Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2016

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Number of items: 52.

B

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN 9781138909939

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Bolton, Jacqueline and Hudson, James (2016) David Greig: dramaturgies of encounter and engagement [special issue of Contemporary Theatre Review]. Taylor and Francis. ISBN UNSPECIFIED

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Bull, John (2016) British theatre companies, 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 theatre companies. British Theatre Companies: From Fringe to Mainstream, 1 . Bloomsbury, London. ISBN 9781408175439

Bull, John and Saunders, Graham (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

E

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Efthymiou, Litha (2016) Rituals to mould her with. [Composition]

H

Hildebrandt, Antje (2016) The end of choreography. Choreographic Practices, 7 (1). p. 71. ISSN 2040-5669

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

J

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

M

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

N

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

O

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

P

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

R

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

S

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

W

Walsh, Aylwyn (2016) The paradox of dis/appearance: hunger strike in Athens as a performance of survival. In: Performing (for) survival: theatre, crisis, extremity. Palgrave, Basingstoke, pp. 203-221. ISBN 9781137454263

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Lawrence, Conan and Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Y

Young Reed, Heather (2016) Re-generating kinesthetic history: the dynamics of transmitting William Forsythe's One Flat Thing, reproduced. Dance Chronicle, 39 (2). pp. 174-196. ISSN 0147-2526

This list was generated on Thu Sep 20 00:17:46 2018 BST.