Blast Theory's 'Rider spoke', its documentation and the making of its replay archive

Giannachi, Gabriella and Rowland, Duncan and Benford, Steve and Foster, Jonathan and Adams, Matt and Chamberlain, Alan (2010) Blast Theory's 'Rider spoke', its documentation and the making of its replay archive. Contemporary Theatre Review, 20 (3). 353 -367. ISSN 1048-6801

Full content URL: http://dx.doi.org/10.1080/10486801.2010.489047

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Item Type:Article
Item Status:Live Archive

Abstract

This article addresses modes of documentation and archiving of live performance. It also constitutes a documentation of the practical and theoretical concerns encountered while documenting Blast Theory's Mixed Reality Performance Rider Spoke (2007) over a period of three years (2007-2010) through two different technologies developed by the Mixed Reality Laboratory at the University of Nottingham: the Digital Replay System (DRS), and a CloudPad. Conducted by an interdisciplinary team with expertise in Performance Studies, Human Computer Interaction (HCI) and Information Management, this documentation comprises: a reflection on the imperative to archive which underpins significant aspects of the digital economy; an analysis of Blast Theory's work Rider Spoke; a discussion of a prototype archive developed using the DRS as part of the EPSRC-funded Creator project; a 'bespoke' documentation of Rider Spoke, including a description of how the team from the Mixed Reality Laboratory, the Centre for Intermedia at the University of Exeter and the Ludwig Boltzman Institute Media.Art.Research used off-the-shelf technologies innovatively to capture the participant experience when the work was shown at the ars electronica festival in Linz (2009); and a contextual analysis of our methodology and the first presentation of an original archiving tool, the CloudPad, developed by the RCUK-funded Horizon research project specifically for the documentation and annotation of Mixed Reality Performance.

Additional Information:This article addresses modes of documentation and archiving of live performance. It also constitutes a documentation of the practical and theoretical concerns encountered while documenting Blast Theory's Mixed Reality Performance Rider Spoke (2007) over a period of three years (2007-2010) through two different technologies developed by the Mixed Reality Laboratory at the University of Nottingham: the Digital Replay System (DRS), and a CloudPad. Conducted by an interdisciplinary team with expertise in Performance Studies, Human Computer Interaction (HCI) and Information Management, this documentation comprises: a reflection on the imperative to archive which underpins significant aspects of the digital economy; an analysis of Blast Theory's work Rider Spoke; a discussion of a prototype archive developed using the DRS as part of the EPSRC-funded Creator project; a 'bespoke' documentation of Rider Spoke, including a description of how the team from the Mixed Reality Laboratory, the Centre for Intermedia at the University of Exeter and the Ludwig Boltzman Institute Media.Art.Research used off-the-shelf technologies innovatively to capture the participant experience when the work was shown at the ars electronica festival in Linz (2009); and a contextual analysis of our methodology and the first presentation of an original archiving tool, the CloudPad, developed by the RCUK-funded Horizon research project specifically for the documentation and annotation of Mixed Reality Performance.
Keywords:documentation, archiving, CloudPad
Subjects:G Mathematical and Computer Sciences > G440 Human-computer Interaction
Divisions:College of Science > School of Computer Science
ID Code:4124
Deposited On:03 Mar 2011 20:21

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