Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

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Abstract

This paper discussed Theatre Workshop's use of Rudolf Laban's movement techniques in their quest to create aesthetically innovative and politically engaged performance.

Item Type:	Conference or Workshop Item (Paper)
Additional Information:	This paper discussed Theatre Workshop's use of Rudolf Laban's movement techniques in their quest to create aesthetically innovative and politically engaged performance.
Keywords:	avant-garde theatre
Subjects:	W Creative Arts and Design > W440 Theatre studies
Divisions:	College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts
Depositing User:	Claire Warden
Date Deposited:	01 Jun 2012 19:47
Last Modified:	01 Jun 2012 19:47
URI:	http://eprints.lincoln.ac.uk/id/eprint/5775

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