Items where Division is "School of Fine & Performing Arts (Performing Arts)" and Year is 2017

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Number of items: 44.

B

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Balosso-bardin, Cassandre and de la Cuadra, Patricio (2017) Autour des instruments de musique, une recherche pluridisciplinaire. Culture et Recherche - Scenes de Recherche, 135 . p. 47. ISSN 0765-5991

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Bull, John (2017) Nation, nationalism and theatre. [Event, Show or Exhibition]

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance, 37 (2). pp. 205-220. ISSN 1468-2761

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

D

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

E

Efthymiou, Litha (2017) Devising music. [Project]

Efthymiou, Litha (2017) Moments held. [Composition]

Efthymiou, Litha (2017) Present shadows (flute, clarinet, piano, cello, double bass). [Composition]

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

G

Gaughan, Lisa (2017) 'The God, The Owner and the Master’ (Barthes, 1979): staging rites of passage in the maritime crossing the line ceremony. In: Performance of loss and commemoration. UNSPECIFIED. ISBN UNSPECIFIED

Gaughan, Lisa (2017) The kingdom of yes: Students involvement in curriculum design. In: HEA Annual Conference 2017 Generation TEF: Teaching in the spotlight, 4 July 2017, Renold Building, Manchester.

H

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

J

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

M

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Mann, Rebecca (2017) Dance and gender: an evidence-based approach. Journal of Gender Studies, 26 (6). pp. 718-719. ISSN 0958-9236

P

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

R

Rush, Adam Christopher, Jones, Kelly and Dean, Rob (2017) Recycled culture: the significance of intertextuality in twenty-first century musical theatre. PhD thesis, University of Lincoln.

S

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheuregger, Martin (2017) 'Joint Show': finding teaching excellence through experiential learning. In: National Association of Music in Higher Education Annual Conference – Snakes and Ladders?: Negotiating the new TEF landscape, 2 May 2017, University of Cambridge.

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Scheuregger, Martin (2017) The composer's voice in contemporary music scholarship. In: Writing About Contemporary Artists: Challenges, Practices and Complexities, 20–22 October 2017, University of Surrey.

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

W

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

This list was generated on Fri Mar 5 19:29:33 2021 GMT.