Items where Creator is "Gergely, Gabor"

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Number of items: 26.

Article

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Book Section

Gergely, Gabor (2020) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN UNSPECIFIED

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Conference or Workshop contribution

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Gergely, Gabor (2017) Anti-German stereotypes in Black-Adder and Fekete Vipera. In: National Cultures of English Language Television Comedy Symposium, 16-17 November, 2017., Notre Dame Global Gateway London.

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Edited book and Authored books

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

This list was generated on Fri Aug 14 06:28:47 2020 BST.