Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

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Abstract

A consideration of the way that imprisonment is figured in political terms in Harold Pinter's later, more self-evidently 'political' plays.

Item Type: Conference or Workshop Item (Paper)
Additional Information: A consideration of the way that imprisonment is figured in political terms in Harold Pinter's later, more self-evidently 'political' plays.
Keywords: Pinter, imprisonment, ideology
Subjects: W Creative Arts and Design > W440 Theatre studies
Divisions: College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts
Depositing User: James Hudson
Date Deposited: 10 Jun 2012 11:46
Last Modified: 17 Aug 2012 10:45
URI: http://eprints.lincoln.ac.uk/id/eprint/5804

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