A

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

B

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Bolton, Jacqueline (2015) Joint Stock Theatre Company. In: British theatre companies 1980-1994. British theatre companies: from fringe to mainstream (2). Bloomsbury Methuen Drama, London, pp. 115-139. ISBN 9781408175491

Bull, John (2015) Trumpets and drums in the night: the 1956 Berliner Ensemble season in London and its aftermath. In: Anglo-German theatrical exchange: "a sea-change into something rich and strange?". Brill / Rodopi, Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, pp. 43-66. ISBN 9789004292314

D

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.

E

Efthymiou, Litha (2015) Myisi [flute and electronics]. [Composition]

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

G

Gaughan, Lisa and Miller, Kirsty (2015) Student partnership in first year curriculum design: positives and pitfalls. In: SPARQS Annual Conference, 29 May 2015, Edinburgh Conference Centre, Heriot-Watt University.

H

Hildebrandt, Antje (2015) Learning about the 60s: choreography as a practice of archiving. Mōtiō (1). pp. 32-42. ISSN .

Hildebrandt, Antje (2015) Participation and spectatorship in Tino Sehgal’s These associations. Choreographic Practices, 6 (1). ISSN 2040-5669

Holden, Nicholas (2015) Royal Court: international [Aston, Elaine and Mark O’Thomas, Basingstoke: Palgrave, 2015]. Platform: Journal of Theatre and Performing Arts . ISSN 1751-0171

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Hudson, James (2015) Vintage Barker: new writing in old bottles. In: Howard Barker's theatre: wrestling with catastrophe. Methuen Drama Engage . Bloomsbury Methuen, London, pp. 113-130. ISBN 9781408185995

J

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

M

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2015) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2015) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

N

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

O

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

P

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

R

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

S

Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Scheuregger, Martin Daniel (2015) Conceptions of time and form in twentieth and twenty-first-century music. PhD thesis, University of York.

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

W

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Cruising utopia: a riff on longing, desire and the yet-to-come in politics and performance. In: CAPPE 10th annual interdisciplinary international conference: Utopias, 2-5 September 2015, Brighton.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078