Carr, Jane (2009) Dualism’s legacies: dance and difference in London in the 21st century. In: Topographies: Sites, Bodies, Technologies: Society of Dance History Scholars, 19-21 June 2009, Stanford University.
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Abstract
Drawing on my experiences in dance, and developing on from research amongst a small number of other London based artists, I explore how the legacies of dualism might be seen as informing different artists’ negotiations of both the shared physical/temporal location of London in the ‘noughties’ and conceptually, that space which Thomas Csordas (1994) has suggested as the ‘terrain on which opposed terms meet’. While addressing how the artists’ explorations emanate from different cultural positions, the paper also suggests what some London based artists may share across difference.
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Additional Information: | Drawing on my experiences in dance, and developing on from research amongst a small number of other London based artists, I explore how the legacies of dualism might be seen as informing different artists’ negotiations of both the shared physical/temporal location of London in the ‘noughties’ and conceptually, that space which Thomas Csordas (1994) has suggested as the ‘terrain on which opposed terms meet’. While addressing how the artists’ explorations emanate from different cultural positions, the paper also suggests what some London based artists may share across difference. |
| Keywords: | Dance, embodiment |
| Subjects: | W Creative Arts and Design > W500 Dance |
| Divisions: | College of Arts > Faculty of Media, Humanities & Performance > Lincoln School of Performing Arts |
| Depositing User: | Users 2695 not found. |
| Date Deposited: | 25 May 2010 18:25 |
| Last Modified: | 13 Mar 2013 08:38 |
| URI: | http://eprints.lincoln.ac.uk/id/eprint/2568 |
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