Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2018

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1968-1975 Absence Activism Adaptation Aesthetics Ageing Applied Ethnomusicology Artists Audio Autobiography Autoethnography Berger Bertrand Russell Biopolitics Boris Groys Bourdieu Breath in actor-training British Theatre British theatre Children's theatre Christoph Schlingensief Circle Walk Circle of Attention Civic Engagement Classical Music Collaboration Commemoration Community Community participation Composition Conflict Contemporary British Drama Contemporary Drama Contemporary Music Contemporary drama in English Court early 1970's Creative collaboration Dance Deference Devised work Devising Documentary Drama Dramaturgy Duet Economics Elites Engagement Entrepreneurship Ethnomusicology Fado Familial memory Fiesta Film Flamenco Forgetting Frank Castorf Freud’s ‘double’ Funding Gacaca George Benjamin German Theatre Germany Trilogy Goffman’s ‘frames’ Gothic Greek Harold Pinter Heritage High Yoga History Iberian music Iceland Identity Impact Indian theatre Installation Intercultural performance Intercultural theatre Interculturalism Interdisciplinary Intimacy Irish Studies Irish culture Jack Thorne Labour (work) Landscapes Let the Right One In Liminality Live Art Live Performance Loss Medicine Medievalism Memorial Memory Metrics Modern British Playwriting Museums Music Music of Portugal Music of Spain Musical Acoustics Musical Instrument Musical instrument control Musicality NHS Narrative New Music One-to-one Oscar Lewenstein Participation Participatory practices Pedagogy Performance Performance Studies Performativity PhD Phenomenology of Roundness Photography Playwriting Political Theatre Politics Portugal Practice Prana Presence Procession REF Rejourn Remembering Remembrance Repair Representations of children Research Ritual Royal Court Theatre Ruin Scenography Schenchner’s ‘dark play’ Shakespeare Simon Stephens Sloane Square Spain Spect-actors Spectralism Speech Acts Stanislavski Stanislavski and Yoga Stasis TED Taste Teaching Temporality Text Theatre Theatre for Young Audiences Verbatim Volksbühne Berlin WWI WWII Winnicott’s ‘transitional object’ Women Women in Prison Women's Rights World Music Writing adaptation applied theatre austerity avant-gardes bagpipes borders commemoration composition cultural diversity debt debtor devising drama dramaturgy ethnomusicology feminist criminology folklore gothic hope horror immersive intercultural collaboration interculturality legend live art memorialisation memory multi-disciplinary music musical instruments mythology narrative neo-liberalism nineteenth-century one-to-one oral storytelling performance poltergeist possession refugee reinterpretation scenography sound sculpture spoken word storytelling supernatural séances the Gothic theatre theatre design viola writing
Number of items: 345.

1968-1975

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Absence

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Activism

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Adaptation

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

Aesthetics

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Ageing

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Applied Ethnomusicology

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Artists

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Audio

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Autobiography

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Autoethnography

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Berger

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Bertrand Russell

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Boris Groys

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Bourdieu

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Breath in actor-training

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

British Theatre

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Jones, Kelly and Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN UNSPECIFIED

British theatre

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Children's theatre

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Christoph Schlingensief

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Circle Walk

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Circle of Attention

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Civic Engagement

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Classical Music

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Collaboration

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Commemoration

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Community

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Community participation

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Composition

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Conflict

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Contemporary British Drama

Jones, Kelly and Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN UNSPECIFIED

Contemporary Drama

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Contemporary Music

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Contemporary drama in English

Bull, John (2018) Nation, nationalism and theatre [special issue of Journal of Contemporary Drama in English]. Journal of Contemporary Drama in English (6/1). De Gruyter. ISBN UNSPECIFIED

Bull, John (2018) Nation, nationhood and theatre [introduction to special issue]. Journal of Contemporary Drama in English, 6 (1). pp. 1-14. ISSN 2195-0164

Court early 1970's

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Creative collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Dance

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Deference

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Devised work

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Devising

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Documentary

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Drama

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Dramaturgy

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Duet

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Elites

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Engagement

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Entrepreneurship

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Ethnomusicology

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Fado

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Familial memory

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Fiesta

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Film

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Flamenco

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Forgetting

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Frank Castorf

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Funding

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Gacaca

Breed, Ananda (2018) Speech politics: performing political scripts. In: Theatrical speech acts. Routledge. ISBN UNSPECIFIED

George Benjamin

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

German Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Germany Trilogy

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Goffman’s ‘frames’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Gothic

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Jones, Kelly and Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN UNSPECIFIED

Greek

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Harold Pinter

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Heritage

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

High Yoga

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

History

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Iberian music

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Iceland

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Identity

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Impact

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Indian theatre

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Installation

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Intercultural performance

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Intercultural theatre

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Interculturalism

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Interdisciplinary

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Intimacy

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Irish Studies

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

Irish culture

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

Jack Thorne

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Labour (work)

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Landscapes

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Let the Right One In

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Liminality

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Live Art

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Live Performance

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Loss

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Medicine

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Medievalism

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Memorial

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Memory

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Metrics

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Modern British Playwriting

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Museums

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Music

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Music of Portugal

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Music of Spain

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Musical Acoustics

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musical Instrument

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musical instrument control

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musicality

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

NHS

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Narrative

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

New Music

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

One-to-one

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Oscar Lewenstein

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Participation

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Participatory practices

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Pedagogy

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Performance

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) 'Conclusion' in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 978-3-319-95209-3, 978-3-319-95210-9

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Performance Studies

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Performativity

Breed, Ananda (2018) Speech politics: performing political scripts. In: Theatrical speech acts. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

PhD

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Phenomenology of Roundness

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Photography

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Playwriting

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Political Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Politics

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2018) Theatres of Agitation. [Project]

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Portugal

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Practice

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Prana

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Presence

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Procession

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

REF

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Rejourn

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Remembering

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Remembrance

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Repair

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Representations of children

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Research

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Ritual

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Royal Court Theatre

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Ruin

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Scenography

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Schenchner’s ‘dark play’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Shakespeare

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Simon Stephens

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Sloane Square

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Spain

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Spect-actors

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Spectralism

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Speech Acts

Breed, Ananda (2018) Speech politics: performing political scripts. In: Theatrical speech acts. Routledge. ISBN UNSPECIFIED

Stanislavski

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Stanislavski and Yoga

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Stasis

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

TED

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Taste

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Teaching

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Temporality

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Text

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Mangan, Michael (2018) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 23 (7). ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Theatre

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

O'Gorman, Siobhan (2018) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2018) Theatres of Agitation. [Project]

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Theatre for Young Audiences

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

Verbatim

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Volksbühne Berlin

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

WWI

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

WWII

Westerside, Andrew and Pinchbeck, Michael (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN UNSPECIFIED

Winnicott’s ‘transitional object’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Women

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Women in Prison

Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552

Women's Rights

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

World Music

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Writing

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

adaptation

Turner, Laura (2018) Incanti (Enchantments). [Performance]

applied theatre

Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552

austerity

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

avant-gardes

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

bagpipes

Balosso-bardin, Cassandre and Landes, Roger and Faulker, David and Moreno, Susana and Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

borders

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

commemoration

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

composition

Efthymiou, Litha (2018) Waves. [Composition]

cultural diversity

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

debt

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

debtor

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

devising

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

drama

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

dramaturgy

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

ethnomusicology

Balosso-bardin, Cassandre and Landes, Roger and Faulker, David and Moreno, Susana and Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

feminist criminology

Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552

folklore

Turner, Laura (2018) Incanti (Enchantments). [Performance]

gothic

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

hope

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

horror

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

immersive

Turner, Laura (2018) Incanti (Enchantments). [Performance]

intercultural collaboration

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

interculturality

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

legend

Turner, Laura (2018) Incanti (Enchantments). [Performance]

live art

Turner, Laura (2018) Incanti (Enchantments). [Performance]

memorialisation

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

memory

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

multi-disciplinary

Turner, Laura (2018) Incanti (Enchantments). [Performance]

music

Efthymiou, Litha (2018) Waves. [Composition]

musical instruments

Balosso-bardin, Cassandre and Landes, Roger and Faulker, David and Moreno, Susana and Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

mythology

Turner, Laura (2018) Incanti (Enchantments). [Performance]

narrative

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

neo-liberalism

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

nineteenth-century

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

one-to-one

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

oral storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

performance

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 978-3-319-97969-4

Turner, Laura (2018) Incanti (Enchantments). [Performance]

poltergeist

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

possession

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

refugee

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

reinterpretation

Turner, Laura (2018) Incanti (Enchantments). [Performance]

scenography

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

sound sculpture

Turner, Laura (2018) Incanti (Enchantments). [Performance]

spoken word

Turner, Laura (2018) Incanti (Enchantments). [Performance]

storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

supernatural

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

séances

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

the Gothic

Jones, Kelly and Dean, Robert and Poore, Benjamin (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave. ISBN UNSPECIFIED

theatre

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Turner, Laura (2018) Incanti (Enchantments). [Performance]

theatre design

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

viola

Efthymiou, Litha (2018) Waves. [Composition]

writing

Turner, Laura (2018) Incanti (Enchantments). [Performance]

This list was generated on Wed May 22 11:12:05 2019 BST.