Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.Full text not available from this repository.
This paper discussed Theatre Workshop's use of Rudolf Laban's movement techniques in their quest to create aesthetically innovative and politically engaged performance.
|Item Type:||Conference or Workshop Item (Paper)|
|Additional Information:||This paper discussed Theatre Workshop's use of Rudolf Laban's movement techniques in their quest to create aesthetically innovative and politically engaged performance.|
|Subjects:||W Creative Arts and Design > W440 Theatre studies|
|Divisions:||College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts|
|Depositing User:||Claire Warden|
|Date Deposited:||01 Jun 2012 19:47|
|Last Modified:||01 Jun 2012 19:47|
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