Items where Division is "School of Fine & Performing Arts (Fine Arts) (pre-August 2022)" and Year is 2021

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Number of items: 68.

Art History

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Art Review

Bracey, Andrew (2021) Step 5 at x-church. Art Review . ISSN 1745-9303

Art exhibitions

Bracey, Andrew (2021) Rebecca Fortnum: Prosopopoeia: Correspondence. a-n . ISSN 0261-3425

Bracey, Andrew (2021) Step 5 at x-church. Art Review . ISSN 1745-9303

Conspiracy theories

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Curation

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Cézanne

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Deep fake

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Derrida

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Digitalisation

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Ernst Bloch

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Evan Roth

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

Exhibitions

Bracey, Andrew (2021) Laura Wilson: Old Salt. Art Review: Remark . ISSN N/A

Landscape painting

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

Luc Tuymans

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Marxist Hermeneutics

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

New World Order

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Painting

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Performance art

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Post-truth

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

Reification

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

Schlingensief

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Socially Engaged Art

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

Theatre and technology

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Truth

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

Unmonumentalism

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

Ways of Looking

Bracey, Andrew (2021) Rebecca Fortnum: Prosopopoeia: Correspondence. a-n . ISSN 0261-3425

appropriation

Bracey, Andrew (2021) Parasitical Appropriation of Las Meninas by Contemporary Artists. In: Call and Response, 1, 8, 15, 22, 29 June 2021, RCA and University of Greenwich, London (online).

appropriation art

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Bracey, Andrew (2021) Parasitical Appropriation of Las Meninas by Contemporary Artists. In: Call and Response, 1, 8, 15, 22, 29 June 2021, RCA and University of Greenwich, London (online).

art

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Bracey, Andrew (2021) Laura Wilson: Old Salt. Art Review: Remark . ISSN N/A

Bracey, Andrew (2021) Parasitical Appropriation of Las Meninas by Contemporary Artists. In: Call and Response, 1, 8, 15, 22, 29 June 2021, RCA and University of Greenwich, London (online).

Bracey, Andrew (2021) Rebecca Fortnum: Prosopopoeia: Correspondence. a-n . ISSN 0261-3425

Bracey, Andrew, Quin, James and O'Toole, Bernadette (2021) Painting Doesn't Count. [Event, Show or Exhibition]

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

art and time

Bracey, Andrew, Quin, James and O'Toole, Bernadette (2021) Painting Doesn't Count. [Event, Show or Exhibition]

art exhibition

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

art residency

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

artist run

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

close looking

Bracey, Andrew (2021) Rebecca Fortnum: Prosopopoeia: Correspondence. a-n . ISSN 0261-3425

contemporary art

Bracey, Andrew (2021) Parasitical Appropriation of Las Meninas by Contemporary Artists. In: Call and Response, 1, 8, 15, 22, 29 June 2021, RCA and University of Greenwich, London (online).

counterpublic

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

dialectics

Lang, Martin and Grimwood, Tom (2021) Socially engaged art, monuments and the state: re-imagining the dialectic in the age of post-truth. In: State (in)stability in the age of post-truth, 12 November 2021, Libertas International University, Zagreb.

exhibition

Bracey, Andrew, Quin, James and O'Toole, Bernadette (2021) Painting Doesn't Count. [Event, Show or Exhibition]

exhibition review

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

labaratory

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

landscape

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

looking attentively

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

morality

Lang, Martin (2021) The truth in painting 1993. In: DigitalPaintingPhotography International Online symposium, 21-22 October 2021, University of Derby.

network culture

Bracey, Andrew and Rimmer, John (2021) Red Lines: Evan Roth, The Usher Gallery, Lincoln, 01 Jun 2019 - 15 Sep 2019. Journal of Contemporary Painting, 7 (1-2). pp. 225-230. ISSN 2052-6695

over-identification

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

painting

Bracey, Andrew (2021) Rebecca Fortnum: Prosopopoeia: Correspondence. a-n . ISSN 0261-3425

Bracey, Andrew, Quin, James and O'Toole, Bernadette (2021) Painting Doesn't Count. [Event, Show or Exhibition]

parasitical artist

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

parasitical painting

Bracey, Andrew (2021) Enough Is Definitely Enough. Beam Editions, Nottingham. ISBN UNSPECIFIED

Bracey, Andrew (2021) Parasitical Appropriation of Las Meninas by Contemporary Artists. In: Call and Response, 1, 8, 15, 22, 29 June 2021, RCA and University of Greenwich, London (online).

participatory arts

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

performance and populism

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

political practice

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

post-truth politics

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

social critique

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

studio

Bracey, Andrew, Wilson, Nicholas, Buckley, Kate, Britt, Robert, Oliver, Ross, Cifre Cerda, Joanana and Baxter, Nathan (2021) Method Lab Part Two. [Event, Show or Exhibition]

subversive affirmation

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

time

Bracey, Andrew, Quin, James and O'Toole, Bernadette (2021) Painting Doesn't Count. [Event, Show or Exhibition]

transmedial art

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

utopias

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

This list was generated on Mon Dec 5 16:29:47 2022 GMT.