Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

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Abstract

Just as spoken theatre can lead to the development of desirable altered states of consciousness, opera, as a form of music theatre, should be able to do the same. I want to study the potential of opera for inducing desirable ASC in performers and spectators initially by analysing written material, such as opera reviews, blogs and biographies of opera singers

Item Type:	Conference or Workshop Item (Paper)
Additional Information:	Just as spoken theatre can lead to the development of desirable altered states of consciousness, opera, as a form of music theatre, should be able to do the same. I want to study the potential of opera for inducing desirable ASC in performers and spectators initially by analysing written material, such as opera reviews, blogs and biographies of opera singers
Keywords:	opera, consciousness, Meyer-Dinkgrafe
Subjects:	W Creative Arts and Design > W440 Theatre studies
Divisions:	College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts
Depositing User:	Daniel Meyer-Dinkgräfe
Date Deposited:	20 Oct 2010 20:10
Last Modified:	24 Apr 2013 14:54
URI:	http://eprints.lincoln.ac.uk/id/eprint/3475

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