Article

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Book Section

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Conference or Workshop Item

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

Bowtell, Kayla (2010) Ethics and principles of working with older people in dance. In: Ethics and Principles of Working with Older People in Dance, 14th May and 16th July 2010, Wellingore, Lincolnshire. (Unpublished)

Carr, Jane (2010) Battling under Britannia’s shadow: British dance battles before B Boys. In: Re:Generations: International Perspectives on Dance of the African Diaspora, 5-7 November 2010, London Metropolitan University.

Carr, Jane (2010) Claiming their space: virtuosity in British jazz dance. In: Dance and Spectacle: Annual Conference of the Society of Dance History Scholars, 8-11 July 2010, University of Surrey, Guilford, U.K..

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Rewriting the "Book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

Sicchio, K (2010) Beyond TV spectacle: the choreographic craft of So You Think You Can Dance. In: 2010 SDHS Conference, “Dance & Spectacle”, July 9 - 11 2010, University of Surrey.

Sicchio, Kate (2010) Exploring the software programmer as choreographer. In: Digital Resources for Humanities and Arts, September 2010, London.

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Book

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

Thesis

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Show/Exhibition

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Performance

Pulford, Donald and Goode, Chris and Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]