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Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364
Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216
Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078
Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159
Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694
Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x
Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024
Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540
Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438
Adiseshiah, Sian and Hildyard, Rupert (2013) What happens now [introduction]. In: Twenty-first century fiction: what happens now. Palgrave. ISBN 9781137035172
Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362
Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408
Hicks, Leslie, Dagg, Jenny, Adiseshiah, Siân, Bell, Erin, Coley, Rob, Culley, Amy, Gray, Ann, Kearns, Janice, OMeara, Adam, Piggott, David and Winn, Joss (2014) Telling our Stories. Project Report. AHRC.
Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.
Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024
Adiseshiah, Sian and Hildyard, Rupert (2014) Twenty-First century fiction: what happens now [special issue of C21 Literature: Journal of 21st-century Writings]. Gylphi. ISBN UNSPECIFIED
Adiseshiah, Sian and Hildyard, Rupert (2013) Twenty-first century fiction: what happens now. Palgrave Macmillan, Basingstoke. ISBN 9781137035172
Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181
Rowcroft, Andrew and Adiseshiah, Sian (2017) Dr Siân Adiseshiah: Ageing, Utopia and G.B. Shaw’s Back to Methuselah. [Event, Show or Exhibition]