Items where Division is "College of Arts > Lincoln School of Performing Arts" and Year is 2010

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Number of items: 40.

B

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

Bowtell, Kayla (2010) Day and night. [Performance]

Bowtell, Kayla (2010) Ethics and principles of working with older people in dance. In: Ethics and Principles of Working with Older People in Dance, 14th May and 16th July 2010, Wellingore, Lincolnshire.

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

C

Carr, Jane (2010) Battling under Britannia’s shadow: British dance battles before B Boys. In: Re:Generations: International Perspectives on Dance of the African Diaspora, 5-7 November 2010, London Metropolitan University.

Carr, Jane (2010) Claiming their space: virtuosity in British jazz dance. In: Dance and Spectacle: Annual Conference of the Society of Dance History Scholars, 8-11 July 2010, University of Surrey, Guilford, U.K..

Carr, Jane (2010) The problem of significance: revisiting aspects of Laban’s discussions of the significance of movement and dance from a twenty-first century perspective. In: The dynamic body in space: Developing Rudolf Laban�s ideas for the 21st Century. Dance Books (Blackwell), London. ISBN 1852731389, 9781852731380

D

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

H

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

K

Kountouriotis, Pavlos (2010) A super modern dance and other romances. [Show/Exhibition]

L

Lawrence, Conan (2010) It happened here. [Video]

Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London. (Unpublished)

M

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

N

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

O

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

P

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald and Goode, Chris and Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

S

Sicchio, K (2010) Beyond TV spectacle: the choreographic craft of So You Think You Can Dance. In: 2010 SDHS Conference, “Dance & Spectacle”, July 9 - 11 2010, University of Surrey.

Sicchio, Kate (2010) Exploring the software programmer as choreographer. In: Digital Resources for Humanities and Arts, September 2010, London.

W

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

This list was generated on Thu Sep 18 08:40:05 2014 BST.