![]() | Up a level |
Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714
Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED
Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Dickinson, Patrick, Jones, Arthur, Christian, Wayne, Westerside, Andrew, Mulloy, Franky, Gerling, Kathrin, Hicks, Kieran, Wilson, Liam and Parke, Adrian (2021) Experiencing Simulated Confrontations in Virtual Reality. In: CHI 2021, 8-13 May, Yokohama, Japan.
Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED
Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED