Items where Creator is "Nair, Sreenath"

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Number of items: 35.

Article

Nair, Sreenath (2013) Less is more: interview with Ralph Yarrow. Studies in South Asian Film and Media, 4 (2). pp. 123-129. ISSN 1756-4921

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Review

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Book Section

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2005) Saundarya: the concept of beauty in Indian aesthetics. In: The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle, pp. 154-163. ISBN 1904303595

Conference or Workshop contribution

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .

Book or Monograph

Nair, Sreenath (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars , New Castle . ISBN 9781443849418

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2007) Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA. ISBN 0313335303

Event, Show or Exhibition

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

This list was generated on Sun Sep 24 06:07:50 2017 BST.