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Elliott, Andrew (2018) Internet medievalism and the White Middle Ages. History Compass, 16 (3). pp. 1-10. ISSN 1478-0542
Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X
Elliott, Andrew B.R. (2016) Arthurian fragments, Arthurian mosaics. Arthuriana: The journal of Arthurian studies, 25 (4). pp. 14-24. ISSN 1078-6279
Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685
Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Elliott, Andrew B. R. (2011) The charm of the (re)making: problems of Arthurian television serialization. Arthuriana, 21 (4). pp. 53-67. ISSN 1078-6279
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
Elliott, Andrew B.R. and Horswell, Mike (2020) Crusading Icons: Medievalism and Authenticity in Historical Digital Games. In: History in Games: Contingencies of an Authentic Past. Transcript Verlag, Bielefeld, pp. 137-155. ISBN 978-3-8376-5420-2
Cooper, Victoria and Elliott, Andrew (2020) In my youth-days I faced battles unnumbered: Beowulf and Video Games. In: Beowulf and the Media. Cambridge Scholars Publishing, pp. 51-66. ISBN 978-1-5275-4306-5
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0
Elliott, Andrew B.R. (2020) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN UNSPECIFIED
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Elliott, Andrew B.R. (2019) "Charlemagne at the Battle of Gettysburg": Video Games and the Middle Ages. In: Historia Ludens: The Playing Historian. Routledge, London and New York, pp. 170-185. ISBN UNSPECIFIED
Elliott, Andrew B.R. (2017) Medievalism. In: Handbook of Arthurian romance: King Arthur’s Court in medieval European literature. De Gruyter Reference . De Gruyter, Berlin/Boston, pp. 293-306. ISBN 9783110440614
Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534
Elliott, Andrew B. R. (2015) Our minds are in the gutter, but some of us are swatching Starz … sex, violence and dirty medievalism. In: Fantasy and science fiction medievalisms: from Isaac Asimov to A Game of Thrones. Cambria, pp. 97-116. ISBN UNSPECIFIED
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Elliott, Andrew B. R. (2014) British historical drama and the middle ages. In: Upstairs and downstairs: the British historical costume drama on television. Rowman & Littlefield, Lanham, MD, pp. 113-124. ISBN 1442244828, 9781442244825
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew B. R. (2010) Mr Monk goes to the monastery. In: Mr Monk and philosophy. Open Court Popular Culture and Philosophy, Chicago, pp. 169-180. ISBN 9780812696745
Cooper, Graham and Thayne, Martyn (2019) Heritage Hack - co_LAB in Practice. In: Heritage Dot Conference, 3-4 June 2019, University of Lincoln.
Elliott, Andrew B. R. (2017) Medievalism, politics and mass media: appropriating the Middle Ages in the twenty-first century. Boydell and Brewer, Woodbridge. ISBN 9781843844631
Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247