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Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Pinchbeck, Michael and Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024
Hunt, R. Justin (2012) I am come home: Ira Sach’s 'Last Address'. In: The Little Joe Clubhouse Reader. Little Joe Magazine. ISBN UNSPECIFIED
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Walsh, Aylwyn M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Riot Revolt Revolution, 5-7 Sept 2012, Brighton.
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.
Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244
Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]
Scheuregger, Martin (2012) Be silent. [Performance]
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313
Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Scheuregger, Martin (2012) Be silent. [Performance]
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Dougan Bowtell, Kayla (2012) Ethics and principles informing dance work with older people. In: Ethics and Principles Informing Dance Work with Older People, 19th April 2012, Lincolnshire Dance.
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244
Hunt, R. Justin (2012) I am come home: Ira Sach’s 'Last Address'. In: The Little Joe Clubhouse Reader. Little Joe Magazine. ISBN UNSPECIFIED
Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.
Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921
O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.
Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.
Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.
Walsh, Aylwyn M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Riot Revolt Revolution, 5-7 Sept 2012, Brighton.
Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.
Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.
Carr, Jane (2012) LandMark: a collaborative exploration of the interrelationships between action, memory and space. In: Symposium on Collaboration in Performance Practice, 4th May 2012, Middlesex University.
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Scheuregger, Martin (2012) Be silent. [Performance]
Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Tsilimpounidi, Myrto and Walsh, Aylwyn (2012) Merry crisis-mas (from Greece). City: analysis of urban trends, theory, culture, policy, action, 16 (1-2). pp. 249-252. ISSN 1360-4813
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Cologni, Elena (2012) SPA(E)CIOUS PRESENT, Dynamics of collective and individual experiences of space and duration within specious present, adopting technologies for enhancing audience engagement, while producing forms of documentation. In: How Performance thinks, 13-14 April 2012, London Studio Centre.
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee,.
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Pinchbeck, Michael and Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Scheuregger, Martin (2012) Be silent. [Performance]
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Scheuregger, Martin (2012) Be silent. [Performance]
Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.
Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833
Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Walsh, Aylwyn (2012) Space-making in women’s prisons: personal performance testimonies of ‘doing bird’. In: Personal and Political Symposium, Sept 14 2012, University of Northampton.
Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Cologni, Elena (2012) SPA(E)CIOUS PRESENT, Dynamics of collective and individual experiences of space and duration within specious present, adopting technologies for enhancing audience engagement, while producing forms of documentation. In: How Performance thinks, 13-14 April 2012, London Studio Centre.
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.
Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Scheuregger, Martin (2012) Be silent. [Performance]
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.
Pinchbeck, Michael and Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Pinchbeck, Michael and Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Pinchbeck, Michael and Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313
Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]
Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401
Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series, 28th November 2012, Edge Hill University.
Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.
Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.
Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.
Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.
Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378
Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378
Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN .
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.
Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244
Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: Conexões. British Council/National Theatre/Celia Helena, São Paulo. ISBN UNSPECIFIED
Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]
Bolton, Jacqueline (2012) Preface. In: Three kingdoms. Modern Plays . Methuen, London. ISBN 9781408172957
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781
Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Dougan Bowtell, Kayla (2012) The effects of vinyasa flow yoga on contact improvisation in a festival setting Contact Festival Dartington, University College Falmouth, July 2012. In: Contact Festival Dartington, 28th July - 5th August, University College Falmouth.
Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.
Walsh, Aylwyn (2012) Space-making in women’s prisons: personal performance testimonies of ‘doing bird’. In: Personal and Political Symposium, Sept 14 2012, University of Northampton.
Irvine, Rosanna and Dougan Bowtell, Kayla and Dimitrakopoulou, Stella and Dugrenier, Chris and Hildebrand, Antje and Hurman, Ella and James, Adam and Janiszewska, Justyna and Johnson, Michael and Kettle, Samantha and Kolyra, Evangelia and MacPhee, Helen and Papaeleftheriadou, Anastasia and Park, Jindeok and Park, Soyoung and Perini, Beatrice and Sacchelli, Clarissa and Tegou, Georgia (2012) Toward a re-activation of Xavier Le Roy’s ‘Project'. [Project]
Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.
O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271
Dougan Bowtell, Kayla and Mann, Rebecca and Marriott, Laura and Ramsay, Jamie and Weir, Rebecca (2012) Using the artist in residence model as a framework for module delivery. [Project]
Dougan Bowtell, Kayla and Mann, Rebecca and Marriott, Laura and Ramsay, Jamie and Weir, Rebecca (2012) Using the artist in residence model as a framework for module delivery. [Project]
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585
O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271
Irvine, Rosanna and Dougan Bowtell, Kayla and Dimitrakopoulou, Stella and Dugrenier, Chris and Hildebrand, Antje and Hurman, Ella and James, Adam and Janiszewska, Justyna and Johnson, Michael and Kettle, Samantha and Kolyra, Evangelia and MacPhee, Helen and Papaeleftheriadou, Anastasia and Park, Jindeok and Park, Soyoung and Perini, Beatrice and Sacchelli, Clarissa and Tegou, Georgia (2012) Toward a re-activation of Xavier Le Roy’s ‘Project'. [Project]
Dougan Bowtell, Kayla (2012) Ethics and principles informing dance work with older people. In: Ethics and Principles Informing Dance Work with Older People, 19th April 2012, Lincolnshire Dance.
Dougan Bowtell, Kayla and Mann, Rebecca and Marriott, Laura and Ramsay, Jamie and Weir, Rebecca (2012) Using the artist in residence model as a framework for module delivery. [Project]
Hildebrandt, Antje (2012) (Me) Writing on others – Towards an experiential methodology for the critical encounter with performance practice. Desearch: Postgraduate Journal of Art & Contemporary Culture (2). ISSN .
Irvine, Rosanna and Dougan Bowtell, Kayla and Dimitrakopoulou, Stella and Dugrenier, Chris and Hildebrand, Antje and Hurman, Ella and James, Adam and Janiszewska, Justyna and Johnson, Michael and Kettle, Samantha and Kolyra, Evangelia and MacPhee, Helen and Papaeleftheriadou, Anastasia and Park, Jindeok and Park, Soyoung and Perini, Beatrice and Sacchelli, Clarissa and Tegou, Georgia (2012) Toward a re-activation of Xavier Le Roy’s ‘Project'. [Project]
Carr, Jane (2012) LandMark: a collaborative exploration of the interrelationships between action, memory and space. In: Symposium on Collaboration in Performance Practice, 4th May 2012, Middlesex University.
Dougan Bowtell, Kayla and Mann, Rebecca and Marriott, Laura and Ramsay, Jamie and Weir, Rebecca (2012) Using the artist in residence model as a framework for module delivery. [Project]
Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Efthymiou, Litha (2012) Egg soldiers. [Composition]
Carr, Jane (2012) LandMark: a collaborative exploration of the interrelationships between action, memory and space. In: Symposium on Collaboration in Performance Practice, 4th May 2012, Middlesex University.
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Tsilimpounidi, Myrto and Walsh, Aylwyn (2012) Merry crisis-mas (from Greece). City: analysis of urban trends, theory, culture, policy, action, 16 (1-2). pp. 249-252. ISSN 1360-4813
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.
Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Dougan Bowtell, Kayla (2012) Ethics and principles informing dance work with older people. In: Ethics and Principles Informing Dance Work with Older People, 19th April 2012, Lincolnshire Dance.
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Carr, Jane (2012) Re-remembering the (almost) lost jazz dances of 1980s Britain. Dance Chronicle, 35 (3). pp. 315-337. ISSN 0147-2526
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Sicchio, Kate (2012) Drawing/hacking. [Performance]
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series, 28th November 2012, Edge Hill University.
Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.
Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.
Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.
Warden, Claire (2012) Unperformable plays?: British avant-garde theatre. In: Lincoln Academy lecture series, 25 September 2012, LPAC, Lincoln.
Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024
Dougan Bowtell, Kayla (2012) Ethics and principles informing dance work with older people. In: Ethics and Principles Informing Dance Work with Older People, 19th April 2012, Lincolnshire Dance.
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Efthymiou, Litha (2012) Egg soldiers. [Composition]
Carr, Jane (2012) LandMark: a collaborative exploration of the interrelationships between action, memory and space. In: Symposium on Collaboration in Performance Practice, 4th May 2012, Middlesex University.
Hildebrandt, Antje (2012) (Me) Writing on others – Towards an experiential methodology for the critical encounter with performance practice. Desearch: Postgraduate Journal of Art & Contemporary Culture (2). ISSN .
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Sicchio, Kate (2012) Hacking choreography: the map and the territory. In: DE12: The Map And The Territory, June 15-16 2012, Linz, Austria.
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833
Tsilimpounidi, Myrto and Walsh, Aylwyn (2012) Merry crisis-mas (from Greece). City: analysis of urban trends, theory, culture, policy, action, 16 (1-2). pp. 249-252. ISSN 1360-4813
Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee,.
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.
Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.
Hunt, R. Justin (2012) I am come home: Ira Sach’s 'Last Address'. In: The Little Joe Clubhouse Reader. Little Joe Magazine. ISBN UNSPECIFIED
Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.
Irvine, Rosanna and Dougan Bowtell, Kayla and Dimitrakopoulou, Stella and Dugrenier, Chris and Hildebrand, Antje and Hurman, Ella and James, Adam and Janiszewska, Justyna and Johnson, Michael and Kettle, Samantha and Kolyra, Evangelia and MacPhee, Helen and Papaeleftheriadou, Anastasia and Park, Jindeok and Park, Soyoung and Perini, Beatrice and Sacchelli, Clarissa and Tegou, Georgia (2012) Toward a re-activation of Xavier Le Roy’s ‘Project'. [Project]
Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720
Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582
O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271
O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.
Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]
Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.
Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.
Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761
O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271
O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED
Talbot, Richard and King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED