Items where Division is "Lincoln School of Film & Media (Film) (pre-August 2022)" and Year is 2019

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Number of items: 25.

A

Andrews, Hannah (2019) Distorted recognition: on the pleasures of televisual historical caricature. Screen, 60 (2). pp. 280-297. ISSN 0036-9543

B

Batkin, Jane (2019) How is Identity Formed in Animated Film, through Representations of Self, Difference, Culture and Place? PhD thesis, University of Lincoln.

D

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

E

Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

G

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

H

Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056

Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422

M

Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

O

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

P

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

W

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Walsh, Michelle and Donnelly, Hazel (2019) Lucky Like. Zamojski Film Festival, Poland.

Walsh, Michelle and Donnelly, Hazel (2019) This Is Us. [Project]

Wilczek, Emily (2019) Radical film exhibition – a local perspective. In: Transnational Radical Film Cultures: An International Conference on Film, Aesthetics and Politics, 03-05 June 2019, Nottingham, UK.

Wilkinson, Anna and Glass, Ewen (2019) Testudines Cognition. In: Encyclopedia of Animal Cognition and Behavior. Springer. ISBN UNSPECIFIED

Winston, Brian (2019) Audiences: The Spaces of Reception. In: Companion to Documentary. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Winston, Brian (2019) The Marginal Spectator. In: Companion to Documentary. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

This list was generated on Tue Oct 4 20:37:21 2022 BST.