Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2018

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Number of items: 53.

Article

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Bull, John (2018) Nation, nationhood and theatre [introduction to special issue]. Journal of Contemporary Drama in English, 6 (1). pp. 1-14. ISSN 2195-0164

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Review

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Book Section

Breed, Ananda (2018) Speech politics: performing political scripts. In: Theatrical speech acts. Routledge. ISBN UNSPECIFIED

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Jones, Kelly and Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN UNSPECIFIED

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552

Paper or Report

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Conference or Workshop contribution

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Book or Monograph

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Bull, John (2018) Nation, nationalism and theatre [special issue of Journal of Contemporary Drama in English]. Journal of Contemporary Drama in English (6/1). De Gruyter. ISBN UNSPECIFIED

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Thesis

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Event, Show or Exhibition

Balosso-bardin, Cassandre and Landes, Roger and Faulker, David and Moreno, Susana and Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Composition

Efthymiou, Litha (2018) Waves. [Composition]

Performance

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Project

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Westerside, Andrew (2018) Theatres of Agitation. [Project]

This list was generated on Tue Mar 19 23:08:47 2019 GMT.