Adaptation

O'Thomas, Mark (2010) Rewriting the "Book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Aesthetics

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

African diaspora

Carr, Jane (2010) Claiming their space: virtuosity in British jazz dance. In: Dance and Spectacle: Annual Conference of the Society of Dance History Scholars, 8-11 July 2010, University of Surrey, Guilford, U.K..

Brandon Thomas

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Choreography

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

Sicchio, K (2010) Beyond TV spectacle: the choreographic craft of So You Think You Can Dance. In: 2010 SDHS Conference, “Dance & Spectacle”, July 9 - 11 2010, University of Surrey.

Composition

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Contemporary British theatre

Pulford, Donald and Goode, Chris and Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

Creative writing

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Creativity

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Dance

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

English Modernist women

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English modern drama

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English women Modernist dramatists

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

Ewan MacColl

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Fernando Pessoa

O'Thomas, Mark (2010) Rewriting the "Book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

G8 summit

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

George Bernard Shaw

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Indian aesthetic theory

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Indian theatre

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Intercultural theatre

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Jacques Ranciere

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

Kudiyattam

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Kutiyattam

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Laban

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

Live art

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

Lyrical Hip Hop

Sicchio, K (2010) Beyond TV spectacle: the choreographic craft of So You Think You Can Dance. In: 2010 SDHS Conference, “Dance & Spectacle”, July 9 - 11 2010, University of Surrey.

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

Peformance

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Performance

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Performance studies

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Pervasive Media

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Practice as research

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

RFID

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Rasa theory

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Sanskrit studies

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Sartre

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Simon Stephens

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

Site-Specific

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

So You Think You Can Dance

Sicchio, K (2010) Beyond TV spectacle: the choreographic craft of So You Think You Can Dance. In: 2010 SDHS Conference, “Dance & Spectacle”, July 9 - 11 2010, University of Surrey.

St George and the Dragon

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Supermodernity

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

Technology

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

The Natyasastra

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Theatre

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Theatre theory

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Theatre translation

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Rewriting the "Book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

Visual Arts

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

actor-training

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

adaptation

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

anthropology

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

bmjdoi

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

choreographer

Sicchio, Kate (2010) Exploring the software programmer as choreographer. In: Digital Resources for Humanities and Arts, September 2010, London.

clubs

Carr, Jane (2010) Claiming their space: virtuosity in British jazz dance. In: Dance and Spectacle: Annual Conference of the Society of Dance History Scholars, 8-11 July 2010, University of Surrey, Guilford, U.K..

consciousness

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

consciousness studies

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

criticism

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

dance

Bowtell, Kayla (2010) Ethics and principles of working with older people in dance. In: Ethics and Principles of Working with Older People in Dance, 14th May and 16th July 2010, Wellingore, Lincolnshire. (Unpublished)

Carr, Jane (2010) Battling under Britannia’s shadow: British dance battles before B Boys. In: Re:Generations: International Perspectives on Dance of the African Diaspora, 5-7 November 2010, London Metropolitan University.

digital performance

Sicchio, Kate (2010) Exploring the software programmer as choreographer. In: Digital Resources for Humanities and Arts, September 2010, London.

drama

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

effort

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

english

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

ethics

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

eyes in acting

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

film

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

fine arts

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

folk theatre

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

ibsen

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

identities

Carr, Jane (2010) Battling under Britannia’s shadow: British dance battles before B Boys. In: Re:Generations: International Perspectives on Dance of the African Diaspora, 5-7 November 2010, London Metropolitan University.

indian theatre

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

jazz

Carr, Jane (2010) Battling under Britannia’s shadow: British dance battles before B Boys. In: Re:Generations: International Perspectives on Dance of the African Diaspora, 5-7 November 2010, London Metropolitan University.

jazz dance

Carr, Jane (2010) Claiming their space: virtuosity in British jazz dance. In: Dance and Spectacle: Annual Conference of the Society of Dance History Scholars, 8-11 July 2010, University of Surrey, Guilford, U.K..

literature

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

modernism

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

modernist

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

music hall

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

older people

Bowtell, Kayla (2010) Ethics and principles of working with older people in dance. In: Ethics and Principles of Working with Older People in Dance, 14th May and 16th July 2010, Wellingore, Lincolnshire. (Unpublished)

opera

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

performance

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

performance and consciousness

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

phenomenology

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

philosophy

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

playwriting

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

popular theatre

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

sanskrit theatre

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

software engineer

Sicchio, Kate (2010) Exploring the software programmer as choreographer. In: Digital Resources for Humanities and Arts, September 2010, London.

temporality and imagination

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

theatre

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

theatre and consciousness

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

theatricality

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

training

Bowtell, Kayla (2010) Ethics and principles of working with older people in dance. In: Ethics and Principles of Working with Older People in Dance, 14th May and 16th July 2010, Wellingore, Lincolnshire. (Unpublished)

women

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

women writers

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.