Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523
Eprint 7073 Warden.pdf - Whole Document
Restricted to Repository staff only
This article examines Basil Dean's 1923 performance of James Elroy Flecker's play 'Hassan'.
In the SAS (Special Air Service) headquarters in Hereford, England there is a regimental clock. On it is inscribed a verse from James Elroy Flecker's 1913 poem The Golden Road to Samarkand:
We are the Pilgrims, master; we shall go / Always a little further: it may be / Beyond that last blue mountain barred with snow / Across that angry or that glimmering sea. / (Flecker, Samarkand 7)
Inherent in this epitaph is a spirit of travel and adventure, of conquering the natural world. But there is also potential danger an unknown and unreachable goal. In recent years the SAS troops who completed their training in the shadow of this clock have been deployed in Iraq, a complex arena of war with its suicide bombers, rising civilian casualty count and tensions within the allied forces, both in the respective governments and in ground-level operations.
|Keywords:||Basil Dean, theatre, modernism, James Elroy Flecker, Theatre history, Orientalism, Conflict, First World War, Digitised|
|Subjects:||W Creative Arts and Design > W400 Drama|
|Divisions:||College of Arts > Lincoln School of Performing Arts|
|Deposited By:||Claire Warden|
|Deposited On:||11 Dec 2012 23:15|
|Last Modified:||04 Dec 2013 23:59|
Repository Staff Only: item control page