Items where Division is "Lincoln School of Film & Media (Film) (pre-August 2022)" and Year is 2019

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Number of items: 25.


Andrews, Hannah (2019) Distorted recognition: on the pleasures of televisual historical caricature. Screen, 60 (2). pp. 280-297. ISSN 0036-9543


Batkin, Jane (2019) How is Identity Formed in Animated Film, through Representations of Self, Difference, Culture and Place? PhD thesis, University of Lincoln.


Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086


Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589


Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615


Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056

Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422


Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539


O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685


Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397


Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Walsh, Michelle and Donnelly, Hazel (2019) Lucky Like. Zamojski Film Festival, Poland.

Walsh, Michelle and Donnelly, Hazel (2019) This Is Us. [Project]

Wilczek, Emily (2019) Radical film exhibition – a local perspective. In: Transnational Radical Film Cultures: An International Conference on Film, Aesthetics and Politics, 03-05 June 2019, Nottingham, UK.

Wilkinson, Anna and Glass, Ewen (2019) Testudines Cognition. In: Encyclopedia of Animal Cognition and Behavior. Springer. ISBN UNSPECIFIED

Winston, Brian (2019) Audiences: The Spaces of Reception. In: Companion to Documentary. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

Winston, Brian (2019) The Marginal Spectator. In: Companion to Documentary. Wiley Blackwell, Hoboken. ISBN UNSPECIFIED

This list was generated on Tue Oct 4 20:37:21 2022 BST.