Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2014

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Number of items: 59.

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Efthymiou, Litha (2014) Kalyani. [Composition]

Gaughan, Lisa (2014) Developing the curriculum in partnership with students. In: Kickstart Conference, 24 October 2014, University of Lincoln.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Hunt, Justin (2014) Scent, siblings and filiality: queering 'Twilight'. In: Screening Twilight: critical approaches to a cinematic phenomenon. IB Tauris, London. ISBN 9781780766652

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance]

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.

Walsh, Aylwyn (2014) (En)gendering habitus: women, prison, resistance. Contemporary Theatre Review, 24 (1). pp. 40-52. ISSN 1048-6801

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Westerside, Andrew and Petralia, Peter and Lees, Gillian and Van de Cruys, Leentje and Blain, Martin and Rogers, Paul J. and Donovan, Nicholas and Turner, Jane and Makus, Rebecca M. K. and Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

This list was generated on Sat Mar 17 19:14:37 2018 GMT.