Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.
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Abstract
The intention of this paper is to explore and analyse how actor’s eye can be a major tool in developing his/her imagination in both training and performance. This enquiry is based on the acting devices and training methods of Kudiyattam which is the Sanskrit theatre from India with a continuous performance history of at least 2000 years. Some of my arguments will be inspired by certain aesthetic and philosophical concepts central to Indian thought and I will finally explain the connection between eyes, imagination and temporal experience of perception.
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Additional Information: | The intention of this paper is to explore and analyse how actor’s eye can be a major tool in developing his/her imagination in both training and performance. This enquiry is based on the acting devices and training methods of Kudiyattam which is the Sanskrit theatre from India with a continuous performance history of at least 2000 years. Some of my arguments will be inspired by certain aesthetic and philosophical concepts central to Indian thought and I will finally explain the connection between eyes, imagination and temporal experience of perception. |
| Keywords: | Kudiyattam, temporality and imagination, performance and consciousness, Indian theatre, eyes in acting |
| Subjects: | T Eastern, Asiatic, African, American and Australasian Languages, Literature and related subjects > T400 Other Asian studies W Creative Arts and Design > W440 Theatre studies W Creative Arts and Design > W410 Acting W Creative Arts and Design > W400 Drama |
| Divisions: | College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts |
| Depositing User: | Arya Madhavan |
| Date Deposited: | 18 Jan 2011 18:12 |
| Last Modified: | 16 Aug 2011 07:38 |
| URI: | http://eprints.lincoln.ac.uk/id/eprint/3861 |
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