Bartram, Angela (2016) Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016. [Artefact]

Bartram, Angela and O'Neill, Mary (2016) Unsettling action and text: a collaborative experience. In: Collaborative Art in the Twenty-First Century. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 141-151. ISBN 9781138935747

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) Be your dog. [Event, Show or Exhibition]

Bartram, Angela (2016) No seconds out - no blow in sight. [Artefact]

Bartram, Angela (2016) Tea boxing. [Performance]

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

Bartram, Angela and O'Neill, Mary (2016) ‘Here and there: two works, ten countries. In: Ne Laiku Ir Be Vietos / The body: out of time and without a place. Acta Academiae Artium Vilnensis (80-81). Acta Academiae Artium Vilnensis, Vilnius, pp. 217-220. ISBN UNSPECIFIED

Bracey, Andrew (2016) The re: are they always doing it again? Garageland: art, culture and ideas, 20 . pp. 50-55. ISSN .

Bracey, Andrew and Dutton, Steve (2016) Midpointness. [Event, Show or Exhibition]

Bracey, Andrew and Wright, Elizabeth (2016) The doing of thinking is not a hands free conversation. In: Dirty Practice, 20 - 23 Sept 2016, University of Wolverhampton.

Campbell, Lee (2016) Cinematic interruptions. Viewfinder online . ISSN .

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Cologni, Elena (2016) Dialogic approach for the artist as an interface in an intercultural society. In: The Routledge International Handbook of Intercultural Arts Research. Routledge International Handbooks . Routledge, pp. 215-226. ISBN 9781138909939

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Eisner, Cilla (2016) Collagegrids: generative metaphor and emergent composition. The interplay of inherited tradition with human agency in fine art practice. Journal of Visual Art Practice, 15 (1). pp. 50-62. ISSN 1470-2029

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Klee, Steve (2016) Realist spectating: time present. In: Invisible Architectures, Lesions on the Landscape, 29 - 30 October 2016, Whitechapel Gallery, London.

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Lang, Martin (2016) International Festival of Projections at the University of Kent, Canterbury, Medway and Satellite Venues [curated by Liz Flynn]. [Event, Show or Exhibition]

Ling, Yuen Fong (2016) A body of relations: reconfiguring the life class. PhD thesis, University of Lincoln.

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X

Shepley, Alec (2016) Brief encounters: delayed closure as a social art practice. In: SHARING CULTURES 2015 - 4th International Conference on Intangible Heritage, 21-23 September, 2015, Lagos, Portugal.

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952