Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2014

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9/11 Adaptation Amateur American culture Archives Asian drama Austerity Authorship B.B.C. Beechey Brothers Bourriaud Brazil British Council Chair Collaboration Collaborative Conflict Consciousness Contemporary Theatre-Making Crisis DIY Theatre Devising Drama Dramaturgy Dystopia Edward Bond Events Fashion Film Forced Entertainment Gender Gender theory Globalization Greece HTA Hacking choreography Intercultural theatre Interdisciplinarity Intertextuality Irish culture Irish studies KeepHouse Performance Marianne Eliot Music Music history Musical Theatre Musical theatre Musicology Narrative Neoliberalism Orientalism Otherness Performance Performance and Commemoration Performance ethnography Performative Postcolonialism Protests Queer Radio drama Relational Aesthetics Religion Royal National Theatre Sarah Frankcom Saved Scotland Sean Holmes Sexuality Simon Stephens Site Specific Performance Site specific performance Social Media Social change Spirituality Stephen Sondheim Sunday in the Park with George Technology Text The Book of Mormon The Rocky Horror Show Theatre Theatre history Theatre translation Theory and practice of education Triple-threat Utopia Women in Prison World War I Young people at risk adaptation age animals artists beauty bmjanomaly bmjconvert bmjdoi bmjtype choreography collaboration consciousness studies contemporary drama criticism crossroads dance digital-Foley documenting performance drama feminist theatre intermedia intermediality intuition live coding liveness modernism music narrative theory oaemailed opera opera conductors opera directors opera singers participation participatory arts performance performativity philosophy popular theatre practice as research pro-wrestling protests public art re-presentation re-reporting remediation ritual scenography somatics sound spirituality stratification task-based dramaturgy theatre theatre translation translation theory transmediation travel wanders
Number of items: 211.

9/11

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

Adaptation

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

Amateur

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

American culture

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Archives

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Asian drama

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Austerity

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

Authorship

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

B.B.C.

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Beechey Brothers

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]

Bourriaud

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Brazil

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

British Council

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Chair

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Collaboration

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick. (Unpublished)

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Collaborative

Pinchbeck, Michael (2014) Bolero. [Performance]

Conflict

Pinchbeck, Michael (2014) Bolero. [Performance]

Consciousness

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Contemporary Theatre-Making

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Crisis

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

DIY Theatre

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Devising

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Drama

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Dramaturgy

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Dystopia

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Edward Bond

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Events

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Fashion

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Film

Hunt, Justin (2014) Scent, siblings and filiality: queering 'Twilight'. In: Screening Twilight: critical approaches to a cinematic phenomenon. IB Tauris, London. ISBN 9781780766652

Forced Entertainment

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Gender

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Gender theory

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Globalization

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Greece

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

HTA

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

Hacking choreography

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

Intercultural theatre

Pinchbeck, Michael (2014) Bolero. [Performance]

Interdisciplinarity

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick. (Unpublished)

Intertextuality

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Irish culture

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

Irish studies

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

KeepHouse Performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Marianne Eliot

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Music

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Music history

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Musical Theatre

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Musical theatre

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Musicology

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Narrative

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Neoliberalism

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Orientalism

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Otherness

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Performance

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick. (Unpublished)

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Performance and Commemoration

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]

Pinchbeck, Michael (2014) Bolero. [Performance]

Performance ethnography

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Performative

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Postcolonialism

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Protests

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Queer

Hunt, Justin (2014) Scent, siblings and filiality: queering 'Twilight'. In: Screening Twilight: critical approaches to a cinematic phenomenon. IB Tauris, London. ISBN 9781780766652

Radio drama

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Relational Aesthetics

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Religion

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

Royal National Theatre

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Sarah Frankcom

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Saved

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Scotland

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Sean Holmes

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Sexuality

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Simon Stephens

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Site Specific Performance

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]

Site specific performance

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Social Media

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Social change

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

Spirituality

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

Stephen Sondheim

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Sunday in the Park with George

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)

Technology

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Text

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

The Book of Mormon

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

The Rocky Horror Show

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Theatre

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Pinchbeck, Michael (2014) The DIY aesthetic: Somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Theatre history

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Theatre translation

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance] (Unpublished)

Theory and practice of education

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Triple-threat

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick. (Unpublished)

Utopia

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Women in Prison

Walsh, Aylwyn (2014) (En)gendering habitus: women, prison, resistance. Contemporary Theatre Review, 24 (1). pp. 40-52. ISSN 1048-6801

World War I

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Young people at risk

Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.

adaptation

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

age

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

animals

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

artists

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

beauty

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

bmjanomaly

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

bmjconvert

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

bmjdoi

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

bmjtype

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

choreography

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

collaboration

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

consciousness studies

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

contemporary drama

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

criticism

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

crossroads

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

dance

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

digital-Foley

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

documenting performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

drama

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

feminist theatre

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

intermedia

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

intermediality

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

intuition

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

live coding

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

liveness

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

modernism

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

music

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

narrative theory

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

oaemailed

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

opera

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

opera conductors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera directors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera singers

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

participation

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

participatory arts

Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.

performance

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

performativity

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

philosophy

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

popular theatre

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

practice as research

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

pro-wrestling

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

protests

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

public art

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

re-presentation

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

re-reporting

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

remediation

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

ritual

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

scenography

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

somatics

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

sound

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

spirituality

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

stratification

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

task-based dramaturgy

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

theatre

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance] (Unpublished)

theatre translation

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

translation theory

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

transmediation

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

travel

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

wanders

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

This list was generated on Sat Dec 3 14:55:25 2016 GMT.