A

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

B

Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Bracey, Andrew (2021) Jo Fairfax: Play. Art Review . ISSN 1745-9303

Breed, Ananda (2021) DRAFT - Policy brief - Violence against children of labour migrants (Kyrgyzstan). Foundation for Tolerance International.

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

Breed, Ananda and Uwihoreye, Chaste (2021) MAP at Home Psychosocial Manual. Manual. Mobile Arts for Peace.

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

D

Dickinson, Patrick, Jones, Arthur, Christian, Wayne, Westerside, Andrew, Mulloy, Franky, Gerling, Kathrin, Hicks, Kieran, Wilson, Liam and Parke, Adrian (2021) Experiencing Simulated Confrontations in Virtual Reality. In: CHI 2021, 8-13 May, Yokohama, Japan.

H

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

K

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

P

Pells, Kirrily, Breed, Ananda, Uwihoreye, Chaste, Ndushabandi, Eric, Elliott, Matthew and Nzahabwanayo, Sylvestre (2021) 'No one can tell a story better than the one who lived it': reworking constructions of childhood and trauma through the arts in Rwanda. Culture, Medicine and Psychiatry . ISSN 0165-005X

S

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392