Abstract

In October 2012, German dancer and philosopher Aurelia Baumgartner presented her 90-minute production Tanzende Pferde: Spiegelungen im Raum/Dancing Horses: Reflections in Space. Set in an arena, with a raised stage and a projection screen in the background, it provided a performed anthology of the relationship between human and horse. In the article, Meyer-Dinkgräfe discusses the production based on viewing a 40-minute DVD edited by Baumgartner from footage from two cameras recorded during the two 90-minute performances. The author’s testimony is complemented by Baumgartner’s comments and the context of critical literature exploring the relation of performance and animals that has emerged over the past fifteen to twenty years.