Items where Division is "College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts)" and Year is 2014

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Number of items: 38.

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Hunt, Justin (2014) Scent, siblings and filiality: queering 'Twilight'. In: Screening Twilight: critical approaches to a cinematic phenomenon. IB Tauris, London. ISBN 9781780766652

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Meyer-Dinkgräfe, Daniel (2014) Dancing horses and reflecting humans. Choreographic Practices, 5 (2). pp. 241-257. ISSN 2040-5669

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2014) Spirituality in Aurelia Baumgartner’s Tanzphilosophie. Dance, Movement and Spiritualities, 1 (3). pp. 393-412. ISSN 2051-7068

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance] (Unpublished)

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Savage, Karen (2014) Covering the coverage: copying news and performative reporting. In: Media, Politics, Performance: The Role of Intermedial Theatre in the Public Sphere, 5-6 May 2014, Athens, Greece.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Sellers-Young, Barbara and Meyer-Dinkgräfe, Daniel (2014) Professorial Reflections: informal discussions and reflections. Dance, Movement and Spiritualities, 1 (2). pp. 241-250. ISSN 2051-7068

Sicchio, Kate (2014) Hacking choreography: dance and live coding. Computer Music Journal, 38 (1). pp. 31-39. ISSN 0148-9267

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Tsilimpounidi, Myrto and Walsh, Aylwyn (2014) Remapping 'Crisis': a guide to Athens. Zero Books, Alresford. ISBN 9781780996059, 1780996055

Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.

Walsh, Aylwyn (2014) (En)gendering habitus: women, prison, resistance. Contemporary Theatre Review, 24 (1). pp. 40-52. ISSN 1048-6801

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

This list was generated on Wed Nov 25 05:50:40 2015 GMT.