Journal of the National Academy of Television Arts and Sciences, 17 (1). ISSN 0040-2796

Winston, Brian (2011) 'Do stand back now, give me a chance': Acting the everyday in the Griersonian documentary. In: Documentary Now!, 28-30 January 2011 , University of Westminster, London.

Winston, Brian (2010) Do stand back now, give me a chance: the place of the thespic in the realist documentary. In: Acting with facts: performing the real on stage and screen 1990-2010, 1-3 September 2010, University of Reading.

Winston, Brian (2011) Documental: me parece que tenemos problemas. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 96-112. ISBN 9789896540623

Winston, Brian (2006) Documentary and history on film. History Today, 56 (1). pp. 29-33. ISSN 0018-2753

Winston, Brian (2014) Documentary vs. newsreels: another fine mess you've got us into Mr Grierson. In: The concept of news: Scandinavian and global perspectives, 20-21 May 2014, Danish Film Institute, Copenhagen. (Unpublished)

Winston, Brian (1988) Documentary: I think we are in trouble. In: New challenges for documentary. University of California Press, Berkeley, pp. 21-33. ISBN 0520057252 (hbk.), 0520057244 (pbk.)

Winston, Brian (1999) Documentary: how the myth was deconstructed. Wide Angle, 21 (2). pp. 71-86. ISSN 0160-6840

Winston, Brian (2011) Documentário: penso que estamos em apuros. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 41-57. ISBN 9789896540623

Winston, Brian (2001) Ein Sturm von Paradies:Technologische Innovation, Verbreitung und unterdrüking/ Die Informationsrevolution als Hyperbel. In: Mediale Historiographien. Universitätsverlag Weimar, Weimar. ISBN 3860681583

Winston, Brian (2011) El protagonismo de las víctimas en la tradició documental griersoniana. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 113-137. ISBN 9789896540623

Winston, Brian (2005) Emancipation, the media and modernity: some reflections on Garnham's Kantian turn. Media, Culture & Society, 27 (4). pp. 495-509. ISSN 0163-4437

Winston, Brian (2009) English roots of the free press. In: The encyclopaedia of journalism. Sage, Los Angeles. ISBN 0761929576

Winston, Brian (1983) Escapist realism. In: Fast forward: the new television and American society. Andrews & McMeel, Kansas City. ISBN 0836262085

Winston, Brian (2000) Filming the future. In: Creating Sparks, 6-30 September 2000, South Kensington, London.

Winston, Brian (1999) Fires were started. BFI Film Classics . BFI, London. ISBN 0851707734

Winston, Brian (2012) Foreword: Artists’ video is blessed and cursed by its technology. In: Rewind: British artists' video in the 1970s & 1980s. John Libbey, London. ISBN 9780861967063

Winston, Brian (1997) Fractal dreams: new media in social context (ed. Jon Dovey). [Review]

Winston, Brian (2008) Freedom of communication. In: The Blackwell international encyclopaedia of communication. Blackwell. ISBN 9781405131995

Winston, Brian (1984) From hero to victim: working people in documentary. In: Society of Cinema Studies, 1984 March, University of Wisconsin, Madison, USA.

Winston, Brian (1981) Future developments in telecommunications, The wired society, Communication satellite systems [by] James Martin. [Review]

Winston, Brian (1987) Great artist or fly on the wall. In: Visual exploration of the world: selected papers from the International Conference on Visual Communication. Forum . Rader Verlag, Aachen. ISBN 3922868797

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Winston, Brian (2014) The Griersonian tradition postwar: decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521

Winston, Brian (1989) HDTV in Hollywood: lights, camera, inaction. Gannett Center Journal, 3 (3). pp. 123-137. ISSN UNSPECIFIED

Winston, Brian (1993) HTDV in Hollywood: lights, camera, inaction. In: Demystifying media technology. Freedom Forum Readers . Mayfield, Mountain View, California. ISBN 1559341459

Winston, Brian (2011) Hacia un documental post-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 138-152. ISBN 9789896540623

Winston, Brian (1998) Honest, straightforward re-enactment. In: Joris Ivens & the documentary context. Film Culture in Transition . Amsterdam University, Amsterdam. ISBN 9789053564257, 9789053563892

Winston, Brian (1990) How are media born and developed? In: Questioning the media: a critical introduction. Sage, Newbury Park, California. ISBN 0803936427

Winston, Brian (1995) How are media born and developed? In: Questioning the media: a critical introduction [2nd ed.]. Sage Publications, Thousand Oaks, CA, pp. 54-74. ISBN 0803971966, 0803971974

Winston, Brian (1977) How visual is television news? Journalism Studies Review, 1 (2). ISSN UNSPECIFIED

Winston, Brian (1993) I am not a document, I'm a person. DOX, Winter . ISSN 0929-7529

Winston, Brian (1978) I think we are in trouble. In: Edinburgh Television Festival, 1978, August, Edinburgh, UK.

Winston, Brian (2010) 'IMHO'. International Journal of Communications, 10 (4). ISSN 1932-8036

Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X

Winston, Brian (1975) Intervention. L'Attualità In TV/ News and Current Events on TV, XXVII . ISSN UNSPECIFIED

Winston, Brian (1975) Intervention. In: News and Current Events on TV, XXVII Prix Italia, 1975, September, Florence, Italy.

Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC . ISSN UNSPECIFIED

Winston, Brian (2013) Introduction: the documentary film. In: The documentary film book. British Film Institute / Palgrave Macmillan, London, p. 1. ISBN 9781844573417 (pbk.), 9781844573424 (hbk.)

Winston, Brian (2004) Is "British cinema" a zebra? Journal of British Cinema and Television, 1 (1). pp. 14-20. ISSN 1743-4521

Winston, Brian (1996) Jean Rouch. In: Oxford History of the Cinema. Oxford University Press, Oxford. ISBN 0198112572

Winston, Brian (2007) Jo Durden-Smith. The Independent . p. 37. ISSN 0951-9467

Winston, Brian (2001) John Grierson and the ethnographic film. In: Origins of Ethnographic Film , 21-25 June 2001, Göttingen: Institut für den Wissenschaftlichen Film.

Winston, Brian (2000) John Grierson: Life, contributions, influence. [Review]

Winston, Brian (2002) Journalism and mass communication research: building Transatlantic bridges. In: ASJMC International Conference, January 2002 , London, UK.

Winston, Brian (1996) Keynote - Documentary now. In: In Reality: The First New Zealand International Documentary Conference, September 1996, University of Auckland, New Zealand.

Winston, Brian (2012) Keynote - Documentary now. In: 9th Beijing Independent Film Festival, 18-26 August 2012, Beijing, China.

Winston, Brian (2012) Keynote - Ethics of participation: what must we film now? In: iDOCS 2012, 22-23 March 2012, Watershed Media Centre, Bristol.

Winston, Brian (2012) Keynote - George gave me the camera, of course: remembering Stoney. In: Visible Evidence XIX, 19-21 December 2012, Australian National University, Canberra, Australia.

Winston, Brian (2007) Keynote - InnovAction 2007. In: InnovAction 2007, 15-18 February 2007, University of Udine, Italy.

Winston, Brian (2011) Keynote - Kol- ha'adam ko-zev: All Documentary Filmmakers - men and women - misrepresent. In: Jerusalem Film Festival, 7-16 July 2011 , Jerusalem, Israel.

Winston, Brian (2008) Keynote - Media Futures Conference. In: Media Futures Conference 2008, 20 June 2008, Alexandra Palace, London.

Winston, Brian (2013) Keynote - On Kant’s old saw – theory won’t work in practice. In: Poetics and Politics of Documentary Film. Research Symposium, 22-24 April 2013, ELO, Helsinki Film School, Finland.

Winston, Brian (2003) Keynote - Outside the frame: Australian International Documentary Festival 2003. In: Australian International Documentary Conference (AIDC), 17-20 February 2003, Byron Bay, New South Wales, Australia.

Winston, Brian (2013) Keynote - Surveillance in the service of narrative. In: Documentary Now, 19-20 June 2013, UCL, London.

Winston, Brian (2002) Keynote - Taiwan International Documentary Festival. In: Taiwan International Documentary Festival, 6-15 December 2002, Taipei, Taiwan.

Winston, Brian (2003) Keynote - The great divide: between theory and practice. In: The Great Divide: between theory and practice, 21 March 2003, Centre for International Media Analysis, University of Luton.

Winston, Brian (2010) Keynote - The more it changes, the more it stays the same. Sponsored film and documentary. In: Symposium on the Sponsored Film: From Celluloid to Magnetic Tape to Bits and Bytes 2, 2 December 2010, The Netherlands Institute for Sound and Vision, Amsterdam, Netherlands.

Winston, Brian (1998) Keynote - The nine day's wonder. In: "The Story of the Century!" II, An International Newsfilm Conference, 16-18 September 1998, National Film Theatre, South Bank, London, UK.

Winston, Brian (2012) Keynote - What must we film now? In: Documentary Now 2012, 20-21 June 2012, UCL, London.

Winston, Brian (2001) Keynote - documentary technology versus documentary style. In: Grantees meeting (Stimuleringsfonds), March 2001, Amsterdam.

Winston, Brian (2007) Keynote - ‘If it bleeds it leads....': Modes of inquiry in a world of sensation. In: Minding the Gap: Reflections on Media Practice & Theory, 12 May 2007, Reuters Institute & ISCA, University of Oxford.

Winston, Brian (2009) Leni Riefenstahl: a life. [Review]

Winston, Brian (2007) Let them eat laptops: the limits of technicism. International Journal of Communication, 1 . pp. 170-176. ISSN 1932-8036

Winston, Brian (2000) Lies, damn lies and documentaries. BFI, London. ISBN 9780851707976

Winston, Brian (2013) Life as narrativised. In: The documentary film book. British Film Institute/Palgrave Macmillan, London, pp. 89-97. ISBN 9781844573424 (hbk.), 9781844573417 (pbk.)

Winston, Brian (2000) Making connections: the ECHR, the ITC and the documentary. In: From Grierson to the docusoap: breaking the boundaries. University of Luton, Luton. ISBN 9781860205774

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Winston, Brian (1992) Mapping hegemony: television news coverage of industrial conflict by Robert Goldman and Arvind Rajagopal. [Review]

Winston, Brian (1989) Marshall McLuhan. In: International encyclopaedia of communications. Oxford University Press, New York. ISBN UNSPECIFIED

Winston, Brian (1997) Measuring news media bias. In: Representing the ROM, 1997 October, Intercultural Institute of Timisoara, Romania.

Winston, Brian (2002) Media technology. In: Access denied. Pergamon, Amsterdam. ISBN UNSPECIFIED

Winston, Brian (1998) Media technology and society: a history: from the telegraph to the internet. Routledge, London. ISBN 0415142296

Winston, Brian (1998) Media technology and society: who's driving? In: Media '98, April 1998 , Institute of Education, University of London, UK.

Winston, Brian (2005) Messages: free expression, media and the west from Gutenberg to Google. Routledge, London. ISBN 9780415364577, 9786610290253

Winston, Brian (1986) Misunderstanding media. Routledge and Kegan Paul, London. ISBN 0710200021

Winston, Brian (2000) Necessities and constraints: a pattern of technological change. In: Film and theory: an anthology. Blackwell, Oxford, pp. 102-110. ISBN 0631206256, 0631206264

Winston, Brian (1993) New technology: no fear. In: The television book 1993. Edinburgh International Television Festival, London, pp. 60-61. ISBN 0952181002

Winston, Brian (1994) New vocabularies in film semiotics: structuralism, post-structuralism and beyond. [Review]

Winston, Brian (1992) No rapido change. Sight and Sound, 2 (1). p. 7. ISSN 0037-4806

Winston, Brian (1998) Not a lot of laughs: documentary as a popular form. In: Dissident voices, moving lives: television culture and political change. Pluto Press, London. ISBN UNSPECIFIED

Winston, Brian (1993) Observable failures. In: The Television Book 1994. 19th Edinburgh International Television Festival, Edinburgh. ISBN 0952181002

Winston, Brian (1985) On Marshall McLuhan's television picture. Sight and Sound, 54 (Autumn). pp. 258-263. ISSN 0037-4806

Winston, Brian (1983) On counting the wrong things. In: Labour, the working class and the media. Critical Communications Review, 1 . Ablex. ISBN 0893911224

Winston, Brian (1990) On counting the wrong things. In: The media reader. BFI, London. ISBN 0851702589

Winston, Brian (2011) Para um documentário pós-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 82-95. ISBN 9789896540623

Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). [Review]

Winston, Brian (2000) Paying the piper. In: Kulturfilm Conference, December 2000, Haus des Dokumentarfilms, Stuttgart, Germany.

Winston, Brian (2003) Paying the piper: the realist film in the service of the British state. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms . UVK Medien, Konstanz, Germany, pp. 144-154. ISBN 3896693824

Winston, Brian (2014) Peirce's better triad. In: A critique of judgement in film and television. Palgrave, London. ISBN 9781137014177 (In Press)

Winston, Brian (2003) Popular docudrama: evidence of what? - Panelist. In: Visible Evidence XI, 16-19 December 2003, Watershed Media Centre, Bristol, UK.

Winston, Brian (2012) Progress of shadows. In: Screen – Memory – History The XVIth Biennial Conference of the Film & History Association of Australia & New Zealand, 2-5 December 2012, Victoria University, Melbourne, Australia.

Winston, Brian (2009) Public issue television: World in Action 1963-98. [Review]

Winston, Brian (2000) Public lies in a free society. In: The Norwegian Media Festival, June 2000, University of Bergen, Bergen, Norway.

Winston, Brian (1994) Public service broadcasting. In: Behind the screen: structure of British television in the nineties. Lawrence and Wishart, London. ISBN 085315774X

Winston, Brian (1992) Re-regulating the USA. Television: The Journal of the Royal Television Society . ISSN 0308-454X

Winston, Brian (2008) Red planet guide. History Today, 58 (12). p. 75. ISSN 0018-2753

Winston, Brian (1990) Rejecting the Jehovah's Witness gambit. Intermedia, Oct/No . ISSN 0309-118X

Winston, Brian (2003) Reporting diversity: curriculum framework. Media Diversity Institute & Samizdat, London & Belgrade. ISBN 8679631728

Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004

Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467

Winston, Brian (2011) Richard Leacock: bearing witness. Sight and Sound, 21 (6). pp. 42-43. ISSN 0037-4806

Winston, Brian (1990) Roger and me and Francois Arago. In: Ohio University Film Conference, 1990 November, Athens, Ohio, USA.

Winston, Brian (1982) Rotten core. In: Programme No. 7, The Edinburgh International Television Festival, August 1982, Edinburgh.

Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599

Winston, Brian (2001) 'Smell the tulips': the internet, neo-liberalism and millenarian hype. In: Access denied in the information age. Palgrave Macmillan, London, pp. 161-178. ISBN 0333920198, 9780333920190

Winston, Brian (2014) Surveillance in the service of narrative. In: Blackwell companion to documentary. Blackwell, Oxford and Boston. ISBN UNSPECIFIED (In Press)

Winston, Brian (1986) Survival of national networks in an age of abundance. Intermedia, 4 (6) (30). ISSN 0309-118X

Winston, Brian (2003) Technical history of television. In: The television history book. Television, Media & Cultural Studies . BFI, London. ISBN 0851709885

Winston, Brian (1996) Technologies of seeing: photography, cinematography and television. BFI, London. ISBN 0851706010 (hbk.), 0851706029 (pbk.)

Winston, Brian (1987) Television and history [summary paper]. In: National Humanities Centre, 1987 March, University of North Carolina at Chapel Hill, USA.

Winston, Brian (1984) Television at a glance. [Review]

Winston, Brian (1998) Theatrical and television documentary: the sound of one hand clapping. In: Cinema futures: Cain, Abel or cable: the screen arts in the digital age. Film Cultures in Transition . University of Amsterdam, Amsterdam. ISBN 9053562826

Winston, Brian (2012) Theory for practice - ceci n'est pas l'épistémologie. In: Critical cinema: beyond the theory of practice. Wallflower/Columbia University Press, London, pp. 191-200. ISBN 9781906660376 , 9781906660369

Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421

Winston, Brian (1999) These isles are alive with the buzz of digits. Vertigo, 1 (9 ). ISSN 0968-7904

Winston, Brian (1982) This fits this way: structure in Wiseman's documentaries. In: Society of Cinema Studies, 1982 July, University of Southern California (with Roberta Pearson), Los Angeles, USA.

Winston, Brian (2014) To play a role that was in fact his [her] own. In: The Grierson effect: the worldwide Influence of John Grierson on the development of educational and documentary cinema. British Film Institute / Palgrave, London. ISBN UNSPECIFIED (In Press)

Winston, Brian (1997) Tony Garnett. In: Encyclopaedia of Television. Fitzroy Dearborn, Chicago. ISBN 1884964265

Winston, Brian (2000) Triumph of the will. In: Behind the screen: history at the movies. Sutton Publishing, London. ISBN 9780750923316

Winston, Brian (1997) Triumph of the will. History Today, 47 (1). pp. 24-28. ISSN 0018-2753

Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X

Winston, Brian (1995) Tyrell's owl: the limits of the technological imagination in an epoch of hyperbolic discourse. In: Theorizing culture: critique. An Interdisciplinary Critique After Postmodernism . University College London Press, London. ISBN 1857283287

Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X

Winston, Brian (1981) Was Hitler there? Reconsidering 'Triumph of the will'. Sight and Sound (Spring). pp. 102-107. ISSN UNSPECIFIED

Winston, Brian (2003) What digital revolution? New Humanist, 118 (3). pp. 28-29. ISSN 0306-512X

Winston, Brian (1989) What information revolution? In: Perspectives on culture and society. The Provost's Lecture Series . Ball State University, Muncie. ISBN 093799412X

Winston, Brian (2014) What is documentary? In: Open City Docs: History of Documentary Weekend, 1-2 February 2014, University College London.

Winston, Brian (1993) What the BBC should know about PBS. Television: The Journal of the Royal Television Society . ISSN 0308-454X

Winston, Brian (1984) What took so long? Re-examining the technical history of television. Intermedia, Autumn . ISSN 0309-118X

Winston, Brian (2003) Why picture messaging won't take off. In: Media studies: the essential resource. Essentials . Routledge. ISBN 0415291739

Winston, Brian (1999) Witchhunt. DOX (23). ISSN UNSPECIFIED

Winston, Brian (1998) Z for zoetrope. Sight & Sound, 8 (7). pp. 28-30. ISSN 0037-4806

Winston, Brian (2011) An apocalyptic pony: has the time for a bilderverbot come? In: 5th Nomadikon Meeting: Image = Gesture, 9-12 November 2011, Bergen, Norway.

Winston, Brian (2003) The art of evil. New Humanist, 118 (4). pp. 28-29. ISSN 0306-512X

Winston, Brian (2012) A boatload of wild Irishmen: Robert Flaherty [introduction to screening of the film and question and answer session afterwards]. In: Screening at Queens University Belfast, 19 November 2012, Queens University, Belfast.

Winston, Brian (2011) A boatload of wild Irishmen: the cinema of Robert Flaherty [Matrix East Research Lab (MERL) Annual Lecture]. In: Matrix East Research Lab (MERL) Annual Lecture, 19 May 2011 , University of East London.

Winston, Brian (1998) The camera never lies: the partiality of photographic evidence. In: Image based research: a sourcebook for qualitative researchers. Falmer. ISBN 9780750707060

Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208

Winston, Brian (2013) A conflict of laws. In: 4th Summer School in Cinema, Human Rights and Advocacy, 27th June - 6th July 2013, Huston School of Film & Digital Media at NUI Galway, Ireland.

Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210

Winston, Brian (1993) The documentary film as scientific inscription. In: Theorizing documentary. AFI Film Readers . Routledge/American Film Institute, New York, pp. 37-57. ISBN 0415903815, 0415903823

Winston, Brian (1973) The end of the book. In: Education without schools. Souvenir, London. ISBN 0285647210

Winston, Brian (2010) The essay film and authorship. In: Visible Evidence XVII, 9 -12 August 2010, Bogazi University, Istanbul, Turkey.

Winston, Brian (2013) The father of YouTube. In: Visible Evidence XX, 15-18 August 2013, Stockholm University, Sweden.

Winston, Brian (1990) The fault in ourselves. In: Communications research: the challenge of the information age. Syracuse University Press, Syracuse, New York. ISBN 0815624328

Winston, Brian (2014) ‘‘A handshake or a kiss’’: the legacy of George Stoney (1916–2012). Film Quarterly, 67 (3). pp. 35-49. ISSN 0015-1386

Winston, Brian (1997) The journalist's perspective. In: Health scares : conflicting agendas : a report of the proceedings of a seminar organised by the West Wales Centre for Public Health at the Welsh Water Conference Centre, Enterprise Park, Swansea on 29th April, 1997. School of Postgraduate Studies in Medical and Health Care, University of Wales, Swansea, Swansea. ISBN UNSPECIFIED

Winston, Brian (1994) The licence fee, stupid!: The BBC's charter renewal. Media Information Australia (74). pp. 99-105. ISSN 0312-9616

Winston, Brian (2001) A little touch of Harry in the night. In: Schuss Gegenschuss: Wochenschau und Propagandafilm im Zweiten Weltkrieg, 6-8 December 2001, Haus des Dokumentarfilms, Europaisches Medienforum, Stuttgart, Germany.

Winston, Brian (2003) A little touch of Harry in the night: a note on British documentary in WWII. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms (16). UVK Medien, Konstanz, Germany, pp. 333-343. ISBN 3896693824

Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278

Winston, Brian (1990) The media: perils and promise. In: Panel: Fred Friendly, Moderator, 1990 March, Marywood College, Scranton, Pennsylvania, USA.

Winston, Brian (1987) A mirror for Brunelleschi. Daedalus, 116 (3). pp. 187-202. ISSN 0011-5266

Winston, Brian (1983) 'The most perfect contrivance': interviewing as an unnatural act. The Independent, 6 (3). ISSN UNSPECIFIED

Winston, Brian (2007) The nadir of human achievement: reality TV. In: Visible Evidence XIV, 18-22 December 2007, Ruhr University, Bochum, Germany.

Winston, Brian (2010) The only way to tell it: animate! In: Documentary Now 2010, 15-16 January 2010 , Birkbeck College, University of London, London.

Winston, Brian (1999) The primrose path: faking UK television documentary, "docuglitz" and docusoap. Screening the Past (8). ISSN UNSPECIFIED

Winston, Brian (2001) The problem of the documentary. In: São Paulo International Film Festival, October 19 - Novermber 1 2001, São Paulo, Brazil .

Winston, Brian (2012) 'The progress of shadows': the Griersonian 'long tail' [Keynote]. In: Documentary Film - Hong Kong - Grierson colloquium, 9-10 January 2012, Hong Kong Baptist University , Kowloon Tong, Hong Kong.

Winston, Brian (2013) The question is: what must we film now? In: 2nd International Conference on Israeli Documentary Cinema, Jerusalem Film Festival, 4- 13 July 2013, Jerusalem, Israel.

Winston, Brian (2013) “The revolutionary founding moments of a contra-Grierson tradition” Joshua Malitsky [a review]. Jump Cut: A Review of Contemporary Media (55). ISSN UNSPECIFIED

Winston, Brian (2012) A right to offend [paper]. In: Lund University, October 2012, Lund University, Sweden.

Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394

Winston, Brian (1997) The role of HE. In: Media Futures Conference 1997, November 1997 , City of Nottingham, UK.

Winston, Brian (2012) The roots of video activism. In: Coady International Institute, April 2012, Coady International Institute, St Francis Xavier University, Antigonish, NS, Canada.

Winston, Brian (1997) A short history of networks. In: Informed or Forewarned: The Social Implications of New Media Technologies, September 1997 , Institute of Communications Studies, University of Leeds, UK.

Winston, Brian (1992) A tale of two paradigms in the year 1960. In: 3rd International Symposium on Film, Television and Video, 1992 April, Fu Jen Catholic University, Tapie, Taiwan.

Winston, Brian (1998) A tangled web. [Review]

Winston, Brian (1989) The technological imagination. In: Symposium, 1989 November, Minneapolis College of Art and Design, Minneapolis, USA.

Winston, Brian (1989) The tradition of the victim in Griersonian documentary. In: Image ethics: moral rights of subjects in photographs, film and television. Communication and Society . Oxford University Press, New York. ISBN 0195054334

Winston, Brian (1988) The tradition of the victim in Griersonian documentary. In: New Challenges for Documentary. University of California Press, Berkeley, pp. 269-287. ISBN 0520057252 (hbk.), 0520057244 (pbk.)

Winston, Brian (2011) A tradição da vítima no documentário griersoniano’? In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 58-81. ISBN 9789896540623

Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347

Winston, Brian (1984) The white man's burden: the example of Robert Flaherty. Sight and Sound, 54 (Winter). pp. 58-60. ISSN 0037-4806

Winston, Brian (1985) A whole technology of dyeing: a note on ideology and the apparatus of the chromatic moving image. Daedalus, 114 (4). pp. 105-123. ISSN 0011-5266

Winston, Brian and Beharrell, Peter and Davis, Howard and Eldridge, John and Hewitt, John and Oddie, Jean and Philo, Greg and Walton, Paul and Broadbent, Lucinda and Kimmett, Gordon and Spaven, Malcolm and Williams, Kevin (1995) Glasgow Media Group reader, volume 1. Routledge, London. ISBN 0415127297, 0415127300

Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 2. World Cinema / 世界电影, 3 . pp. 180-188. ISSN 1002-9966

Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 3. World Cinema / 世界电影, 4 . pp. 174-178. ISSN 1002-9966

Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452

Winston, Brian and Corner, John and Lebow, Alisa (2008) Post-documentary? Or merely Post-Griersonian documentary? In: Visible Evidence XV: The International Documentary Studies Conference, 4-8 August 2008, University of Lincoln.

Winston, Brian and Keydel, Julia (1986) Working with video: a comprehensive guide to the world of video production. Amphoto, New York. ISBN 0817464336, 9780817464332

Winston, Brian and Keydel, Julia (1987) Working with video: a comprehensive guide to the world of video production. Pelham Books, London. ISBN 072071723X

Winston, Brian and Nesbitt, James and Williams, Richard and McElroy, Ruth and Thornton, Niamh (2013) Plenary 3: The local as global: regional film and TV production. In: MECCSA Conference 2013 Spaces & places of culture, 9-11 January 2013, University of Ulster, Derry.

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI , Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian and Stein, Aleen and Swain, Bob and Stamp, Robbie and Lynn-Evans, Julian (1993) Out with the old media, in with the new. In: Hedgehogs & Megabytes (conference on interactive media), 24 April 1993, Institute of Contemporary Arts, London, UK.

Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6). ISSN UNSPECIFIED

Winston, Brian and Walton, Paul (1996) Virtually free. Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220

Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231

Winston, Brian Norman (2006) How does technological development and adoption occur In the media? A cultural determinist model. PhD thesis, University of Lincoln.

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Wright, Radica (2012) 11 11 remembered. University of Lincoln.

Wright, Radica (2011) Storytelling snaps. [Artefact]

This list was generated on Tue Sep 2 09:31:06 2014 BST.